Larry Gelbart on Bob Hope, "last left in a pantheon of oversize talent"
Larry Gelbart on the process and structure of writing Bob Hope's monologues; how the jokes would literally be cut up with scissors and taped together
Larry Gelbart on Bob Hope's treatment of writers, and how he always gave them credit
Frank Liberman on what the publicity department does and on working with Bob Hope
Frank Liberman on how he came to represent Bob Hope
Frank Liberman on going overseas with Bob Hope
Frank Liberman on his years representing Bob Hope and other comedians
Ray Evans and Jay Livingston on their association with Bob Hope
Ray Evans and Jay Livingston on material for Bob Hope
Ray Evans and Jay Livingston on their close relationship with Bob Hope
Ray Evans and Jay Livingston on their association with Bob Hope
Ray Evans and Jay Livingston on material for Bob Hope
Ray Evans and Jay Livingston on their close relationship with Bob Hope
Mel Shavelson on writing around NBC standards and practices for Bob Hope
Mel Shavelson on working with Milt Josefsberg, and on how he came to be a writer for Bob Hope
Mel Shavelson on writing for Bob Hope's radio show
Mel Shavelson on the format of Bob Hope's radio show, and on the process of getting the show on
Mel Shavelson on writing the various segments of Bob Hope's radio show, and on working with Judy Garland
Mel Shavelson on how Bob Hope tested his material for his radio show, and on Hope's comedic style
Mel Shavelson on Bob Hope acting in movies, and on doing his radio show for the soldiers during World War II
Mel Shavelson on Bob Hope's traveling around the world entertaining soldiers during World War II
Mel Shavelson on Bob Hope bringing his radio show to Vaudeville, and on Hope's celebrity
Mel Shavelson on how Bob Hope treated his writers, and on what he learned as a writer for Hope
Mel Shavelson on finding the topics for Bob Hope's jokes, and on Hope's "jokes vault"
Mel Shavelson on leaving Bob Hope's radio show
Mel Shavelson on the early development of television, and of color television, and on writing an early experimental broadcast with Bob Hope
Mel Shavelson on writing feature films for Bob Hope, and how he came to write for Danny Thomas
Mel Shavelson on directing the Bob Hope feature film "The Seven Little Foys"
Mel Shavelson on writing material for The Academy Awards telecasts hosted by Bob Hope
Jack Shea on being hired for the "Bob Hope Specials" and "Jerry Lewis Specials" and on Jerry Lewis' personality and Bob Hope's interest in the quality of the writing staff
Jack Shea on producers and writers on Bob Hope's television specials
Jack Shea on music director of Bob Hope's television specials, Les Brown, and entertaining troops at USO shows
Jack Shea on editing Bob Hope's USO shows
Jack Shea on Bob Hope's legacy
Sid Smith on his seventeen year association with Bob Hope
Sid Smith on working with Bob Hope
Sid Smith on directing Bob Hope
Sid Smith on directing Bob Hope Specials; on Hope in the editing room and his form of comedy
Sid Smith on directing Bob Hope's Christmas Specials and other Bob Hope Specials
Sid Smith on the atmosphere on a Bob Hope set
Sid Smith on changes in Bob Hope Specials over the years; on the end of the specials
Sid Smith on a photo from his travels for Bob Hope Specials
Sid Smith on a photo with Bob Hope, Lucille Ball, and Milton Berle
