James Day on being hired by KQED in San Francisco
James Day on his initial duties at KQED (the Bay Area Educational Television Association)
James Day on initial funding efforts of KQED
James Day on garnering viewer support in the early days of KQED
James Day on choosing the call letters for KQED and the early technical aspects and operations of the station
James Day on KQED's early programming
James Day on the role of the Educational Television and Radio Center in the early years of KQED and public television
James Day on network programming in San Francisco during KQED's early years and KQED's community-based programming
James Day on moderating the series Kaleidoscope
James Day on the financial turning point for KQED
James Day on early corporate funding of KQED
James Day on a Fidel Castro documentary and other KQED programming from the '60s
James Day on the state of KQED in 1962
James Day on the Carnegie Commission on Educational Television
James Day on the Public Broadcasting Act of 1967 and becoming President of National Educational Television (NET)
James Day on KQED's Newspaper of the Air
James Day on the KQED series News Room
James Day on working with Fred Friendly on Public Broadcasting Laboratory
James Day on becoming President of NET in New York
James Day on the establishment of the Public Broadcasting Service (PBS)
James Day on becoming President of WNET and supervising production of The Great American Dream Machine
James Day on the process of program creation at WNET
James Day on The Great American Dream Machine and other programs from his time at WNET
James Day on programming The 51st State
James Day on his tenure as President of WNET
James Day on Richard Nixon vetoing funds for public broadcasting in 1973
James Day on resigning from WNET
James Day on the establishment of the Children's Television Workshop
James Day on producing Day at Night
James Day on various people he worked with during his career
James Day on the then-current state of PBS and the marginalization of public television
James Day on being hired by KQED in San Francisco
James Day on his initial duties at KQED (the Bay Area Educational Television Association)
James Day on initial funding efforts of KQED
James Day on garnering viewer support in the early days of KQED
James Day on choosing the call letters for KQED and the early technical aspects and operations of the station
James Day on KQED's early programming
James Day on the role of the Educational Television and Radio Center in the early years of KQED and public television
James Day on network programming in San Francisco during KQED's early years and KQED's community-based programming
James Day on moderating the series Kaleidoscope
James Day on the financial turning point for KQED
James Day on early corporate funding of KQED
James Day on a Fidel Castro documentary and other KQED programming from the '60s
James Day on the state of KQED in 1962
James Day on the Carnegie Commission on Educational Television
James Day on the Public Broadcasting Act of 1967 and becoming President of National Educational Television (NET)
James Day on KQED's Newspaper of the Air
James Day on the KQED series News Room
James Day on working with Fred Friendly on Public Broadcasting Laboratory
James Day on becoming President of NET in New York
James Day on the establishment of the Public Broadcasting Service (PBS)
James Day on becoming President of WNET and supervising production of The Great American Dream Machine
James Day on the process of program creation at WNET
James Day on The Great American Dream Machine and other programs from his time at WNET
James Day on programming The 51st State
James Day on his tenure as President of WNET
James Day on Richard Nixon vetoing funds for public broadcasting in 1973
James Day on resigning from WNET
James Day on the establishment of the Children's Television Workshop
James Day on producing Day at Night
James Day on various people he worked with during his career
James Day on the then-current state of PBS and the marginalization of public television