Dick Berg on writing for Kraft Television Theater and Studio One
Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour and "The Clay Pigeon" for Robert Montgomery Presents
Dick Berg on writing "The Right Hand Man" for Playhouse 90
Dick Berg on writing "Man Under Glass" for Studio One
Dick Berg on writing Suspicion, Alfred Hitchcock Presents, and The Third Man
Tom Bosley on appearing in the Hallmark Hall of Fame production of "Born Yesterday" starring Mary Martin and of "Alice in Wonderland" directed by George Schaefer
Tom Bosley on appearing in the Hallmark Hall of Fame production of "Arsenic & Old Lace" with Boris Karloff and Tony Randall
Tom Bosley on his role in the pilot for Night Gallery, directed by Steven Spielberg, and co-starring Joan Crawford
John Conte on appearing as an actor on Studio One, and on appearing on the Studio One production "Flowers From a Stranger" with Yul Brynner
John Conte on appearing on Chevrolet Tele-Theater
John Conte on appearing on Climax! and in the feature "The Man with the Golden Arm" with Frank Sinatra
John Conte on appearing on Matinee Theater, and being sent to Atlanta by David Sarnoff to promote NBC
John Conte on hosting the syndicated anthology series The Best of the Post and on what made him a good host
John Conte on hosting Matinee Theater
Richard Donner on directing The Loretta Young Show
Richard Donner on directing The Twilight Zone
Richard Donner directing The Twilight Zone
Richard Donner on producing and directing Tales from the Crypt for HBO
David Dortort on writing for Suspense
David Dortort on writing for Fireside Theatre and learning to write for the audience
David Dortort on adapting William Faulkner's "An Error in Chemistry" for Climax!, produced by Martin Manulis
David Dortort on writing "The Ox Bow Incident" for The 20th Century-Fox Hour
Imero Fiorentino on lighting The U.S. Steel Hour at ABC
Imero Fiorentino on lighting Omnibus
Lighting Director Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman; a story about an opera singer who refused to sing the show's finale
Lighting Director Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley
Horton Foote on Kraft Television Theatre's production of his play "Only the Heart"
Horton Foote on writing for Philco-Goodyear Television Playhouse
Horton Foote on his Playhouse 90 teleplay "The Shape of the River" (airdate: May 2, 1960), and on the end of the Golden Age of Television
John Frankenheimer on directing Climax!
John Frankenheimer on directing live television for Climax!
John Frankenheimer on directing specific episodes of Climax!
John Frankenheimer on directing Playhouse 90
John Frankenheimer on directing Playhouse 90
John Frankenheimer on directing Playhouse 90
John Frankenheimer on directing Playhouse 90
Jerry Goldsmith on transitioning into composing for CBS television with the series Climax!
Jerry Goldsmith on composing for Playhouse 90, Climax!, and Studio One
Jerry Goldsmith on composing for The Twilight Zone (Part 1)
Jerry Goldsmith on composing for The Twilight Zone and working with Rod Serling on various shows (Part 2)
Jerry Goldsmith on leaving CBS and going to compose for Revue (later Universal Television) for series like Thriller
Jerry Goldsmith on composing for Jericho and being nominated for Emmy Awards for composing for Thriller and The Man from U.N.C.L.E.
Jerry Goldsmith on composing for CBS Playhouse and the state of the television orchestras in the '60s
Jonathan Harris on his first television role on the Chevrolet Tele-Theater production "His Name is Jason"
Jonathan Harris on appearing on Lights Out
Jonathan Harris on appearing on The Web
Jonathan Harris on appearing on Shirley Temple's Storybook
Jonathan Harris on appearing on Schlitz Playhouse of Stars and on Kraft Television Theatre
Jonathan Harris on appearing in the General Electric Theater production of "Blaze of Glory" with Lou Costello
Jonathan Harris on appearing on Omnibus in the episode "Dear Brutus"
Arthur Hiller on meeting Jack Benny, one of his idols, while he was directing an episode of Playhouse 90
Arthur Hiller on how he came to direct NBC Matinee Theater, based on a show he had directed in Canada for the CBC
Arthur Hiller on his first time directing NBC Matinee Theater and his nerves on the set
Arthur Hiller on the schedule for producing NBC Matinee Theater and the excitement of directing for live television
Arthur Hiller on dealing with an athlete who couldn't act appearing on NBC Matinee Theater, and his love of doing "live" television
Arthur Hiller on idea he "stole" from Delbert Mann while directing NBC Matinee Theater
Arthur Hiller on Dennis Hopper's appearance on an episode of NBC Matinee Theater
Arthur Hiller on working with host John Conte and producer Albert McCleery on NBC Matinee Theater
Arthur Hiller on leaving NBC Matinee Theater
Arthur Hiller on how he came to direct for Climax!
Arthur Hiller on the opportunities and limitations of NBC Matinee Theater due to the fact it was a daily show, and interference from the sponsors
Arthur Hiller on the first episode of Climax! he directed and dealing with the writer of the episode
Arthur Hiller on directing Playhouse 90
Arthur Hiller on directing actors on an episode of Climax! and forgetting an important detail because of his nerves
Arthur Hiller on working on Playhouse 90 with Martin Manulis, who created the show, and on the quality of the program
Arthur Hiller on directing NBC Matinee Theater
Arthur Hiller on directing Climax!
Arthur Hiller on directing Playhouse 90
Arthur Hiller on the production schedule of Playhouse 90 and directing both "live" and filmed versions of the show
Arthur Hiller on specific episodes of Playhouse 90
Arthur Hiller on directing an episode of Telephone Time
Arthur Hiller on directing Boris Karloff in the pilot of the series Thriller
Arthur Hiller on directing Alfred Hitchcock Presents and working with and for Alfred Hitchcock
Arthur Hiller on directing Alfred Hitchcock Presents
Arthur Hiller on directing Thriller
Arthur Hiller on directing The Barbara Stanwyck Show and Telephone Time with Claudette Colbert
Arthur Hiller on working with Mickey Rooney on The Dick Powell Show
Arthur Hiller on Route 66, Naked City, and Philco-Goodyear Television Playhouse
Lamont Johnson on playing "Ishmael" in the Hallmark Hall of Fame production of "Moby Dick'
Lamont Johnson on acting opposite Ethel Barrymore on Climax!
Lamont Johnson on the kinds of roles he got as an actor, and on working with producer Albert McCleery on NBC Matinee Theater
Lamont Johnson on directing NBC Matinee Theater
Lamont Johnson on directing NBC Matinee Theater
Lamont Johnson on directing NBC Matinee Theater
Lamont Johnson on directing Profiles in Courage
Lamont Johnson on directing The Twilight Zone
Jack Lemmon on acting on Kraft Television Theatre and appearing on live television
Jack Lemmon on working on Studio One
Jack Lemmon on appearing on Ford Television Theatre's "The Day Lincoln Was Shot"
Jack Lemmon on appearing on the Playhouse 90 production of "Face of a Hero"
Richard Lewis on producing The General Electric Theater
Richard Lewis on producing Studio 57
Richard Lewis on producing Schlitz Playhouse of the Stars and Tales of Wells Fargo
Richard Lewis on producing Alcoa Premiere
Norman Lloyd on the genesis of Alfred Hitchcock Presents
Norman Lloyd on directing several episodes of Omnibus
Norman Lloyd on producing and directing Alfred Hitchcock Presents
Norman Lloyd on Alfred Hitchcock Presents
Norman Lloyd on producing Hollywood Television Theatre
Norman Lloyd on the Hollywood Television Theater production of Jean Renoir's "Carola"
Sidney Lumet on directing for The Alcoa Hour and on working for producer Herbert Brodkin
Sidney Lument on directing The Alcoa Hour production of "Tragedy in a Temporary Town"
Sidney Lument on directing the film version of the Studio One production of "12 Angry Men"
Sidney Lumet on directing various episode of Studio One
Sidney Lumet on directing Kraft Television Theatre, and on producer David Susskind
Stewart MacGregory on acting as stage coordinator for Chevrolet on Broadway
Stewart MacGregory on being stage coordinator for Kraft Television Theatre produced by David Susskind
Stewart MacGregory on being stage coordinator for Armstrong Circle Theatre
Stewart MacGregory on being stage coordinator for Philco-Goodyear Television Playhouse
Stewart MacGregory on acting as stage coordinator for Armstrong Circle Theatre and Martin Kane, Private Eye
Stewart MacGregory on live commercials for Kraft Television Theatre
Stewart MacGregory on being unit manager on The Bell Telephone Hour
Loring Mandel on writing various scripts for Studio One
Loring Mandel on writing "House of His Own" for Lux Video Theatre
Loring Mandel on the production company Unit 4 and on writing "The Army Game" for The Kaiser Aluminum Hour , directed by Franklin J. Schaffner and starring Paul Newman
Loring Mandel on writing The Seven Lively Arts episode "The Blast in Centralia #5," directed by George Roy Hill
Loring Mandel on writing for Playhouse 90
Loring Mandel on writing for The DuPont Show of the Week
Loring Mandel on writing for CBS Playhouse
Delbert Mann on Fred Coe bringing him on as an alternating and then full-time director on Philco-Goodyear Television Playhouse
Delbert Mann on the panicked atmosphere of early live television
Delbert Mann on directing Philco-Goodyear Television Playhouse
Delbert Mann on Paddy Chayefsky's production "Marty" on Philco-Goodyear Television Playhouse
Delbert Mann on fighting blacklisting on Philco-Goodyear Television Playhouse and the end of the program
Delbert Mann on directing productions of Producers' Showcase and Playhouse 90
Abby Mann on his early interest in writing and F. Scott Fitzgerald, and on writing about him for Cameo Theatre in "The Gathering Twilight"
Abby Mann on writing for The Kate Smith Show and Matinee Theater
Abby Mann on writing "Pattern for Glory" for Rheingold Theatre, and on his writing partner Bernard Drew
Abby Mann on writing "The World to Nothing" for Robert Montgomery Presents
Abby Mann on writing for Philco-Goodyear Television Playhouse
Abby Mann on writing for Studio One produced by Herbert Brodkin
Abby Mann on where he got his ideas when he was writing for classic anthology series, and on how writers were treated in that time period
Abby Mann on writing "The Desperate Age" and "A Child is Waiting" for Studio One, and on Judy Garland appearing in the film version
Abby Mann on writing The United States Steel Hour production of "Give Me My Son"
Abby Mann on writing the Playhouse 90 classic "Judgment at Nuremberg"
Abby Mann on writing Playhouse 90: "Judgement at Nuremberg"
Martin Manulis on producing Studio One
Martin Manulis on producing Best of Broadway
Martin Manulis on producing Climax!
Martin Manulis on producing Playhouse 90
Martin Manulis on producing Playhouse 90
Martin Manulis on producing Playhouse 90
Martin Manulis on the Playhouse 90 productions "Days of Wine and Roses" and "The Comedian"
Bob Markell on working on You Are There
Bob Markell on working on Studio One
Bob Markell on working on You Are There
Bob Markell on working on Studio One
Bob Markell on working on Playhouse 90
Bob Markell on working on The Seven Lively Arts
Bob Markell on working on Stage 67
Bob Markell on working on Stage 67
Bob Markell on his involvement with The Bicentennial Minutes
Paul Monash on writing "The Singing Idol" for Kraft Television Theatre
Paul Monash on writing "The Lonely Wizard" for Schlitz Playhouse of Stars
Paul Monash on writing for Playhouse 90 and Climax!
Paul Monash on writing for Westingtonhouse Desilu Playhouse
Rita Moreno on appearing in the Climax! production of "The Chinese Game" directed by Buzz Kulik
Rita Moreno on appearing on Lux Video Theatre
Rita Moreno on appearing on Fireside Theatre and Schlitz Playhouse of Stars and on her early ethnic roles
Rita Moreno on appearing in The 20th Century-Fox Hour production of "Broken Arrow"
Rita Moreno on appearing in the Playhouse 90 production of "Alas Babylon" and on working with Burt Reynolds on B.L. Stryker
Tad Mosel on adapting a James Thurber short story for Omnibus
Tad Mosel on writing for Ominbus
Tad Mosel on writing for Medallion Theater
Tad Mosel on writing "The Haven" for Philco-Goodyear Television Playhouse produced by Fred Coe and on Coe's contribution to television
Tad Mosel on writing for Philco-Goodyear Television Playhouse
Tad Mosel on writing for Philco-Goodyear Television Playhouse
Tad Mosel on writing for Studio One
Tad Mosel on writing "The Waiting Place" for Playwrights '56
Tad Mosel on writing for Philco-Goodyear Television Playhouse
Tad Mosel on working with Humphrey Bogart, Lauren Bacall, and Henry Fonda on Producers' Showcase: "The Petrified Forest"
Tad Mosel on working with Martin Manulis on Playhouse 90
Tad Mosel on writing "The Five Dollar Bill" for Studio One
Tad Mosel on writing for Playhouse 90
Tad Mosel on watching Playhouse 90 and other live dramas of his be performed
Arthur Penn on directing Philco-Goodyear Television Playhouse
Arthur Penn on directing for Playhouse 90
Arthur Penn on the Playwrights '56 episode "The Battler," which was to star James Dean
Arthur Penn on directing Playhouse 90
Arthur Penn on directing Philco-Goodyear Television Playhouse
Marian Rees on working on Lux Video Theatre
Marian Rees on producing "Tell Me Where it Hurts" for General Electric Theater
Marian Rees on producing Masterpiece Theatre's American Collection
Marian Rees on producing Masterpiece Theatre's American Collection (Part 2)
Marian Rees on producing Masterpiece Theatre's American Collection (Part 3)
Del Reisman on being the story editor for NBC Matinee Theater
Del Reisman on working on NBC Matinee Theater
Del Reisman on story editing Playhouse 90
Del Reisman on story editing for Playhouse 90
Del Reisman on Playhouse 90
Del Reisman on how he came to be involved as a producer with Rod Serling's The Twilight Zone
Del Reisman on associate producing The Twilight Zone
Del Reisman on working on The Twilight Zone
Cliff Robertson on his involvement with the early television anthology dramas
Cliff Robertson on the ensemble feeling of working in live anthology dramas and the prestige of television in the early 1950s
Cliff Robertson on starring in the Playhouse 90 live production of "The Days of Wine and Roses"
Cliff Robertson on The U.S. Steel Hour's "The Two Worlds of Charly Gordon" and the feature film "Charly"
Cliff Robertson on the writers for the classic anthology series
Cliff Robertson on being nominated for an Emmy for The U.S. Steel Hour production of "Charly" and why he wanted to make a film version of "Charly"
Stanley Rubin on his first work as a producer in television, the dramatic anthology series Your Show Time and producing its pilot, "The Necklace"
Stanley Rubin on the source material, directors, and producers for the anthology series, Your Show Time
Stanley Rubin on the shooting schedule, budget, and syndication of Your Show Time
Stanley Rubin on favorite episodes of Your Show Time
Stanley Rubin on winning the first Emmy Award ever to awarded a "film made for television" for Your Show Time at the first Emmy Awards ceremony on January 25, 1949
Stanley Rubin on producing General Electric Theater
David Shaw on writing for the series Actors Studio
David Shaw on writing for Prudential Family Playhouse
David Shaw on working for producer Fred Coe and with writer Paddy Chayefsky on Philco-Goodyear Television Playhouse
David Shaw on writing various episodes of Philco-Goodyear Television Playhouse
David Shaw on writing for Philco-Goodyear Playhouse
David Shaw on writing for Studio One
David Shaw on writing for Schlitz Playhouse of Stars
David Shaw on writing for Producers' Showcase
David Shaw on writing "Our Town" for Producers' Showcase
David Shaw on writing for Playhouse 90
James Sheldon on directing a teleplay for Philco-Goodyear Playhouse:"A Softness in the Wind," produced by Fred Coe, and the challenges of being a director in the early years of television
James Sheldon on not being allowed to cast Eddie Albert on an episode of Armstrong Circle Theatre because of the Blacklist
James Sheldon on directing The Millionaire
James Sheldon on directing child actor Billy Mumy on The Twilight Zone
James Sheldon on directing The Twilight Zone
James Sheldon on directing The Twilight Zone
James Sheldon on directing Espionage in London
James Sheldon on James Dean's behavior on an episode of Armstrong Circle Theatre: "The Bells of Cockaigne"
Ethel Winant on working in the Broadway theater, and getting involved with casting for television via Studio One
Ethel Winant on the first television show she cast, Justice, and on casting Armstrong Circle Theatre
Ethel Winant on the kind of talent that was drawn to shows like Philco-Goodyear Television Playhouse
Ethel Winant on casting Playhouse 90
Ethel Winant on Playhouse 90's productions of "Portrait of a Murderer" and "Judgement at Nuremberg", and on network and sponsor censorship
