Jack Shea on the beginning of his interest in directing
Jack Shea on how stage managers and assistant directors assist the director
Jack Shea on being promoted to director at NBC
Jack Shea on his first impressions of being on a television set and the craft of directing
Jack Shea on the craft of directing and inventing techniques, and how stage managers, assistant directors, and directors work together on set
Jack Shea on the differences between assistant directors and directors
Jack Shea on preparations for a day of filming and working with actors
Jack Shea on how involved he is with editing
Jack Shea on the relationship between producers and directors
Jack Shea on his approach to directing actors
Jack Shea on setting the tone and on set
Jack Shea on the most important role a director fulfills on the set of sitcoms
Jack Shea on his directing style
Jack Shea on how he directs kids
Jack Shea on his involvement with the Directors Guild of America (DGA)
Jack Shea on The Radio, Television Directors Guild (RTDG) and network response to the guilds
Jack Shea on the merger of the RTDG and the Screen Directors Guild into the Directors Guild of America (DGA)
Jack Shea on who can be a member of the DGA and the role of the organization in the industry; on the international profile of the DGA
Jack Shea on diversity within the DGA
Director Jack Shea on the credits issues between the WGA and the DGA
Jack Shea on the DGA and runaway production
Jack Shea on the DGA and low budget agreements
Jack Shea on the status of film versus TV directors and directors-for-hire
Jack Shea on his tenure as President of the DGA and the importance of the guild and on why he's stayed involved for 50 years