"Individual producers are all as different as our fingerprints are. Producing can be a business of preoccupying oneself with the casting, or with finding source material, or with going to premieres. But in my case it's simply a profound interest in the text."

    About This Interview

    In his two-hour interview, Dick Berg (1922-2009) speaks about his early interest in athletics, dramatics and music (as a member of a three-piece jazz band). He relates his arrival in Hollywood in 1943 and becoming a third assistant director in westerns at Republic Studios. He talks about his return back East to hone his craft as a writer (while running an art gallery), with such initial projects as an unrealized pilot for a series to star Claude Rains, whom he got to meet. He talks about some of his early writing for television, becoming "a hot property" when he began writing for the "live" anthology Studio One, establishing himself with the original teleplay "The Drop of a Hat." He speaks about moving back to Los Angeles where he began to work on such prestigious television series as Playhouse 90. He describes the genesis of the John Cassavetes' starrer Johnny Staccato, for which Berg had written the pilot under the aegis of Universal executive Jennings Lang. He acknowledges his transition to producing for television, beginning with the detective series Checkmate, for which he reveals that he delivered each show in just five production days. Berg describes the presentation he filmed in order to get Universal's bid for a new anthology series picked up by NBC. He discusses how they ended up taking two anthologies— one of which became Bob Hope Presents the Chrysler Theatre, with Berg as producer, which needed to get off the ground within just a few months ("it was some challenge"). He comments on the writers, directors and stars who worked on Bob Hope Presents the Chrysler Theatre and relates some memorable production stories. He comments on acclaimed miniseries he produced (and wrote) notably, The Martian Chronicles and Space. Other television projects he speaks about include: the anthology series Alcoa Premiere, the two-part television movie Wallenberg: A Hero's Story, and the unrealized miniseries of Norman Mailer's The Deer Park. He also acknowledges his tenure as the President of the Hollywood Chapter of the Academy of Television Arts & Sciences. A. Scott Berg conducted the interview on December 10, 2008 in Brentwood, CA.

    All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
    People Talking About ...
    Thumbnail of Dick Berg

    Dick Berg on his producing style

    01:25
    Thumbnail of Dick Berg

    Dick Berg on working on writing features for Universal and creating Johnny Staccato 

    04:54
    Thumbnail of Dick Berg

    Dick Berg on writing "The Right Hand Man" for Playhouse 90

    03:51
    Thumbnail of Dick Berg

    Dick Berg on producing the movie-of-the-week Firehouse 

    00:54
    Thumbnail of Dick Berg

    Dick Berg on advice to aspiring producers

    00:40
    Play Full Interview

    Chapter 1

    On his early life and influences; on wanting to become a writer; on his experiences in World War II

    13:41

    On moving to California; on the first time he saw television and meeting Rod Serling; on his early writing jobs and writing "The Drop of a Hat" for Studio One  directed by Franklin Schaffner

    15:28

    On writing "Hollywood Award Winner" for Kaiser Aluminum Hour  and "The Clay Pigeon" for Robert Montgomery Presents;  on his experiences with the Hollywood Blacklist; on working on writing features for Universal and creating Johnny Staccato 

    13:20

    On working on various live television productions with David Susskind for Kaiser Aluminum Hour;  on writing SuspicionAlfred Hitchcock Presents, and The Third Man;  on being under contract to Universal and deciding to get into producing on the series Checkmate

    14:50

    Chapter 2

    On producing Bob Hope Presents the Chrysler Theater;  on producing various episodes of Bob Hope Presents the Chrysler Theater including "Something About Lee Wiley," "Slow Fade to Black," "The Game," and "Small Rebellion"

    20:59

    On producing Alcoa Premiere;  on the end of anthology shows on network television and becoming President of The Academy of Television Arts & Sciences (Television Academy); on producing various feature films

    09:34

    On producing various movies-of-the-week including Thief, Footsteps, Firehouse, Class of '63, and Louis Armstrong - Chicago Style;  on executive producing the miniseries' The Word  and Space

    14:20

    On executive producing the miniseries' The Martian Chronicles  and Wallenberg;  on producing the movie-of-the-week A Rumor of War;  on producing the series Dolphin Cove  and other projects

    07:14

    Chapter 3

    On executive producing the made-for-television movies Pronto  and Rated X; on attempting to adapt Norman Mailer's "The Deer Park" for television; on his producing style and advice to aspiring producers; on how he'd like to be remembered 

    12:18

    Alcoa Premiere

    Dick Berg on producing Alcoa Premiere  in which he cast a young Robert Redford for the episode "The Voice of Charlie Pont"

    03:42

    Dick Berg on producing "The Dark Labyrinth" and other episodes of Alcoa Premiere 

    02:03

    Bob Hope Presents Chrysler Theatre

    Dick Berg on producing Bob Hope Presents the Chrysler Theater 

    08:13

    Dick Berg on working with Rod Serling on Bob Hope Presents the Chrysler Theater  and his struggle with the networks 

    02:32

    Dick Berg on producing "Something About Lee Wiley" for Bob Hope Presents the Chrysler Theater directed by Sydney Pollack

    02:50

    Dick Berg on producing "Slow Fade to Black" for Bob Hope Presents the Chrysler Theater  written by Rod Serling

    01:09

    Dick Berg on producing "The Game," "Small Rebellion," and other productions for Bob Hope Presents the Chrysler Theater

    05:42

    Dick Berg on working with Bob Hope on Bob Hope Presents the Chrysler Theater 

    00:33

    Checkmate

    Dick Berg on being under contract to Universal and deciding the get into producing on the series Checkmate

    07:20

    Johnny Staccato

    Dick Berg on writing features for Universal and creating Johnny Staccato 

    04:54

    Kaiser Aluminum Hour

    Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour and "The Clay Pigeon" for Robert Montgomery Presents

    03:42

    Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour

    00:34

    Kraft Television Theatre

    Dick Berg on writing for Kraft Television Theater and Studio One

    02:05

    Playhouse 90

    Dick Berg on writing "The Right Hand Man" for Playhouse 90

    03:51

    Robert Montgomery Presents

    Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour  and "The Clay Pigeon" for Robert Montgomery Presents

    03:42

    Studio One

    Dick Berg on writing for Kraft Television Theater and Studio One

    02:05

    Dick Berg on writing "The Drop of a Hat" for Studio One  directed by Franklin Schaffner

    02:53

    Dick Berg on writing "Man Under Glass" for Studio One 

    01:27

    Advice

    Dick Berg on advice to aspiring producers

    00:40

    Anthology Drama

    Dick Berg on writing for Kraft Television Theater  and Studio One

    04:58

    Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour  and "The Clay Pigeon" for Robert Montgomery Presents

    03:42

    Dick Berg on writing "The Right Hand Man" for Playhouse 90

    03:51

    Dick Berg on writing "Man Under Glass" for Studio One 

    01:27

    Historic Events and Social Change

    Dick Berg on his experiences in World War II

    01:33

    Hollywood Blacklist

    Dick Berg on his experiences with the Hollywood Blacklist

    00:54

    Industry Crossroads

    Dick Berg on his experiences with the Hollywood Blacklist

    00:54

    Television Industry

    Dick Berg on his experiences with the Hollywood Blacklist

    00:54

    Dick Berg on the end of anthology shows on network television and becoming President of The Academy of Television Arts & Sciences (Television Academy)

    02:31

    Dick Berg on advice to aspiring producers

    00:40

    TV's Golden Age (1940s & '50s)

    Dick Berg on writing for Kraft Television Theater  and Studio One

    04:58

    Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour  and "The Clay Pigeon" for Robert Montgomery Presents

    03:42

    Dick Berg on writing "The Right Hand Man" for Playhouse 90

    03:51

    Dick Berg on writing "Man Under Glass" for Studio One 

    01:27

    War

    Dick Berg on his experiences in World War II

    01:33

    World War II

    Dick Berg on his experiences in World War II

    01:33

    Producers

    Dick Berg on his producing style

    01:25

    Dick Berg on advice to aspiring producers

    00:40

    Adventure/Espionage Series

    Dick Berg on writing SuspicionAlfred Hitchcock Presents, and The Third Man

    01:21

    Classic Anthology Series

    Dick Berg on writing for Kraft Television Theater  and Studio One

    04:58

    Dick Berg on writing "Hollywood Award Winner" for Kaiser Aluminum Hour  and "The Clay Pigeon" for Robert Montgomery Presents

    03:42

    Dick Berg on writing "The Right Hand Man" for Playhouse 90

    03:51

    Dick Berg on writing "Man Under Glass" for Studio One 

    01:27

    Dick Berg on writing SuspicionAlfred Hitchcock Presents, and The Third Man

    01:21

    Cop/Detective/Mystery Series

    Dick Berg on working on writing features for Universal and creating Johnny Staccato 

    04:54

    Dick Berg on being under contract to Universal and deciding the get into producing on the series Checkmate

    07:20

    Dick Berg on writing SuspicionAlfred Hitchcock Presents, and The Third Man

    01:21

    Drama Series

    Dick Berg on producing the series Dolphin Cove  and other projects

    01:27

    TV Movies/Miniseries/Dramatic Specials

    Dick Berg on producing the movie-of-the-week Thief 

    02:00

    Dick Berg on producing the movie-of-the-week Footsteps  starring Richard Crenna

    01:43

    Dick Berg on producing the movie-of-the-week Firehouse 

    00:54

    Dick Berg on producing the movie-of-the-week Class of '63

    00:28

    Dick Berg on producing the movie-of-the-week Louis Armstrong - Chicago Style

    00:38

    Dick Berg on producing the movie-of-the-week Rape and Marriage: The Rideout Case

    01:01

    Dick Berg on executive producing the miniseries The Word  and Space

    06:16

    Dick Berg on executive producing the miniseries The Martian Chronicles  and Wallenberg

    05:05

    Dick Berg on producing the movie-of-the-week A Rumor of War

    00:42

    Dick Berg on executive producing the made-for-television movies Pronto  and Rated X

    01:55

    Richard Crenna

    Dick Berg on producing the movie-of-the-week Footsteps  starring Richard Crenna

    01:43

    Bob Hope

    Dick Berg on working with Bob Hope on Bob Hope Presents the Chrysler Theater 

    00:33

    Sydney Pollack

    Dick Berg on producing "Something About Lee Wiley" for Bob Hope Presents the Chrysler Theater directed by Sydney Pollack

    02:50

    Robert Redford

    Dick Berg on producing Alcoa Premiere  in which he cast a young Robert Redford for the episode "The Voice of Charlie Pont"

    03:42

    Franklin J. Schaffner

    Dick Berg on writing "The Drop of a Hat" for Studio One  directed by Franklin Schaffner

    02:53

    Rod Serling

    Dick Berg on the first time he saw television and meeting Rod Serling 

    04:09

    Dick Berg on producing "Slow Fade to Black" for Bob Hope Presents the Chrysler Theater  written by Rod Serling

    01:09

    Dick Berg on working with Rod Serling on Bob Hope Presents the Chrysler Theater  and his struggle with the networks 

    02:32

    David Susskind

    Dick Berg on working on various live television productions with David Susskind for Kaiser Aluminum Hour

    04:54

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