John Shaffner

Production Designer
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    "What drives us? What makes us so passionate about getting up at the crack of dawn and going to a stage and shivering eating nothing but a bagel and a cup of bad coffee? It's getting to play make believe."

    About This Interview

    In his four-and-a-half-hour interview, John Shaffner talks about his early life, including television he watched as a child and his first impressions of color TV. He describes his education at the University of Montana and Carnegie Mellon, and tells of his first forays into television art direction with a couple of made-for-television movies. He recalls his first major television job designing the set for Star Search, and talks of working on several specials for magician David Copperfield. Shaffer discusses his long association with Friends and creating the iconic sets, including the various apartments and Central Perk coffee house. He also outlines designing sets for The Drew Carey Show, Two and a Half Men, and The Big Bang Theory, as well as for the yearly MDA Telethon with Jerry Lewis. He speaks of his time as chairman of the Television Academy and talks about changes he made to the Emmy Awards as well as to the organization overall. Stephen J. Abramson conducted the interview on October 29, 2013 in North Hollywood, CA.

    All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
    People Talking About ...
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    John Shaffner on his day-to-day duties as set designer for Friends 

    02:33
    Thumbnail of John Shaffner

    John Shaffner on designing the set for Ellen DeGeneres' talk show

    07:01
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    John Shaffner on designing sets to serve David Copperfield's illusions 

    03:58
    Thumbnail of John Shaffner

    John Shaffner on set design for standard definition vs. high definition 

    06:48
    Thumbnail of John Shaffner

    John Shaffner on set design for Star Search

    08:01
    Play Full Interview

    Chapter 1

    On his early life and influences; on television he watched as a child; on the first time he saw color television

    13:23

    On his education at The University of Montana and Carnegie Mellon

    13:41

    On starting out in television; on directing the made-for-television movies A Lathe of Heaven and The Cheever Stories

    15:59

    On early art direction jobs in Hollywood; on the duties of an art director, set decorator, production designer and prop master; on starting a company with Joe Stewart

    16:20

    Chapter 2

    On working with David Copperfield; on designing the set for The Golden Girls; on working in first-run syndication

    12:44

    On set design for Star Search; on working with David Copperfield; on winning Emmys for his David Copperfield specials

    19:03

    On set design for Shop Till You Drop and the Muscular Dystrophy Association Telethon

    08:53

    On designing the set for Friends

    18:25

    Chapter 3

    On his day-to-day duties as set designer for Friends; on creating iconic sets for television series

    12:59

    On working with the cast of Friends; on creating "swing sets" for Friends; on the community of set designers in television  

    15:43

    On designing the set for The Drew Carey Show; on designing the set for Dharma & Greg; on making the transition to high definition and working in feature films

    16:25

    John Shaffner on designing the set for The Emmy Awards

    13:24

    Chapter 4

    On designing the set for Big Brother; on designing the set for Ellen DeGeneres' talk show

    13:14

    On designing the sets for Two and A Half Men and The Big Bang Theory

    16:31

    On designing the set for The Tonight Show Starring Conan O'Brien

    09:57

    On his initial involvement with The Television Academy; on becoming Chairman of The Television Academy and the challenges he faced during his terms

    20:11

    Chapter 5

    On reinventing The Emmy Awards; on creating Television Academy Honors and the Television Academy Hall of Fame

    17:04

    On The Archive of American Television; on career highlights and regrets; on advice to aspiring art directors and his legacy in the television industry

    12:20

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