Charlie Andrews

On his early life and influences; on early radio shows he listened to; on growing up during the Great Depression and his education

On getting into radio in Chicago; on various people with whom he worked in Chicago radio including Mike Wallace and Hugh Downs; on his service in World War II and working in radio advertising after the war

On his early interest in jazz; on working with Dave Garroway in Chicago; on working in radio advertising in Chicago in 1947

On co-creating Garroway at Large with Dave Garroway; on working with Dave Garroway on Garroway at Large; on the various elements of Garroway at Large

On the studio of Garroway at Large; on early television and how writing for radio differed from writing for television; on rehearsing for Garroway at Large

On the atmosphere on the set of Garroway at Large and going live on the air; on working with producer Ted Mills on Garroway at Large and the directors on the show; on winning a Look Magazine Award for Garroway at Large in 1951

On Garroway at Large being distributed on kinescope; on the cancellation of Garroway at Large

On the cancellation of Garroway at Large; on creating Studs' Place; on how Studs' Place was written

On the cast of Studs' Place; on the rehearsal process on Studs' Place; on Studs' Place's Studs Terkel

On rehearsing Studs' Place and its transition from NBC to ABC; on the cancellation of Studs' Place; on joining Today

On how he came to work with Dave Garroway on Today; on "J. Fred Muggs," the monkey on Today; on moving from Chicago to New York to write for Today and writing for Dave Garroway's radio show "Dial Dave Garroway"

On working for Today creator Pat Weaver; on the early format and staff of Today hosted by Dave Garroway; on the differences between writing for Garroway at Large in Chicago and Today in New York, and working with the directors of those shows

On leaving Today; on the decline in the quality of television from the 1950s to the 1960s

On being hired to write for Caesar's Hour starring Sid Caesar; on the writing staff of Caesar's Hour; on the writing sessions of Caesar's Hour and leaving the show

On freelance writing for $64,000 Question and producing The Morning Show on CBS with Dick Van Dyke

On working with Walter Cronkite and Dick Van Dyke on The Morning Show and his experience with the Hollywood Blacklist; on Salvador Dali appearing as a guest on The Morning Show; on working with Arthur Godfrey on Arthur Godfrey Time and Arthur Godfrey and His Friends

On Arthur Godfrey appearing on Candid Camera with Allen Funt; on the various acts on Arthur Godfrey'sTalent Scouts; on the directors of Arthur Godfrey's Talent Scouts and leaving Godfrey to work with Steve Allen

On Arthur Godfrey's lung cancer diagnosis in 1959 and working on various shows; on producing the 1969 Emmy Awards show; on producing the Miss U.S.A. pageant and other pageants

On working in Chicago television in the early 1950s; on what represents television at its best; on the legacies of Dave Garroway and Arthur Godfrey and the then-future of television

On how he'd like to be remembered; on various people he's worked with in his career