Leslie Hoffman

On her early life and influences; on her training as an actress; on deciding she wanted to be a stunt person

On training to be a stunt woman; on stunt people she trained with; on marketing herself as a stuntwoman; on doing stunt work for Police Story

On how doing stunts for television compares to doing stunts for movies; on being assigned stunts and what constitutes a stunt; on rehearsing stunts and the pay scale for stunts

On doing stunts for Emergency; on doing stunts for Love Boat; on dealing with life or death situations as a stunt person; on doing stunts for M*A*S*H

On performing stunts for M*A*S*H, Columbo, and The Chuck Barris Rah Rah Show; on performing stunts for Centennial, The Hardy Boys Mysteries and Charlie's Angels

On the risks of a stunt person and precautions she takes; on performing various kinds of stunts; on doing stunt work for the feature film "I Wanna Hold Your Hand"

On doing stunts for the feature film "I Wanna Hold Your Hand"; on doing stunts for the feature film "1941"; on being on the board of the Screen Actors Guild

On serving on the SAG Safety Committee in 1982; on safety conditions for stunt people; on doing stunt work for various feature films

On doing stunts for various feature films; on doing stunts for Fantasy Island; on doing stunts for Getting There, The Gangster Chronicles, and The M unsters Revenge

On doing stunts for Private Benjamin, CHiPs, and Falcon Crest; on doing stunts for Melrose Place, Remington Steele and ABC Afterschool Specials

Leslie Hoffman on doing stunts for Star Trek: Deep Space Nine

On stunts she performed on Star Trek: Deep Space Nine;  on doing stunts for Star Trek: Voyager;  on her favorite memories of working on the Star Trek shows

On advice to aspiring stunt people; on insurance issues that face stunt people; on keeping physically fit as a stunt person

On technical advances in digital effects since she started as a stunt person; on her proudest professional achievement; on how she'd like to be remembered

On B-roll pictures from her career: on the set of M*A*S*H; with Nancy Allen on the set of "I Wanna Hold Your Hand"; doing a stunt for The Love Boat; on the set of Remington Steele; with Doris Roberts on the set of Remington Steele; with Rose Marie on the set of Remington Steele; with Pierce Brosnan on the set of Remington Steele; on the set of "The Naked Gun"; on the set of Star Trek: Deep Space Nine; on the set of Star Trek: Deep Space Nine; on the set of Star Trek: Voyager; various pictures from Star Trek; SAG Certificate of Appreciation; Board of Directors of SAG circa 1982; in her fire suit on fire