About
"I'm certainly proud to have been at the beginnings of The Andy Griffith Show. Andy gives me more credit than I deserve because he's quoted about how I set the style for that show. I don't know. I'm just glad I was there and was an important part of the structuring of the show. I nurtured it and nursed it and I thought I took really good care of it. It was five of the best years of my life in the business."
In his four-and-a-half-hour interview, Aaron Ruben (1914-2010) discusses his start as a radio writer for many popular stars including Dinah Shore, Burns and Allen, Fred Allen, Henry Morgan, and Milton Berle. He talks about the first time he worked in television on The Sam Levenson Show with writer Selma Diamond and his television directorial debut on The Phil Silvers Show. He discusses the first television show he produced, The Andy Griffith Show, and talks about other television shows he produced including Gomer Pyle, USMC (which he also created), CPO Sharkey, Sanford and Son, and his work writing for Matlock. He also discusses his long-time philanthropic work with at-risk children. Morrie Gelman conducted the interview on February 25, 1999 in Beverly Hills, CA.
Highlights
Aaron Ruben on his proudest career achievemet -- structuring The Andy Griffith Show
Aaron Ruben on the legacy of The Andy Griffith Show and on his favorite episode "Opie the Birdman"
Aaron Ruben on the multi-faceted skills of a good producer, what makes a good story "is a good story"
Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for The Andy Griffith Show as Barney Fife
Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
Full Interview
Chapter 1
On his early years and education growing up in Chicago; on his interest in acting and comedy
On beginning his career in radio; writing for Wally Brown, Burns & Allen, and Fred Allen
Chapter 2
On writing for Fred Allen's radio show
On writing for Milton Berle's radio show
On his first TV writing job for The Sam Levenson Show
On transitioning to television writing from radio
Chapter 3
On working with Selma Diamond; on working on Caesar's Hour with Sid Caesar, other writers on that show
On the Blacklist and being subpoenaed to testify
On working on The Phil Silvers Show with Nat Hiken
Chapter 4
On working on with Neil Simon
On first joining The Andy Griffith Show, which he saw as a pilot; on executive producer Sheldon Leonard; on first meeting Andy Griffith; on Don Knotts; on Ron Howard; on Jim Nabors
Chapter 5
On casting Jim Nabors on The Andy Griffith Show; the production of The Andy Griffith Show and its sponsors; on the legacy of The Andy Griffith Show
On creating and producing Gomer Pyle, USMC
On his one feature film The Comic; on starting on Sanford and Son
Chapter 6
On developing, casting, and producing Sanford & Son
On various projects for television
On creating and producing CPO Sharkey starring Don Rickles
Chapter 7
On CPO Sharkey; on dealing with networks; on Don Rickles
On various short-lived programs he worked on
On producing The Ted Knight Show (Too Close for Comfort after it went to syndication); and Ted Knight's death
On writing for Matlock; looking back at the CBS "rural purge" when Mayberry was canceled; starting to volunteer with children
Chapter 8
On his charitable work; on his last pilot pitch
On his proudest achievement; on the changes in television since he began; his advice to aspiring writers; on his favorite episode of The Andy Grifith Show
Chapter 9
On "Opie the Birdman" (cont.); on how he'd like to be remembered; on helping children; on television writing as it was done on The Andy Griffith Show
On some of the people he worked with throughout his career including George Burns (and his genius at being a straight man), Ed Wynn, Dick Van Dyke, and others
Chapter 10
On his family
On some photos illustrating various highlights in his career
Shows
Andy Griffith Show, The
Aaron Ruben on how he came to work on The Andy Griffith Show after working on Sgt. Bilko, as a producer
Aaron Ruben on working with Sheldon Leonard on the cast of the Andy Griffith Show, how the show was a spinoff from the Danny Thomas Show
Aaron Ruben on the legacy of The Andy Griffith Show and on his favorite episode "Opie the Birdman"
Aaron Ruben on The Andy Griffth Show episode "Opie the Birdman" (cont.)
Caesar's Hour
Aaron Ruben on working on Caesar's Hour with Sid Caesar, other writers on that show
CPO Sharkey
Aaron Ruben on creating and producing CPO Sharkey starring Don Rickles
Aaron Ruben on creating the show CPO Sharkey ; his relationship with the networks
George Burns and Gracie Allen Show, The
Aaron Ruben on writing for George Burns and Gracie Allen's radio show
Gomer Pyle - USMC
Aaron Ruben on creating and producing Gomer Pyle, U.S.M.C.
Matlock
Aaron Ruben on writing for Matlock
Phil Silvers Show, The aka You'll Never Get Rich aka Sergeant Bilko
Aaron Ruben on working on the Phil Silvers Show with Nat Hiken
Aaron Ruben on the Phil Silvers Show ; Neil "Doc" Simon was a writer, who wrote "Come Blow Your Horn" during this period
Sam Levenson Show, The
Aaron Ruben his first TV writing job for The Sam Levenson Show
Sanford and Son
Aaron Ruben on how he came to work on Sanford & Son with Norman Lear; how he suggested the main characters be Black but the network wanted an Italian
Aaron Ruben on the difficulty of finding actors for Sanford & Son ; how Redd Foxx came to be cast
Aaron Ruben on producing Sanford & Son and working with the cast and crew
Too Close for Comfort
Aaron Ruben on producing The Ted Knight Show (Too Close for Comfort after it went to syndication); and Ted Knight's sudden death
Topics
Hollywood Blacklist
Aaron Ruben on getting a subpoena to testify during the Hollywood Blacklist
Television Industry
Aaron Ruben on the critical role ratings played in show survivals
Underrepresented Voices
Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
Aaron Ruben on developing, casting, and producing Sanford & Son
Vietnam War
Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
Professions
Genres
Comedy Series
Aaron Ruben on why "Gomer Pyle" didn't go to Vietnam and why there were no African-American's in Mayberry on The Andy Griffith Show
People
Fred Allen
Aaron Ruben on writing for Fred Allen's radio show
Gracie Allen
Aaron Ruben on writing for George Burns and Gracie Allen's radio show
Milton Berle
Aaron Ruben on writing for Milton Berle's radio show
George Burns
Aaron Ruben on writing for George Burns and Gracie Allen's radio show
Sid Caesar
Aaron Ruben on the domineering presence of Sid Caesar
Selma Diamond
Aaron Ruben on Selma Diamond's persona
Redd Foxx
Aaron Ruben on how Redd Foxx came to be cast on Sanford & Son; the cast of All in the Family sat through the casting
Nat Hiken
Aaron Ruben on working on the Phil Silvers Show with Nat Hiken
Ron Howard
Aaron Ruben on noticing the talents of Ron Howard as a young kid on The Andy Griffith Show; his professionalism
Don Knotts
Aaron Ruben on first seeing Don Knotts' "nervous man" routine; how important he was for The Andy Griffith Show as Barney Fife
Sheldon Leonard
Aaron Ruben on the career of Sheldon Leonard, from actor to producer; how he conviced Ruben to become a producer
Aaron Ruben on Sheldon Leonard's "seminars" which were held with The Andy Griffith Show writers
Sam Levenson
Aaron Ruben his first TV writing job for The Sam Levenson Show
Jim Nabors
Aaron Ruben on how Jim Nabor's character "Gomer Pyle" was developed
Don Rickles
Aaron Ruben on creating and producing CPO Sharkey starring Don Rickles
Aaron Ruben on why Don Rickles never achieved success in television; why his show CPO Sharkey never took off