Fred Coe

Walter Bernstein on working with Fred Coe; on Coe not hiring him during the Blacklist

Paul Bogart on working with Fred Coe on a remake of Spellbound; on Coe as a producer

Allan Burns on being a page on Fred Coe's Playwrights '56

Bob Costello on producing The Adams Chronicles

Bob Costello on working as a property manager on Mr. Peepers

Bob Costello on working in production on Mr. Peepers

Michael Dann on Fred Coe's eye for quality programming

Michael Dann on working with Fred Coe on Philco Goodyear Television Playhouse and thoughts on the pioneers of anthology drama - Tony Miner and Martin Manulis

Michael Dann on Fred Coe

Dominick Dunne on working with Fred Coe

Director Norman Felton on Fred Coe's response to the "Kitty Foyle" episode of Robert Montgomery Presents  

Horton Foote on director Vincent J. Donehue and producer Fred Coe and The Gabby Hayes Show

Writer Horton Foote on writing "The Trip to Bountiful" starring Lillian Gish for Philco-Goodyear Television Playhouse and producer Fred Coe

Horton Foote on his play "The Midnight Caller," and on being protected by Fred Coe

Horton Foote on his relationships with various writers including Rod Serling, on Fred Coe's relationship with writers, and on his agent

Horton Foote on continuing to work on Philco-Goodyear Playhouse and on the waning of his relationship with producer Fred Coe

John Frankenheimer on Martin Manulis leaving and Fred Coe joining Playhouse 90

John Frankenheimer on the "The Days of Wine and Roses" episode of Playhouse 90

John Frankenheimer on producers Martin Manulis and Fred Coe

John Frankenheimer on Playhouse 90's "The Old Man" and "For Whom the Bell Tolls"

John Frankenheimer on directing Playhouse 90's final episode "Journey to the Day"

John Frankenheimer on visiting the set of The Dennis Day Show

Lee Grant on working with Fred Coe on various series like Playwrights '56 and The Defenders

Everett Greenbaum on Fred Coe writing for Mr. Peepers

Kim Hunter on working with Fred Coe and John Frankenheimer 

William Klages on working with Fred Coe on Playwrights '56

Jack Klugman on producer Fred Coe

Angela Lansbury on television producer Fred Coe

Jack Lemmon on Fred Coe

Delbert Mann on learning directing techniques from Fred Coe

Delbert Mann on Fred Coe helping to set up a directing job for him

Delbert Mann on Fred Coe recommending him for a job at NBC

Delbert Mann on his first NBC directing job, on Theater of the Mind

Delbert Mann on Fred Coe bringing him on as an alternating and then full-time director on Philco-Goodyear Television Playhouse

Delbert Mann on sponsor and network involvement on Philco-Goodyear Television Playhouse; on Fred Coe talking to the network and sponsors

Delbert Mann on Fred Coe as a boss

Delbert Mann on Fred Coe's stamp as producer on his shows

Delbert Mann on weekly preparations for Philco-Goodyear Television Playhouse

Delbert Mann on a typical production week on Philco-Goodyear Television Playhouse, contd.

Delbert Mann on Paddy Chayefsky's inspiration for writing "Marty" and how the production was cast

Delbert Mann on JP Miller's "Yellow Jack" on Producers' Showcase

Delbert Mann on Judy Holliday being blacklisted, then approved for Philco-Goodyear Television Playhouse

Delbert Mann on the Hollywood Blacklist and the end of Philco-Goodyear Television Playhouse

Delbert Mann on Fred Coe becoming one of the producers to replace Martin Manulis on Playhouse 90

Delbert Mann on differences between directing for live television and for film - TV as mainly a producer's medium and film as a director's medium

Delbert Mann on Grace Kelly coming to Nashville when Fred Coe died and saving a valuable kinescope

Delbert Mann on a picture of Fred Coe, Mann, and Sumner Locke Elliot

Martin Manulis on working with Fred Coe

G.E. Marshall on Fred Coe, Worthington Minor, Sidney Lumet, John Frankenheimer and Arthur Penn

JP Miller on writing for live television on Philco-Goodyear Television Playhouse; working with producer Fred Coe

JP Miller on great Golden Age television producers Fred Coe and Herbert Brodkin

Priscilla Morgan on starting her own talent agency

Priscilla Morgan on negotiating deals for William Morris and dealing with Fred Coe

Tad Mosel on writing "The Haven" for Philco-Goodyear Television Playhouse  produced by Fred Coe and on Coe's contribution to television 

Tad Mosel on his first meeting with Fred Coe and on his fondness for Coe

Tad Mosel on the differences between producers Martin Manulis and Fred Coe

E. Roger Muir on Fred Coe and Bob Stanton

Agnes Nixon on working with Fred Coe

Arthur Penn on meeting Fred Coe during World War II

Arthur Penn on Fred Coe's approach to producing, and on Coe's strengths and weaknesses

Arthur Penn on the writing process on Philco-Goodyear Television Playhouse and Fred Coe's involvement on the show

Arthur Penn on the Kennedy-Nixon Debates. When asked by a Kennedy friend his advice on shooting the televised debate, he and Fred Coe made the suggestion "close-ups"

Arthur Penn on his various projects with Fred Coe, and on getting involved in directing feature films

Arthur Penn on the legacies of Fred Coe and Martin Manulis

On various people with whom he worked in his career: Fred Coe

Don Pike on working on Philco-Goodyear Television Playhouse with Delbert Mann and Fred Coe 

Tony Randall on being cast on Mr. Peepers and working with Fred Coe and Wally Cox

Tony Randall on producer Fred Coe

John Rich on working with producer/director Fred Coe on The Philco-Goodyear Television Playhouse

Jan Scott on working with Fred Coe

Ralph Senensky on Playhouse 90 producer Fred Coe

David Shaw on working for producer Fred Coe and with writer Paddy Chayefsky on Philco-Goodyear Television Playhouse

David Shaw on Fred Coe

James Sheldon on directing a teleplay for Philco-Goodyear Playhouse:"A Softness in the Wind," produced by Fred Coe, and the challenges of being a director in the early years of television

James Sheldon on being hired to direct the pilot of Mister Peepers  by producer Fred Coe

Garry Simpson on Fred Coe

Ira Skutch on working with producer and director Fred Coe and on Coe's camera style

Ira Skutch on Fred Coe's temperament and personality

Dick Smith on his lab in Fred Coe's desk

Dick Smith on working with Fred Coe

Dick Smith on working with Fred Coe

Dick Smith on making wire masks for a production directed by Fred Coe

Maxine Stuart on working with Fred Coe

Ellen M. Violett on working with producer Fred Coe

Max Wilk on producer Fred Coe, and on the process of writing for shows like Robert Montgomery Presents

Ethel Winant on Fred Coe and John Frankenheimer

Bud Yorkin on working with Fred Coe

Bud Yorkin on working with Fred Coe