"The longer that you're around, you've got to just anticipate what do you want the audience to see, what should they feel... Sometimes it takes a while to learn when not to cut. That sounds like old school but I think it's always true."

    About This Interview

    In his two-hour interview, Stanley Frazen (1919-2011) recalls his World War II duty, then his job with Warner Bros. Studios in the mail room, then in publicity. Frazen then talks extensively about the various positions he held at Warner Bros. and the stars who he came in contact with there. He progresses to his first editing experiences as a music cutter, then as a freelance editor. He then discusses working for George Burns, Bob Cummings, and editor Dann Cahn and briefly discusses the craft of editing. He ends the interview by talking about work on The Beverly Hillbillies, My Favorite Martian, Get Smart, Kojak, and The Fall Guy and about his professional and personal relationship with producer/director Garry Marshall. Karen Herman conducted the interview in a joint venture with American Cinema Editors (ACE) on July 17, 2001 at Universal Studios in Universal City, CA.

    All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
    People Talking About ...
    Thumbnail of Stanley Frazen

    Stanley Frazen on how he came to be the editor on The Beverly Hillbillies with Paul Henning

    40:24
    Thumbnail of Stanley Frazen

    Stanley Frazen on editing the Lone Ranger on ABC

    47:10
    Thumbnail of Stanley Frazen

    Stanley Frazen on what he learned about comedy from George Burns which he applied to editing 

    54:19
    Thumbnail of Stanley Frazen

    Stanley Frazen on editing Get Smart; on the complexities of his style of editing

    57:34
    Play Full Interview

    Chapter 1

    On his early years and influences; on his World War II duty; On getting a job at Warner Brothers; working as a publicist

    59:10

    On deciding he wanted to be an editor; getting a job as an apprentice cutting sound on Fantasia

    43:39

    Chapter 2

    On the Army Signal Core; his early editing jobs on films

    59:36

    On transitioning from film to TV editing on pilots for many shows including Truth or Consequences, The Lone Ranger, and Art Linkletter's People Are Funny and Linkletter and the Kids

    49:21

    On television's technological innovations during the early 50s; working with director Ralph Levy and comedian Jack Benny 

    43:59

    Chapter 3

    On working with Art Linkletter, George Burns, Bob Cummings, Joan Davis, Jack Benny

    59:33

    On editing The Beverly Hillbillies and My Favorite Martian ; working with special effects

    00:00

    Chapter 4

    On The Guns of Will Sonnet; Get Smart; his editing style

    59:21

    On editing The Monkees; on career highlights, advice to aspiring editors

    53:41

    Beverly Hillbillies, The

    Stanley Frazen on how he came to be the editor on The Beverly Hillbillies with Paul Henning

    40:24

    Get Smart

    Stanley Frazen on editing Get Smart; on the complexities of his style of editing

    57:34

    Guns of Will Sonnett, The

    Stanley Frazen on editing The Guns of Will Sonnett, a Western series on ABC

    59:21

    I Married Joan

    Stanley Frazen on editing I Married Joan with Joan Davis

    53:00

    Lone Ranger, The

    Stanley Frazen on editing the Lone Ranger on ABC

    47:10

    Monkees, The

    Stanley Frazen on editing The Monkees; working with Carol King

    53:41

    My Favorite Martian

    Stanley Frazen on his experience editing My Favorite Martian on CBS; editing with special effects

    36:30

    People Are Funny

    Stanley Frazen on editing Art Linkletter's People Are Funny on NBC

    46:19

    Truth or Consequences

    Stanley Frazen on editing Truth or Consequences on CBS

    48:19

    Technological Innovation

    Stanley Frazen on the mutli-head movieloa innovation, which he used while editing early television shows

    43:59

    Editor

    Stanley Frazen on what he learned about comedy from George Burns which he applied to editing 

    54:19

    Comedy Series

    Stanley Frazen on what he learned about comedy from George Burns which he applied to editing 

    54:19

    Jack Benny

    Stanley Frazen on Jack Benny appearing on Burns and Allen; a funny anecdote about how long he should pause

    47:59

    George Burns

    Stanley Frazen on working with George Burns

    57:08

    Stanley Frazen on what he learned about comedy from George Burns which he applied to editing 

    54:19

    Ralph Levy

    Stanley Frazen on director Ralph Levy, who he worked with while editing Jack Benny specials in the early 50s; on his comedy style

    39:48

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