Robert Caminiti

On his childhood experiences, World War II and witnessing anti-semitism as a kid in New York City; on his earliest memories of watching television with his family

On being hired by NBC; on working in various departments at NBC in the 1950s and early 1960s; on becoming a stage manager for NBC at 30 Rockefeller Plaza, and why that job interested him

On his duties as stage manager on Concentration, and on the Quiz Show Scandals; on working with producer Bob Stewart on Winning Streak; on the fast pacing and structured environment of being part of a crew on a game show

On working with Concentration host Hugh Downs and working with director Lynwood King; on stage managing for Goodson-Todman Productions' game shows; on learning to become a stage manager on the daytime drama The Doctors

On learning to work with actors on The Doctors; on his various duties as stage manager on The Doctors; on stage managing for The Tonight Show Starring Johnny Carson, and on working at 30 Rockefeller Plaza

On assistant directing for Jeopardy!, and on working with producer Robert Rubin; on the difference between stage managing and being an assistant director; on what he enjoyed about working on game shows, particularly What's My Line?

On wanting to speak to Harvey Keitel when he hosted Saturday Night Live; on working on a couple of feature films, including "Quiz Show"; on Saturday Night Live director Dave Wilson, and on directing a drug raid for NBC News

On his experiences working for NBC News and his lifelong interest in politics; on covering the 1968 Democratic Convention in Chicago with Edwin Newman

On NBC News head Reuven Frank; on assistant directors editing footage; on doing "complex edits" as an assistant director on Saturday Night Live, and on working with Lorne Michaels

On working with Don Pardo on various shows, including Saturday Night Live; on working on Wimbledon for NBC Sports; on assistant directing on Tomorrow with Tom Snyder

On Tom Snyder interviewing Charles Manson on Tomorrow; on Tom Snyder's professionalism on Tomorrow, and on Rona Barrett on the show; on his day-to-day duties on Tomorrow with Tom Snyder

On filling in as assistant director on Saturday Night Live before he was hired by them; on the end of Tomorrow; on being hired as assistant director on Saturday Night Live, and on why he was hired

On working Dick Ebersol and Lorne Michaels on Saturday Night Live and on what made working as an assistant director on that show different from other shows; on the pace and production schedule of working on Saturday Night Live

On his collaboration with Saturday Night Live director Dave Wilson during the broadcast of the live show; on his state of mind during broadcasts of Saturday Night Live

On working with Beth McCarthy-Miller when she was the director of Saturday Night Live; on Don Roy King directing Saturday Night Live; on leaving his assistant directing position and becoming an editor on Saturday Night Live

On how Saturday Night Live dealt with 9/11; on making suggestions for sketches for Saturday Night Live, and on Don Pardo keeping all the Jeopardy! cards; on the Don Pardo bicycle story

On the behind the scenes employees staying with Saturday Night Live for years, and on working for Lorne Michaels; on his involvement in the first episode of Saturday Night Live; on the politics of Saturday Night Live

On working on the Macy's Thanksgiving Day Parade; on how technology has impacted Saturday Night Live and the job of assistant director; on censoring John Belushi on Saturday Night Live, and on his favorite cast members

On producer Bob Stewart; on working on Another World and working for producer Paul Rauch; on advice for aspiring television production professionals

On various people with whom he worked in his career; on career achievements and awards; on the Directors Guild of America

On advice for aspiring assistant directors; on how he would like to be remembered; on people who helped him in his career