Don Pike on his earliest days in television with Philo T. Farnsworth and the early equipment and sets
11:21
Don Pike on the shop where he worked with Philo T. Farnsworth and the equipment they used to build cameras and televisions
02:02
Don Pike on building early televisions for Philo T. Farnsworth
03:11
Don Pike on manufacturing the tubes for Philo T. Farnsworth's televisions and how they worked
04:15
Don Pike on being involved in Philo T. Farnsworth's company Farnsworth Television and Radio
05:22
Don Pike on Farnsworth Television's facilities and its goals
03:27
Don Pike on Philo T. Farnsworth becoming ill and leaving his company, and other inventions that Farnsworth was working on
07:10
Don Pike on how early television signals worked
03:45
Don Pike on the impact of Philo T. Farnsworth's declining health on his research, and RCA's iconoscope tube
07:45
Don Pike on engineering cameras for bombs during World War II
06:45
Don Pike on perfecting the television picture and the responsibilities of a technical director
03:21
Don Pike on his training program to become a technical director
01:40
Don Pike on transferring to RCA's color lab in 1949
03:57
Don Pike on creating early color cameras
04:44
Don Pike on experimenting with different color television systems
04:54
Don Pike on testing color television and the race to bring it to the public
03:55
Don Pike on becoming a color coordinator for NBC
02:47
Don Pike on how the advent of color affected television production
04:46
Don Pike on the challenges of getting early television colors correct
02:02
Don Pike on going to work covering NASA for NBC
06:59
Don Pike on the legacy of Philo T. Farnsworth
02:41