Dick Berg on writing for Kraft Television Theater and Studio One
04:58
Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour and "The Clay Pigeon" for Robert Montgomery Presents
03:42
Dick Berg on writing "The Right Hand Man" for Playhouse 90
03:51
Dick Berg on writing "Man Under Glass" for Studio One
01:27
Dick Berg on writing Suspicion, Alfred Hitchcock Presents, and The Third Man
01:21
John Conte on appearing as an actor on Studio One, and on appearing on the Studio One production "Flowers From a Stranger" with Yul Brynner
03:40
John Conte on appearing on Chevrolet Tele-Theater
01:54
John Conte on appearing on Climax! and in the feature "The Man with the Golden Arm" with Frank Sinatra
06:07
John Conte on appearing on Matinee Theater, and being sent to Atlanta by David Sarnoff to promote NBC
05:59
John Conte on hosting the syndicated anthology series The Best of the Post and on what made him a good host
00:55
John Conte on hosting Matinee Theater
20:58
Richard Donner on directing The Loretta Young Show
03:54
Richard Donner on directing The Twilight Zone
21:47
Richard Donner directing The Twilight Zone
07:31
Richard Donner on producing and directing Tales from the Crypt for HBO
05:14
David Dortort on writing for Suspense
05:22
David Dortort on writing for Fireside Theatre and learning to write for the audience
07:22
David Dortort on adapting William Faulkner's "An Error in Chemistry" for Climax!, produced by Martin Manulis
07:45
David Dortort on writing "The Ox Bow Incident" for The 20th Century-Fox Hour
03:59
Imero Fiorentino on lighting The U.S. Steel Hour at ABC
02:24
Imero Fiorentino on lighting Omnibus
05:15
Lighting Director Imero Fiorentino on Paul Whiteman's Goodyear Revue, with Glenn Osser (conducting) and Paul Whiteman; a story about an opera singer who refused to sing the show's finale
04:26
Lighting Director Imero Fiorentino on a shadow thrown on the actors from a microphone on live TV, during the first U.S. Steel Hour production "P.O.W." with Richard Kiley
03:05
Horton Foote on Kraft Television Theatre's production of his play "Only the Heart"
03:09
Horton Foote on writing for Philco-Goodyear Television Playhouse
15:41
Horton Foote on his Playhouse 90 teleplay "The Shape of the River" (airdate: May 2, 1960), and on the end of the Golden Age of Television
03:27
John Frankenheimer on directing Climax!
16:35
John Frankenheimer on directing live television for Climax!
28:28
John Frankenheimer on directing specific episodes of Climax!
20:56
John Frankenheimer on directing Playhouse 90
27:48
John Frankenheimer on directing Playhouse 90
28:12
John Frankenheimer on directing Playhouse 90
28:00
John Frankenheimer on directing Playhouse 90
12:32
Jerry Goldsmith on transitioning into composing for CBS television with the series Climax!
05:40
Jerry Goldsmith on composing for Playhouse 90, Climax!, and Studio One
18:55
Jerry Goldsmith on composing for The Twilight Zone (Part 1)
00:55
Jerry Goldsmith on composing for The Twilight Zone and working with Rod Serling on various shows (Part 2)
02:49
Jerry Goldsmith on leaving CBS and going to compose for Revue (later Universal Television) for series like Thriller
04:47
Jerry Goldsmith on composing for Jericho and being nominated for Emmy Awards for composing for Thriller and The Man from U.N.C.L.E.
01:38
Jerry Goldsmith on composing for CBS Playhouse and the state of the television orchestras in the '60s
01:10
Jonathan Harris on his first television role on the Chevrolet Tele-Theater production "His Name is Jason"
02:29
Jonathan Harris on appearing on Lights Out
02:52
Jonathan Harris on appearing on The Web
01:16
Jonathan Harris on appearing on Shirley Temple's Storybook
03:31
Jonathan Harris on appearing on Schlitz Playhouse of Stars and on Kraft Television Theatre
02:31
Jonathan Harris on appearing in the General Electric Theater production of "Blaze of Glory" with Lou Costello
02:47
Jonathan Harris on appearing on Omnibus in the episode "Dear Brutus"
03:47
Arthur Hiller on meeting Jack Benny, one of his idols, while he was directing an episode of Playhouse 90
00:51
Arthur Hiller on how he came to direct NBC Matinee Theater, based on a show he had directed in Canada for the CBC
04:38
Arthur Hiller on his first time directing NBC Matinee Theater and his nerves on the set
01:20
Arthur Hiller on the schedule for producing NBC Matinee Theater and the excitement of directing for live television
02:17
Arthur Hiller on dealing with an athlete who couldn't act appearing on NBC Matinee Theater, and his love of doing "live" television
02:32
Arthur Hiller on idea he "stole" from Delbert Mann while directing NBC Matinee Theater
01:02
Arthur Hiller on Dennis Hopper's appearance on an episode of NBC Matinee Theater
00:33
Arthur Hiller on working with host John Conte and producer Albert McCleery on NBC Matinee Theater
01:40
Arthur Hiller on leaving NBC Matinee Theater
04:24
Arthur Hiller on how he came to direct for Climax!
00:28
Arthur Hiller on the opportunities and limitations of NBC Matinee Theater due to the fact it was a daily show, and interference from the sponsors
02:31
Arthur Hiller on the first episode of Climax! he directed and dealing with the writer of the episode
02:53
Arthur Hiller on directing Playhouse 90
02:59
Arthur Hiller on directing actors on an episode of Climax! and forgetting an important detail because of his nerves
00:57
Arthur Hiller on working on Playhouse 90 with Martin Manulis, who created the show, and on the quality of the program
01:38
Arthur Hiller on directing NBC Matinee Theater
15:53
Arthur Hiller on directing Climax!
06:03
Arthur Hiller on directing Playhouse 90
03:52
Arthur Hiller on the production schedule of Playhouse 90 and directing both "live" and filmed versions of the show
04:49
Arthur Hiller on specific episodes of Playhouse 90
04:42
Arthur Hiller on directing an episode of Telephone Time
01:14
Arthur Hiller on directing Boris Karloff in the pilot of the series Thriller
03:03
Arthur Hiller on directing Alfred Hitchcock Presents and working with and for Alfred Hitchcock
04:35
Arthur Hiller on directing Alfred Hitchcock Presents
09:00
Arthur Hiller on directing Thriller
01:31
Arthur Hiller on directing The Barbara Stanwyck Show and Telephone Time with Claudette Colbert
03:18
Arthur Hiller on working with Mickey Rooney on The Dick Powell Show
04:40
Arthur Hiller on Route 66, Naked City, and Philco-Goodyear Television Playhouse
14:47
Lamont Johnson on playing "Ishmael" in the Hallmark Hall of Fame production of "Moby Dick'
01:02
Lamont Johnson on acting opposite Ethel Barrymore on Climax!
04:49
Lamont Johnson on the kinds of roles he got as an actor, and on working with producer Albert McCleery on NBC Matinee Theater
04:51
Lamont Johnson on directing NBC Matinee Theater
22:47
Lamont Johnson on directing NBC Matinee Theater
06:26
Lamont Johnson on directing NBC Matinee Theater
10:11
Lamont Johnson on directing Profiles in Courage
06:02
Lamont Johnson on directing The Twilight Zone
29:25
Jack Lemmon on acting on Kraft Television Theatre and appearing on live television
04:06
Jack Lemmon on working on Studio One
03:27
Jack Lemmon on appearing on Ford Television Theatre's "The Day Lincoln Was Shot"
01:42
Jack Lemmon on appearing on the Playhouse 90 production of "Face of a Hero"
04:07
Richard Lewis on producing The General Electric Theater
07:00
Richard Lewis on producing Studio 57
04:21
Richard Lewis on producing Schlitz Playhouse of the Stars and Tales of Wells Fargo
02:04
Richard Lewis on producing Alcoa Premiere
19:57
Sidney Lumet on directing for The Alcoa Hour and on working for producer Herbert Brodkin
03:44
Sidney Lument on directing The Alcoa Hour production of "Tragedy in a Temporary Town"
01:27
Sidney Lument on directing the film version of the Studio One production of "12 Angry Men"
03:40
Sidney Lumet on directing various episode of Studio One
07:14
Sidney Lumet on directing Kraft Television Theatre, and on producer David Susskind
05:17
Stewart MacGregory on acting as stage coordinator for Chevrolet on Broadway
15:51
Stewart MacGregory on being stage coordinator for Kraft Television Theatre produced by David Susskind
03:46
Stewart MacGregory on being stage coordinator for Armstrong Circle Theatre
01:27
Stewart MacGregory on being stage coordinator for Philco-Goodyear Television Playhouse
06:59
Stewart MacGregory on acting as stage coordinator for Armstrong Circle Theatre and Martin Kane, Private Eye
05:28
Stewart MacGregory on live commercials for Kraft Television Theatre
03:32
Stewart MacGregory on being unit manager on The Bell Telephone Hour
09:35
Loring Mandel on writing various scripts for Studio One
29:13
Loring Mandel on writing "House of His Own" for Lux Video Theatre
01:49
Loring Mandel on the production company Unit 4 and on writing "The Army Game" for The Kaiser Aluminum Hour , directed by Franklin J. Schaffner and starring Paul Newman
05:44
Loring Mandel on writing The Seven Lively Arts episode "The Blast in Centralia #5," directed by George Roy Hill
07:55
Loring Mandel on writing for Playhouse 90
17:15
Loring Mandel on writing for The DuPont Show of the Week
06:29
Loring Mandel on writing for CBS Playhouse
12:56
Delbert Mann on Fred Coe bringing him on as an alternating and then full-time director on Philco-Goodyear Television Playhouse
03:26
Delbert Mann on the panicked atmosphere of early live television
03:07
Delbert Mann on directing Philco-Goodyear Television Playhouse
28:41
Delbert Mann on Paddy Chayefsky's production "Marty" on Philco-Goodyear Television Playhouse
07:18
Delbert Mann on fighting blacklisting on Philco-Goodyear Television Playhouse and the end of the program
06:34
Delbert Mann on directing productions of Producers' Showcase and Playhouse 90
05:26
Martin Manulis on producing Studio One
01:59
Martin Manulis on producing Best of Broadway
17:16
Martin Manulis on producing Climax!
08:17
Martin Manulis on producing Playhouse 90
24:45
Martin Manulis on producing Playhouse 90
29:08
Martin Manulis on producing Playhouse 90
28:39
Bob Markell on working on You Are There
19:48
Bob Markell on working on Studio One
13:25
Bob Markell on working on You Are There
14:21
Bob Markell on working on Studio One
03:10
Bob Markell on working on Playhouse 90
02:19
Bob Markell on working on The Seven Lively Arts
02:31
Bob Markell on working on Stage 67
03:25
Bob Markell on working on Stage 67
02:43
Bob Markell on his involvement with The Bicentennial Minutes
03:09
Paul Monash on writing "The Singing Idol" for Kraft Television Theatre
02:33
Paul Monash on writing "The Lonely Wizard" for Schlitz Playhouse of Stars
05:02
Paul Monash on writing for Playhouse 90 and Climax!
12:24
Paul Monash on writing for Westingtonhouse Desilu Playhouse
03:40
Tad Mosel on adapting a James Thurber short story for Omnibus
03:38
Tad Mosel on writing for Ominbus
06:48
Tad Mosel on writing for Medallion Theater
06:48
Tad Mosel on writing "The Haven" for Philco-Goodyear Television Playhouse produced by Fred Coe and on Coe's contribution to television
05:24
Tad Mosel on writing for Philco-Goodyear Television Playhouse
10:47
Tad Mosel on writing for Philco-Goodyear Television Playhouse
21:16
Tad Mosel on writing for Studio One
04:09
Tad Mosel on writing "The Waiting Place" for Playwrights '56
03:35
Tad Mosel on writing for Philco-Goodyear Television Playhouse
10:31
Tad Mosel on working with Humphrey Bogart, Lauren Bacall, and Henry Fonda on Producers' Showcase: "The Petrified Forest"
13:05
Tad Mosel on working with Martin Manulis on Playhouse 90
01:50
Tad Mosel on writing "The Five Dollar Bill" for Studio One
07:16
Tad Mosel on writing for Playhouse 90
21:51
Tad Mosel on watching Playhouse 90 and other live dramas of his be performed
10:14
Marian Rees on working on Lux Video Theatre
23:51
Marian Rees on producing "Tell Me Where it Hurts" for General Electric Theater
10:56
Marian Rees on producing Masterpiece Theatre's American Collection
14:45
Marian Rees on producing Masterpiece Theatre's American Collection (Part 2)
29:52
Marian Rees on producing Masterpiece Theatre's American Collection (Part 3)
14:48
Cliff Robertson on his involvement with the early television anthology dramas
02:58
Cliff Robertson on the ensemble feeling of working in live anthology dramas and the prestige of television in the early 1950s
02:53
Cliff Robertson on starring in the Playhouse 90 live production of "The Days of Wine and Roses"
13:16
Cliff Robertson on The U.S. Steel Hour's "The Two Worlds of Charly Gordon" and the feature film "Charly"
06:07
Cliff Robertson on the writers for the classic anthology series
01:08
Cliff Robertson on being nominated for an Emmy for The U.S. Steel Hour production of "Charly" and why he wanted to make a film version of "Charly"
04:15
Stanley Rubin on his first work as a producer in television, the dramatic anthology series Your Show Time and producing its pilot, "The Necklace"
13:26
Stanley Rubin on the source material, directors, and producers for the anthology series, Your Show Time
08:44
Stanley Rubin on the shooting schedule, budget, and syndication of Your Show Time
08:04
Stanley Rubin on favorite episodes of Your Show Time
02:00
Stanley Rubin on winning the first Emmy Award ever to awarded a "film made for television" for Your Show Time at the first Emmy Awards ceremony on January 25, 1949
03:50
Stanley Rubin on producing General Electric Theater
08:49
David Shaw on writing for the series Actors Studio
05:44
David Shaw on writing for Prudential Family Playhouse
01:15
David Shaw on working for producer Fred Coe and with writer Paddy Chayefsky on Philco-Goodyear Television Playhouse
06:05
David Shaw on writing various episodes of Philco-Goodyear Television Playhouse
29:16
David Shaw on writing for Philco-Goodyear Playhouse
03:55
David Shaw on writing for Studio One
01:31
David Shaw on writing for Schlitz Playhouse of Stars
03:59
David Shaw on writing for Producers' Showcase
04:26
David Shaw on writing "Our Town" for Producers' Showcase
01:31
David Shaw on writing for Playhouse 90
13:49
James Sheldon on directing a teleplay for Philco-Goodyear Playhouse:"A Softness in the Wind," produced by Fred Coe, and the challenges of being a director in the early years of television
05:20
James Sheldon on not being allowed to cast Eddie Albert on an episode of Armstrong Circle Theatre because of the Blacklist
01:26
James Sheldon on directing The Millionaire
03:31
James Sheldon on directing child actor Billy Mumy on The Twilight Zone
01:56
James Sheldon on directing The Twilight Zone
10:22
James Sheldon on directing The Twilight Zone
01:51
James Sheldon on directing Espionage in London
00:52
James Sheldon on James Dean's behavior on an episode of Armstrong Circle Theatre: "The Bells of Cockaigne"
01:15
Ethel Winant on working in the Broadway theater, and getting involved with casting for television via Studio One
07:05
Ethel Winant on the first television show she cast, Justice, and on casting Armstrong Circle Theatre
02:11
Ethel Winant on the kind of talent that was drawn to shows like Philco-Goodyear Television Playhouse
04:51
Ethel Winant on casting Playhouse 90
12:17
Ethel Winant on Playhouse 90's productions of "Portrait of a Murderer" and "Judgement at Nuremberg", and on network and sponsor censorship
09:49
