About
"The Golden Age of Television? When television came, it was a revolution and then it ate us all up. All I know is back then, I was asked to do my best, and no one wants that anymore."
In his two-and-a-half-hour interview, Max Wilk (1920-2011) briefly describes his beginnings as a writer in radio, touring with Irving Berlin's This Is the Army during World War II, and his entrance into writing for early television. He talks about writing for such anthology and variety shows as: The Ford Television Theatre (1948-50), The Victor Borge Show (1951), and The Imogene Coca Show (1954-55). Finally, he describes working on the critically-acclaimed and long-running series Mama (for which he wrote from 1952-53), as well as the Emmy Award-winning special The Fabulous Fifties (1960), a look at the decade. As a television historian and author of the seminal book The Golden Age of Television: Notes from the Survivors, Wilk also describes the "live" era of television (and the actors, writers, and producers of the day) and the cloud of the Hollywood Blacklist and how it affected people he knew. Michael Rosen conducted the interview on November 15, 2000 in Westport, CT.
Highlights
Max Wilk on learning to write for television while on Ford Television Theatre, and on working with director Marc Daniels
Max Wilk on Admiral Broadway Revue producer Max Liebman, and on the career of Sid Caesar
Max Wilk on Mama star Peggy Wood as "Marta Hansen"
Max Wilk on Philco-Goodyear Television Playhouse's production of Paddy Chayefsky's "Marty"
Max Wilk on writing Car 54, Where Are You? and on his less sucessful shows
Max Wilk on The Hollywood Blacklist
Full Interview
Chapter 1
On his early life and influences; on his interests as a child, including movies; on radio shows he listened to while growing up, and books he read
On deciding to become a writer and on early plays he wrote; on working at a studio as an office boy and various other early jobs; on doing public relations for the Irving Berlin's movie "This is the Army"
Chapter 2
On his earliest memories of television; on working on the stage play "Small Wonder" and the television show Home on the Range; on the opinion of the television world from the theater world
On going to work writing for Ford Television Theatre; on learning to write for television while on Ford Television Theatre, and on working with director Marc Daniels; on describing Ford Television Theatre
On the experience of doing live television on shows like Ford Television Theatre; on producer Fred Coe, and on the process of writing for shows like Robert Montgomery Presents
Chapter 3
On his father's opinion of him writing for television; on the early reaction of the movie studios to television, and on the stars of the era; on writing "Joy to the World" for Ford Television Theatre, and on the moments before going on-air
On the experience of adapting plays for television for Ford Television Theatre, and on dealing with the time limitations; on actors improvising on live television broadcasts like Ford Television Theatre
On writing various episodes of Ford Television Theatre and on writer Paddy Chayefsky; on Philco-Goodyear Television Playhouse's production of Paddy Chayefsky's "Marty"
Chapter 4
On writing for 54th Street Revue produced by Max Liebman and on Admiral Broadway Revue; on Admiral Broadway Revue producer Max Liebman, and on the career of Sid Caesar; on Ed Wynn of The Ed Wynn Show
On writing for Starring Boris Karloff, and on working with Karloff; on writing various episodes of Philco-Goodyear Television Playhouse and The Victor Borge Show; on writing Mama, and on star Peggy Wood
Chapter 5
On writing The Imogene Coca Show and on NBC Matinee Theater; on the end of the era of live television, and on how technological innovation like videotape helped bring it about; on the phrase "The Golden Age of Television" and on the end of that era and on politics on television in that era
On writing Car 54, Where Are You? and on his less sucessful shows; on The Hollywood Blacklist
On his proudest career achievements; on what he would most like to be known for in television; on wanting to keep working as he gets older
Shows
54th Street Revue
Max Wilk on writing for 54th Street Revue produced by Max Liebman and on Admiral Broadway Revue
Admiral Broadway Revue
Max Wilk on Admiral Broadway Revue producer Max Liebman, and on the career of Sid Caesar
Car 54, Where Are You?
Max Wilk on writing Car 54, Where Are You? and on his less sucessful shows
Ed Wynn Show, The
Max Wilk on Ed Wynn of The Ed Wynn Show
Ford Television Theatre
Max Wilk on going to work writing for Ford Television Theatre
Max Wilk on learning to write for television while on Ford Television Theatre, and on working with director Marc Daniels
Max Wilk on describing Ford Television Theatre
Max Wilk on the experience of doing live television on shows like Ford Television Theatre
Max Wilk on writing "Joy to the World" for Ford Television Theatre, and on the moments before going on-air
Max Wilk on the experience of adapting plays for television for Ford Television Theatre, and on dealing with the time limitations
Max Wilk on actors improvising on live television broadcasts like Ford Television Theatre
Max Wilk on writing various episodes of Ford Television Theatre and on writer Paddy Chayefsky
Imogene Coca Show, The
Max Wilk on writing The Imogene Coca Show and on NBC Matinee Theater
Mama
Max Wilk on writing Mama
Max Wilk on Mama star Peggy Wood as "Marta Hansen"
NBC Matinee Theater
Max Wilk on writing The Imogene Coca Show and on NBC Matinee Theater
Philco-Goodyear Television Playhouse
Max Wilk on Philco-Goodyear Television Playhouse's production of Paddy Chayefsky's "Marty"
Max Wilk on writing various episodes of Philco-Goodyear Television Playhouse and The Victor Borge Show
Philco-Goodyear Television Playhouse: "Marty"
Max Wilk on Philco-Goodyear Television Playhouse's production of Paddy Chayefsky's "Marty"
Robert Montgomery Presents
Max Wilk on producer Fred Coe, and on the process of writing for shows like Robert Montgomery Presents
Starring Boris Karloff
Max Wilk on writing for Starring Boris Karloff, and on working with Karloff
Topics
Anthology Drama
Max Wilk on writing "Joy to the World" for Ford Television Theatre, and on the moments before going on-air
Max Wilk on actors improvising on live television broadcasts like Ford Television Theatre
Hollywood Blacklist
Max Wilk on The Hollywood Blacklist
Industry Crossroads
Max Wilk on The Hollywood Blacklist
Technological Innovation
Max Wilk on the end of the era of live television, and on how technological innovation like videotape helped bring it about
Television Industry
Max Wilk on The Hollywood Blacklist
TV's Golden Age (1940s & '50s)
Max Wilk on writing "Joy to the World" for Ford Television Theatre, and on the moments before going on-air
Max Wilk on actors improvising on live television broadcasts like Ford Television Theatre
Max Wilk on the phrase "The Golden Age of Television" and on the end of that era and on politics on television in that era
Professions
Writers
Max Wilk on learning to write for television while on Ford Television Theatre, and on working with director Marc Daniels
Max Wilk on producer Fred Coe, and on the process of writing for shows like Robert Montgomery Presents
Max Wilk on the experience of adapting plays for television for Ford Television Theatre, and on dealing with the time limitations
Max Wilk on the experience of adapting plays for television for Ford Television Theatre, and on dealing with the time limitations
Genres
Classic Anthology Series
Max Wilk on writing for Ford Television Theatre
Max Wilk on Philco-Goodyear Television Playhouse's production of Paddy Chayefsky's "Marty"
Max Wilk on writing for Starring Boris Karloff, and on working with Karloff
Max Wilk on writing various episodes of Philco-Goodyear Television Playhouse and The Victor Borge Show
Comedy Series
Max Wilk on writing Mama
Max Wilk on writing Car 54, Where Are You? and on his less sucessful shows
Music Shows & Variety Shows/Specials
Max Wilk on writing for 54th Street Revue produced by Max Liebman and on Admiral Broadway Revue
Max Wilk on Ed Wynn of The Ed Wynn Show
Max Wilk on writing various episodes of Philco-Goodyear Television Playhouse and The Victor Borge Show
People
Victor Borge
Max Wilk on writing various episodes of Philco-Goodyear Television Playhouse and The Victor Borge Show
Sid Caesar
Max Wilk on Admiral Broadway Revue producer Max Liebman, and on the career of Sid Caesar
Paddy Chayefsky
Max Wilk on writing various episodes of Ford Television Theatre and on writer Paddy Chayefsky
Max Wilk on Philco-Goodyear Television Playhouse's production of Paddy Chayefsky's "Marty"
Imogene Coca
xMax Wilk on writing The Imogene Coca Show and on NBC Matinee Theater
Fred Coe
Max Wilk on producer Fred Coe, and on the process of writing for shows like Robert Montgomery Presents
Marc Daniels
Max Wilk on learning to write for television while on Ford Television Theatre, and on working with director Marc Daniels
Boris Karloff
Max Wilk on writing for Starring Boris Karloff, and on working with Karloff
Max Liebman
Max Wilk on writing for 54th Street Revue produced by Max Liebman and on Admiral Broadway Revue
Max Wilk on Admiral Broadway Revue producer Max Liebman, and on the career of Sid Caesar
Peggy Wood
Max Wilk on Mama star Peggy Wood as "Marta Hansen"
Ed Wynn
Max Wilk on Ed Wynn of The Ed Wynn Show