Jack Shea on the beginning of his interest in directing
01:24
Jack Shea on how stage managers and assistant directors assist the director
03:01
Jack Shea on being promoted to director at NBC
01:56
Jack Shea on his first impressions of being on a television set and the craft of directing
03:21
Jack Shea on the craft of directing and inventing techniques, and how stage managers, assistant directors, and directors work together on set
03:39
Jack Shea on the differences between assistant directors and directors
01:28
Jack Shea on preparations for a day of filming and working with actors
06:45
Jack Shea on how involved he is with editing
02:30
Jack Shea on the relationship between producers and directors
01:43
Jack Shea on his approach to directing actors
01:17
Jack Shea on setting the tone and on set
01:54
Jack Shea on the most important role a director fulfills on the set of sitcoms
00:44
Jack Shea on his directing style
00:43
Jack Shea on how he directs kids
00:42
Jack Shea on his involvement with the Directors Guild of America (DGA)
01:32
Jack Shea on The Radio, Television Directors Guild (RTDG) and network response to the guilds
03:20
Jack Shea on the merger of the RTDG and the Screen Directors Guild into the Directors Guild of America (DGA)
01:48
Jack Shea on who can be a member of the DGA and the role of the organization in the industry; on the international profile of the DGA
04:02
Jack Shea on diversity within the DGA
01:01
Director Jack Shea on the credits issues between the WGA and the DGA
01:04
Jack Shea on the DGA and runaway production
01:36
Jack Shea on the DGA and low budget agreements
00:56
Jack Shea on the status of film versus TV directors and directors-for-hire
01:45
Jack Shea on his tenure as President of the DGA and the importance of the guild and on why he's stayed involved for 50 years
06:10