Gerald Perry Finnerman on working on Moonlighting
Gerald Perry Finnerman on lighting Cybill Shepherd on Moonlighting
Gerald Perry Finnerman on being director of photography on Moonlighting and on lighting Cybill Shepherd
Gerald Perry Finnerman on filming the black and white Moonlighting episode "The Dream Sequence Always Rings Twice"
Gerald Perry Finnerman on working with Bruce Willis on Moonlighting, and on his five Emmy nominations
Gerald Perry Finnerman on the musical numbers on Moonlighting, including one staged by Stanley Donen
Gerald Perry Finnerman on directing Moonlighting in an episode guest-starring Imogene Coca
Gerald Perry Finnerman on directing an episode of Moonlighting featuring Allyce Beasley as "Agnes DiPesto" and guest-starring Imogene Coca
Gerald Perry Finnerman on doing a takeoff of "Casablanca" on Moonlighting
Gerald Perry Finnerman on the Moonlighting episode "Atomic Shakespeare," on the crazy shooting schedule and shooting Cybill Shepherd
Gerald Perry Finnerman on working with show creator Glenn Gordon Caron on Moonlighting, and on battles with show stars Cybill Shepherd and Bruce Willis
Gerald Perry Finnerman on the end of Moonlighting
Gerald Perry Finnerman on the legacy of Moonlighting
Gerald Finnerman on being hired by Gene Roddenberry as cinematographer on Star Trek
Gerald Finnerman on how Star Trek was initially described to him, and on his early ideas for the show
Gerald Perry Finnerman on his ideas as cinematographer for Star Trek, and on being "too artsy"
Gerald Perry Finnerman on the colors of Star Trek
Gerald Perry Finnerman on the challenge of making planets look real on Star Trek
Gerald Perry Finnerman on working with Gene Roddenberry on Star Trek
Gerald Perry Finnerman on working with producer Robert Justman on Star Trek
Gerald Perry Finnerman on his professional fears as a cinematographer on Star Trek
Gerald Perry Finnerman on dealing with the color scheme on Star Trek, and on the visual style of the show
Gerald Perry Finnerman on working with Leonard Nimoy's "pig eyes" and William Shatner's hair pieces on Star Trek
Gerald Perry Finnerman on the equipment used to shoot Star Trek, and on the special effects of the show
Gerald Perry Finnerman on working with the crew on Star Trek
Gerald Perry Finnerman on making the Enterprise lurch forward or stop short on Star Trek and on the challenges of lighting the interior
Gerald Perry Finnerman on creating the special effects that made the Enterprise fly on Star Trek
Gerald Perry Finnerman on working with William Shatner and as "Captain James T. Kirk" and the rest of the cast on Star Trek
Gerald Perry Finnerman on working with his friend DeForest Kelley as "Dr. Leonard 'Bones' McCoy," and on using "diffusion" on women and men
Gerald Perry Finnerman on working with Walter Koenig as "Pavel Chekov" and Nichelle Nichols as "Lt. Nyota Uhura" on Star Trek
Gerald Perry Finnerman on working with, and sometimes conflicting with, the directors of Star Trek including Joseph Pevney
Gerald Perry Finnerman on Star Trek directors Ralph Senensky, Marc Daniels, and Joseph Pevney
Gerald Perry Finnerman on dealing with the budgets of Star Trek as the cinematographer
Gerald Perry Finnerman on the pilot episode of Star Trek, "The Cage"
Gerald Perry Finnerman on the Star Trek episode "The Enemy Within"
Gerald Perry Finnerman on the Star Trek episode "Space Seed" starring Ricardo Montalban
Gerald Perry Finnerman on the Star Trek episode "Errand of Mercy"
Gerald Perry Finnerman on the all time classic Star Trek episode "The City on the Edge of Forever" starring Miss Joan Collins as "Edith Keeler"
Gerald Perry Finnerman on the all time classic Star Trek episode "The Trouble with Tribbles"
Gerald Perry Finnerman on his favorite Star Trek episodes
Gerald Perry Finnerman on color correction on Star Trek
Gerald Perry Finnerman on exiting Star Trek in 1968 to work on a feature starring Sidney Poitier and directed by Robert Alan Aurthur
Gerald Perry Finnerman on turning down the opportunity to be the cinematographer for Star Trek again, and on working with Gene Roddenberry