Thumbnail of Winifred Hervey

    Winifred Hervey on tips for being an Executive Producer

    01:54
    Thumbnail of Garry Marshall

    Garry Marshall on his advice to aspiring producers

    01:56
    Thumbnail of Steven Bochco

    Steven Bochco on the negotiations he had with Capital Cities/ABC executives regarding language and nudity on NYPD Blue

    06:01
    Thumbnail of Larry Gelbart

    Larry Gelbart on the filming of the M*A*S*H episode "The Interview" and why they kept the ending a secret from the cast

    08:14
    Thumbnail of David E. Kelley

    David E. Kelley on being the only producer in history to win Emmys for drama and comedy series in one year

    04:12
    Thumbnail of Dick Wolf

    Dick Wolf on the role of a producer

    05:15

    Mary V. Ahern

    Mary V. Ahern on advice to an aspiring television producer, and on then-current shows she admires

    01:28

    Alan A. Armer

    Alan A. Armer on his producing style

    02:22

    Alan A. Armer on advice to aspiring producers, and on what makes a story work

    04:26

    William Asher

    William Asher on the role of the producer in television series

    39:54

    Bob Banner

    Bob Banner on his personal style as a producer

    02:46

    Bob Banner on duties of the producer in television 

    02:25

    Bob Banner on his advice to an aspiring television producer or director

    01:46

    Paris Barclay

    Paris Barclay on becoming a producer on NYPD Blue

    01:18

    Chuck Barris

    Chuck Barris on serving as a producer for The Dating Game

    00:51

    Chuck Barris on serving as a producer for The Dating Game and for The Newlywed Game

    00:41

    Chuck Barris on hosting and producing The Gong Show

    02:14

    Harve Bennett

    Harve Bennett on his advice to aspiring producers

    00:51

    Dick Berg

    Dick Berg on his producing style

    01:25

    Dick Berg on advice to aspiring producers

    00:40

    Rick Berman

    Rick Berman on advice to an aspiring producer

    01:29

    Rick Berman on his management style

    01:42

    Allan Blye

    Allan Blye on his producing style on the Sonny & Cher Comedy Hour

    01:59

    Allan Blye on advice for aspiring writers and producers

    00:37

    Steven Bochco

    Steven Bochco on the responsibility of an executive producer

    01:08

    Yvette Lee Bowser

    Yvette Lee Bowser on the role of a showrunner

    02:33

    Yvette Lee Bowser on advice to aspiring showrunners

    00:46

    Kevin Bright

    Kevin Bright on the difference between being a production manager and a producer

    00:40

    Kevin Bright on producing cable comedy specials in the 1980s and how the cable environment allowed him to create a niche for himself as a new kind of producer

    02:27

    Kevin Bright on working with comedians as a producer

    03:49

    Bernie Brillstein

    Bernie Brillstein on working with Brad Grey and being an independent producer

    06:32

    Mark Burnett

    Mark Burnett on pitching Survivor

    07:11

    Mark Burnett on his style of shows

    00:56

    Allan Burns

    Allan Burns on producing several episodes of Room 222

    00:36

    Allan Burns on advice to aspiring writer/producers

    01:10

    Reuben Cannon

    Reuben Cannon on advice to aspiring producers

    01:11

    Marcy Carsey

    Marcy Carsey and Tom Werner on their day-to-day duties as Executive Producers of The Cosby Show

    02:26

    Marcy Carsey and Tom Werner on what makes a successful producer

    02:47

    Marcy Carsey on leaving ABC in 1980

    01:50

    Gilbert Cates

    Gilbert Cates on producing the Academy Awards and selecting a host

    09:20

    Gilbert Cates on working with the networks and AMPAS for the Academy Awards

    02:20

    Gilbert Cates on where he is during the live Academy Awards show

    02:30

    Glen Charles

    Glen and Les Charles on producing Phyllis and the last season of The Bob Newhart Show

    01:38

    Glen and Les Charles on being executive producers on Cheers

    00:46

    Les Charles

    Glen and Les Charles on producing Phyllis and the last season of The Bob Newhart Show

    01:38

    Glen and Les Charles on being executive producers on Cheers

    00:46

    Michael Chiklis

    Michael Chiklis on learning how to produce from The Shield's Executive Producer Scott Brazil

    02:30

    Dick Clark

    Dick Clark on his entrepreneurship

    01:34

    Dick Clark on producing awards shows

    06:16

    Dick Clark on the secret of producing live television shows

    01:54

    Dick Clark on the role of a producer

    02:40

    Bob Claver

    Bob Claver on advice to aspiring television producers

    00:52

    Joan Ganz Cooney

    Joan Ganz Cooney on becoming a producer at Channel 13 New York

    03:48

    Joan Ganz Cooney on her early days as a producer at Channel 13 New York

    01:17

    Joan Ganz Cooney on Dave Connell's role producing the math program, Square One TV

    04:04

    Joan Ganz Cooney on "volume producing" for Sesame Street

    00:36

    Ken Corday

    Ken Corday on becomong a producer for Days of Our Lives

    02:53

    Ken Corday on becoming an executive producer on Days of Our Lives' and his mother's death

    01:28

    Ken Corday on how his duties changed from producer to executive producer; on changes he made as executive producer

    02:03

    Ken Corday on advice to aspiring producers

    00:59

    Pierre Cossette

    Pierre Cossette on what made him a successful television special producer

    01:32

    Pierre Cossette on his producing style

    04:20

    Pierre Cossette on advice to an aspiring producer

    00:50

    Ron Cowen

    Ron Cowen and Daniel Lipman on how they came to be producers on the made-for-television movie An Early Frost, which they wrote, and on

    00:52

    Douglas S. Cramer

    Douglas S. Cramer on advice to aspiring television producers

    01:25

    David Crane

    David Crane on advice to an aspiring television producer

    02:15

    David Crane on working with his life partner, Jeffrey Klarik

    01:21

    Fred de Cordova

    Fred de Cordova on his duties as producer on The Tonight Show Starring Johnny Carson

    02:49

    Sam Denoff

    Sam Denoff on becoming a producer of The Dick Van Dyke Show

    00:36

    Vin Di Bona

    Vin Di Bona on advice to aspiring producers and show creators

    03:20

    Elise Doganieri

    Elise Doganieri and Bertram van Munster on advice to aspiring producers and the role of an executive producer

    47:32

    Rebecca Eaton

    Rebecca Eaton on her role as executive producer of Masterpiece, in particular negotiating rights for the shows they acquire

    05:04

    Rebecca Eaton on dealing with competition for acquiring British shows for Masterpiece, which has increased over time with outlets like HBO and Netflix

    04:19

    Rebecca Eaton on how she tackled the problem of funding for Masterpiece after its sponsor, Mobil, pulled out

    09:17

    Rebecca Eaton on her producing style

    03:36

    Rebecca Eaton on advice to aspiring producers, particularly women

    02:29

    Dick Ebersol

    Dick Ebersol on the time slot that would become Saturday Night Live's  and getting the chance to produce late night

    03:57

    Dick Ebersol on the most interesting part of being a producer of Saturday Night Live

    01:17

    Dick Ebersol on John Madden hosting Saturday Night Live  and the scariest moment he's ever had as a producer

    03:39

    Ralph Edwards

    Ralph Edwards on the projects he chooses to produce

    00:32

    Ralph Edwards on shows that he produced and created

    04:24

    Ralph Edwards on his favorite shows that he produced

    55:36

    Linda Ellerbee

    Linda Ellerbee on what she enjoys about producing and executive producing

    00:57

    Irving Fein

    Irving Fein on being surprised and unprepared for his Emmy win for producing The Jack Benny Program

    01:24

    Norman Felton

    Norman Felton on his duties as a producer on Studio One

    00:37

    Betsy Fischer

    Betsy Fischer on her role as Executive Producer of Meet the Press

    01:25

    Michael J. Fox

    Michael J. Fox on being an Executive Producer on Spin City

    01:46

    Albert Freedman

    Albert Freedman on his duties as a producer on Twenty One - getting the best contestants and having the best questions

    04:29

    Harry Friedman

    Harry Friedman on advice to an aspiring producer

    01:27

    William Froug

    William Froug on learning to be a producer at Screen Gems

    03:12

    Arthur Gardner

    Arthur Gardner on his busy schedule producing feature films and television shows simultaneously, such as The Big Valley

    00:47

    Arthur Gardner on the legacy of his company, Levy-Gardner-Laven

    01:52

    Michael Gelman

    Michael Gelman on becoming an Executive Producer in his early 20s

    02:52

    Michael Gelman on advice to an aspiring producer

    03:08

    David Gerber

    David Gerber on his management style

    05:55

    David Gerber on advice to an aspiring producer

    04:17

    David Gerber on his sales ability

    01:46

    Lesli Linka Glatter

    Lesli Linka Glatter on what she learned about being a producing director from Thomas Schlamme on The West Wing, and on the experience of directing the show

    04:14

    Lesli Linka Glatter on advice to aspiring producers

    01:01

    Sharon Gless

    Cagney & Lacey executive producer Barney Rosenzweig on not being a "hyphenate," but on primarily being the producer of Cagney & Lacey

    00:40

    Cagney & Lacey executive producer Barney Rosenzweig on making last minute tweaks to the show

    02:09

    Barney Rosenzweig and Sharon Gless on developing the theme of alcoholism for "Christine Cagney" and her father on Cagney & Lacey

    05:36

    Gary David Goldberg

    Gary David Goldberg on what he learned about being a producer from MTM's The Tony Randall Show that he later applied on Family Ties

    05:57

    Leonard Goldberg

    Leonard Goldberg on the craft of being a producer and how he selects projects

    07:04

    Robert Halmi, Sr.

    Robert Halmi, Sr. on being a hands-on producer

    00:39

    Robert Halmi, Sr. on his casting process as a producer and how he creates his own drawings to envision the look of a project he's working on

    03:46

    Robert Halmi, Sr. on hiring writers as producer

    01:21

    Dean Hargrove

    Dean Hargrove on juggling five different television shows on the air at the same time

    03:09

    Dean Hargrove on the work he did for Sony International

    06:03

    Dean Hargrove on his producing style

    01:39

    Dean Hargrove on advice to aspiring writers and producers

    02:16

    Dwight Hemion

    Dwight Hemion and Gary Smith on working together as producing partners and on coming up with ideas

    05:16

    Dwight Hemion and Gary Smith on dealing with pressure when working on a project

    02:33

    Dwight Hemion and Gary Smith on dealing with performers like Frank Sinatra and Sammy Davis, Jr.

    05:39

    Dwight Hemion and Gary Smith on choosing projects to work on and on their production company

    03:17

    Dwight Hemion and Gary Smith on the importance of Gary's art design background, and on their communication with each other

    02:24

    Gary Smith and Dwight Hemion on the atmosphere on the set of their productions and how they collaborate on set

    07:01

    Gary Smith and Dwight Hemion on the elements of a successful producing and directing partnership and on why theirs worked

    03:16

    Gary Smith and Dwight Hemion on staffing their projects

    02:56

    Gary Smith and Dwight Hemion on keeping their collaborations fresh

    04:12

    Sherman Hemsley

    Sherman Hemsley on Norman Lear working with the actors during the cast "readings" on The Jeffersons

    00:43

    Paul Henning

    Paul Henning on wanting to become a producer

    09:19

    Danette Herman

    Danette Herman on advice to aspiring talent executives

    01:30

    Winifred Hervey

    Winifred Hervey on her role as Executive Producer of The Fresh Prince of Bel-Air

    02:47

    Winifred Hervey on tips for being an Executive Producer

    01:54

    Winifred Hervey on advice to aspiring writers and producers

    01:15

    Ron Howard

    Ron Howard on financing his own TV movies in the early 1980s, and learning valuable lessons of fiscal responsibility

    01:52

    David Jacobs

    David Jacobs on what he learned from producer/executive Lee Rich and how he applied it to show running

    01:40

    Charles Floyd Johnson

    Charles Floyd Johnson on becoming an associate producer on The Rockford Files

    07:42

    Charles Floyd Johnson on becoming a producer on The Rockford Files and what that role entailed

    02:24

    Charles Floyd Johnson on his biggest takeaways from producing The Rockford Files

    02:09

    Charles Floyd Johnson on the craft of producing and what he enjoys about it

    07:05

    Charles Floyd Johnson on how his background as an actor and a lawyer has helped him as a producer

    03:00

    Charles Floyd Johnson on his methods for teaching students about producing

    01:39

    Charles Floyd Johnson on advice to students who want to be producers

    05:56

    Robert Justman

    Robert Justman on advice to aspiring producers and ADs

    01:12

    David E. Kelley

    David E. Kelley on his producing style on Picket Fences and now

    04:31

    David E. Kelley on being the only producer in history to win Emmys for drama and comedy series in one year

    04:12

    Susan Lacy

    Susan Lacy on the feeling of being in the edit room for the "a-ha!" moments; such as "Reaching for the Note" from the American Masters' on Leonard Bernstein

    01:53

    Perry Lafferty

    Perry Lafferty on the difference between working in live television and working in prerecorded or filmed television, and on the live episode of ER

    03:02

    Rita Lakin

    Rita Lakin on what makes a good producer, and on what she enjoyed about producing

    03:16

    John Langley

    John Langley on what it takes to be a good producer

    02:15

    Angela Lansbury

    Angela Lansbury on the similarities between housekeeping and producing

    02:44

    Glen A. Larson

    Glen A. Larson on how he became a producer of It Takes a Thief

    02:05

    Glen A. Larson on his philosophy of survival in the television industry

    06:05

    Glen A. Larson on what he expects from television executives as a producer

    03:20

    Peter Lassally

    Peter Lassally on his day-to-day responsibilities as a producer and dealing with talent on The Tonight Show

    07:46

    Peter Lassally on advice to aspiring producers

    02:36

    Sheldon Leonard

    Sheldon Leonard on his role as a producer of multiple shows on television

    10:09

    Sheldon Leonard on an example of network script notes on I Spy

    01:02

    Richard Lewis

    Richard Lewis on the differences between producing for radio and producing for television

    02:23

    Richard Lewis on the deals that get made between networks and studios and on producing the series Checkmate

    06:11

    Richard Lewis on the key to making a sucessful series and on what represents the best of television

    01:57

    Chuck Lorre

    Chuck Lorre on balancing producing/creating three shows at once

    01:53

    Julia Louis-Dreyfus

    Julia Louis-Dreyfus on her role as a Producer on Veep

    00:53

    Sam Lovullo

    Sam Lovullo on advice to aspiring producers

    01:40

    A.C. Lyles

    A.C. Lyles on advice to an aspiring producer

    01:24

    A.C. Lyles on advice for aspiring producers

    02:21

    Nancy Malone

    Nancy Malone on the role of a Producer

    01:23

    Martin Manulis

    Martin Manulis on the logistics of live television in the 1950s

    01:13

    Martin Manulis on the importance of casting and on troubleshooting as a producer

    08:07

    Martin Manulis on his philosophy as a television producer

    04:04

    Garry Marshall

    Garry Marshall on realizing the increased importance of casting while producing The Odd Couple

    02:25

    Producer Garry Marshall on the most important thing he learned in TV

    02:04

    Garry Marshall on his advice to aspiring producers

    01:56

    Kent McCray

    Kent McCray on cultivating relationships and figuring out the dynamics of his crew

    02:23

    Kent McCray on hiring and firing his crews

    03:07

    Kent McCray on making his crews comfortable by giving them individual hotel rooms

    05:09

    Kent McCray on how he communicates with his crew to get what he wants from them

    04:26

    Eryn Krueger Mekash

    Eryn Krueger Mekash on having additional responsibilities on the set of Nip/Tuck and eventually becoming a producer on other shows in the Ryan Murphy universe

    05:03

    Lee Mendelson

    Lee Mendelson on advice to aspiring television producers and animators

    02:29

    Burt Metcalfe

    Burt Metcalfe on the writing and producing process for M*A*S*H

    02:27

    Burt Metcalfe on what makes a good television producer

    02:19

    Don Mischer

    Don Mischer on producing specials and building rapport with stars

    02:37

    Don Mischer on directing/producing a music/variety special

    01:23

    Don Mischer on the technological advances that enhance production

    01:49

    Don Mischer on the secret of his success as a producer and advice to aspiring producers

    09:44

    Paul Monash

    Paul Monash on working with an agent, and on taking on the role of producer

    05:10

    Paul Monash on being a producer

    02:19

    Paul Monash on how producing feature films and television was different

    04:04

    Thomas W. Moore

    Thomas W. Moore on what he enjoyed most about his time as an executive at ABC, and later being a producer

    02:17

    E. Roger Muir

    E. Roger Muir on advice to an aspiring producer

    01:03

    Jonathan Murray

    Jonathan Murray on starting to produce documentaries

    02:28

    Jonathan Murray on his involvement in editing The Real World

    04:45

    Jonathan Murray on the biggest challenges to producing The Real World

    01:28

    Jonathan Murray on hiring staff for reality shows

    03:19

    Jonathan Murray on being inducted into the Television Hall of Fame

    01:13

    Gareth Neame

    Gareth Neame on advice to aspiring producers

    01:20

    Leonard Nimoy

    Leonard Nimoy on producer Norman Felton, who let Nimoy shadow director Joseph Sargent on The Man From U.N.C.L.E. to learn how to direct for television

    01:24

    Bernie Orenstein

    Bernie Orenstein on he and Saul Turteltaub's responsibilities as producers of That Girl and what they looked for in staff writers

    03:43

    Bernie Orenstein on advice for aspiring producers

    00:44

    Jeff Probst

    Jeff Probst on his role as Survivor's showrunner and executive producer

    02:06

    Marian Rees

    Marian Rees on the politics at PBS regarding Masterpiece Theatre's American Collection  and public reaction to the series

    10:43

    Marian Rees on the challenges facing independent producers and how distribution has changed

    07:58

    Marian Rees on advice to aspiring female television producers

    05:39

    Marian Rees on starting her own production company

    05:36

    Marian Rees on executive producing Miss All-American Beauty

    05:07

    Marian Rees on producing "Love Is Never Silent" for Hallmark Hall of Fame

    16:28

    Carl Reiner

    Carl Reiner on being head writer and producer on The Dick Van Dyke Show

    01:30

    Carl Reiner on producing The Dick Van Dyke Show

    12:02

    Del Reisman

    Del Reisman on the experience of producing The Untouchables, and on working with Robert Stack as "Elliott Ness"

    02:36

    Lee Rich

    Lee Rich on forming Mirisch-Rich Productions

    01:29

    Lee Rich on the role of producer versus that of advertising executive

    00:32

    Lee Rich on forming the production company Lorimar

    04:30

    Lee Rich on being an executive producer at Lorimar

    01:59

    Lee Rich on his management style at Lorimar

    01:10

    Fatima Robinson

    Fatima Robinson on being a choreographer/executive producer on We Are One: The Obama Inaugural Celebration at the Lincoln Memorial, and on what she brings to a project as a producer

    03:36

    Meta Rosenberg

    Meta Rosenberg on advice to an aspiring television producer and succeeding in the industry as a woman

    02:21

    Barney Rosenzweig

    Barney Rosenzweig on wanting to become a producer and leave publicity at MGM

    00:47

    Barney Rosenzweig on advice to aspiring producers and how the business has changed

    01:37

    Barney Rosenzweig on advice to aspiring producers and how the business has changed

    01:37

    Barney Rosenzweig on not being a "hyphenate," but on primarily being the producer of Cagney & Lacey

    00:40

    Barney Rosenzweig on making last minute tweaks to the show

    02:09

    Barney Rosenzweig and Sharon Gless on developing the theme of alcoholism for "Christine Cagney" and her father on Cagney & Lacey

    05:36

    Aaron Ruben

    Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story"

    39:31

    Stanley Rubin

    Stanley Rubin on producing General Electric Theater

    01:49

    Stanley Rubin on advice to an aspiring producer

    02:55

    Marlene Sanders

    Marlene Sanders on her role as Associate Producer on Night Beat; on doing bookings for the show

    01:55

    Jay Sandrich

    Jay Sandrich on producing the first season of Get Smart only to decide he preferred directing, and leaving the show

    00:45

    Bob Schiller

    Bob Schiller and Bob Weiskopf on advice to aspiring producers

    00:49

    Thomas Schlamme

    Thomas Schlamme on his role as executive producer on The West Wing

    02:13

    George Schlatter

    George Schlatter on booking and producing The Dinah Shore Chevy Show

    08:20

    George Schlatter on the process of producing Rowan and Martin's Laugh-In

    02:49

    George Schlatter on the craft of producing

    08:33

    Lloyd J. Schwartz

    Lloyd J. Schwartz on advice to an aspiring producer

    00:49

    William Self

    William Self on his retirement from CBS, and on forming a production company with Glenn Close

    03:07

    Jack Shea

    Jack Shea on his role as a producer on The Glen Campbell Goodtime Hour

    02:10

    Sidney Sheldon

    Sidney Sheldon on how he became a producer at MGM

    01:16

    Sidney Sheldon on advice to aspiring television writers and producers

    01:08

    John Singleton

    John Singleton on producing "Hustle and Flow"

    01:52

    Robert Smigel

    Robert Smigel on producing Late Night with Conan O'Brien; on hiring writers Dino Stamatopoulos and Louis C.K.; on wanting the show to be the opposite of David Letterman’s style but invoking his name in the first episode; on wanting to go right to where the “stress” is in humor; on Tom Brokaw’s cameo on the show; on the very dark humor present in the first season of the Late Night show; on the "Actual Items" bit on the show

    06:52

    Robert Smigel on the stresses of producing Late Night with Conan O'Brien; on his self-effacing personal style; not being a super enthusiastic personality; on watching an episode of The Simpsons about "Krusty the Klown" and identifying with the premise of being a person who wallows in his creativity rather than rejoicing in it

    06:08

    Robert Smigel on what he learned from producing the Dana Carvey Show; on one of the funniest sketches he was involved in on The Dana Carvey Show about President Gerald Ford, which never aired until Smigel and Dana Carvey revived it later for Saturday Night Live

    09:52

    Gary Smith

    Gary Smith on how he comes to produce projects, including tributes and awards shows

    06:29

    Gary Smith on advice to aspiring producers

    02:23

    Aaron Spelling

    Aaron Spelling on what it takes to be a good producer

    04:33

    George Sunga

    George Sunga on his role as a Producer on All in the Family

    05:12

    George Sunga on the key to effective production management and his advice to aspiring television producers

    02:50

    Marlo Thomas

    Marlo Thomas on the advice she received from Lucille Ball regarding being a producer

    02:20

    Marlo Thomas on her advice to aspiring producers

    00:57

    Tony Thomas

    Tony Thomas on forming Witt-Thomas Productions

    05:10

    Tony Thomas on his day-to-day production duties on Soap

    02:13

    Tony Thomas on advice to aspiring producers

    01:50

    Grant Tinker

    Grant Tinker on the creation of MTM

    02:34

    Stanford Tischler

    Stanford Tischler on the role of an associate producer

    00:29

    Saul Turteltaub

    Saul Turteltaub on advice to aspiring producers

    00:49

    Saul Turteltaub on how he and his partner Bernie Orenstein divided the responsiblities of producing That Girl

    02:35

    Tracey Ullman

    Tracey Ullman on how to be an effective leader on set, as executive producer or in other roles

    01:27

    Bertram van Munster

    Elise Doganieri and Bertram van Munster on advice to aspiring producers and the role of an executive producer

    47:30

    Jac Venza

    Jac Venza on helping to create NET (National Education Television, the forerunner of PBS)

    10:18

    Jac Venza on the qualities that make a good producer

    03:17

    Jac Venza on advice to an aspiring television producer

    01:02

    Keenen Ivory Wayans

    Keenen Ivory Wayans on his movie "I'm Gonna Git You Sucka" and how the battles with the film production helped changed his career

    03:19

    Bob Weiskopf

    Bob Schiller and Bob Weiskopf on advice to aspiring producers

    00:49

    Tom Werner

    Marcy Carsey and Tom Werner on their day-to-day duties as Executive Producers of The Cosby Show

    02:26

    Marcy Carsey and Tom Werner on what makes a successful producer

    02:47

    Ellen Wheeler

    Ellen Wheeler on her duties as a line producer on Guiding Light

    04:07

    Ellen Wheeler on the day-to-day production of Guiding Light

    12:12

    Ellen Wheeler on advice to aspiring daytime producers

    01:13

    Dan Wilcox

    Dan Wilcox on how being a writer impacted his producing style

    01:32

    Larry Wilmore

    Larry Wilmore on considering himself to be primarily a producer, and on his kinship with stand-up comedy

    01:38

    Larry Wilmore on what he enjoys about writing and producing

    01:59

    Henry Winkler

    Henry Winkler on advice to aspiring actors and producers "you have to need to act"; and you must train, and you must be passionate about your work

    00:44

    Henry Winkler on an important lesson he learned from Garry Marshall about respect on the set

    02:02

    Dick Wolf

    Dick Wolf on the role of a producer

    05:15

    Dick Wolf on negotiating with actors over their salaries, and on casting actors in multiple series across roles

    02:39

    Perry Wolff

    Perry Wolff on Standards and Practices he applies to television documentaries

    04:05

    Perry Wolff on his greatest achievement and his advice to aspiring television documentary filmmakers 

    02:24

    David L. Wolper

    David L. Wolper on the the role of the producer and director in a documentary

    04:12

    David L. Wolper on his style of making documentaries, and on forming his own production company

    05:20

    David L. Wolper on the importance of casting

    03:06

    David L. Wolper on the then-future of the independent producer on television

    02:21

    Bud Yorkin

    Bud Yorkin on partnering up with Norman Lear to form Tandem Productions

    04:53

    Lauren Zalaznick

    Lauren Zalaznick on her decision to become a producer

    04:42

    Lauren Zalaznick on what makes a good producing team

    01:24

    Frederic Ziv

    Frederic Ziv on syndicating his first program as an independent producer

    03:08

    Jeff Zucker

    Jeff Zucker on why Today  was such a good fit for him as a Producer

    01:42

    Jeff Zucker on advice to aspiring television producers and executives

    00:20

    Although the medium's technical complexity demands that any television program is a collective product involving many talents and decision makers, in American television it is the producer who frequently serves as the decisive figure in shaping a program. Producers assume direct responsibility for a show's overall quality and continued viability. Conventional wisdom in the industry consequently labels television "the producer's medium"--in contrast to film, where the director is frequently regarded as the key formative talent in the execution of movie.

    In fact, producers' roles vary dramatically from show to show or organization to organization. Some highly successful producers, such as Quinn Martin and Aaron Spelling, are primarily business executives presiding over several programs. They may take an active role in conceiving new programs and pitching (presenting them for sale) to networks, but once a show is accepted they are likely to concentrate on budgets, contracts, and troubleshooting, handing over day-to-day production to their staffs, and exercising control only in a final review of episodes. Other producers are more intimately involved in the details of each episode, participating actively in screenwriting, set designs, casting and--like James Burrows--serving as a frequent director for their programs. Still others serve as enabling mid-managers who delegate crucial activities to directors, writers, and actors, but who choose such personnel carefully, and enforce critical standards, while working to insulate the creative staff from outside pressures. Many producers dispatch their duties within studio hierarchies, while others own independent companies, sometimes contracting space, equipment, and personnel from studios.

    -Michael Saen

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