Sharon Bialy on meeting David E. Kelley and casting Picket Fences

Steven Bochco on hiring David E. Kelley as a story editor for L.A. Law

Steven Bochco on how he felt the quality of L.A. Law diminished after David E. Kelley left the series [briefly]

Hector Elizondo on working with David E. Kelley on Chicago Hope

Suzuki Ingerslev on production design for the David E. Kelley series Love & Death

Dr. John Leverence on how the rift and subsequent split with NATAS (the National Academy of Television Arts and Sciences) presented questions regarding which shows would be eligible for Daytime and Primetime Emmys; on how a legacy genre show like police procedurals from producers such as David E. Kelley would be a Primetime show and could not overlap for Daytime Emmys (Ed. note: Dr. Leverence would like to note he misspoke here and meant David E. Kelley, not David R. Kelley)

Leslie Moonves on the programming of ER and Chicago Hope

Carl Reiner on his admiration for Devid E. Kelley, Susan Harris, and Jerry Seinfeld

William Shatner on being cast in the role of "Denny Crane" on The Practice for producer David E. Kelley, and on the character moving to the series Boston Legal

David Shore on writing for The Practice

David Shore on the writing process for The Practice

Lynn Stalmaster on casting David E. Kelley's Chicago Hope starring Mandy Patinkin

W.G. Snuffy Walden on composing for The Brotherhood of Poland, New Hampshire