Anita Mann

On her early life and influences; on dance styles she learned when she first started dancing, and on television shows she watched when growing up; on her favorite style of dance and her favorite dancers growing up

On appearing in the feature film version of "Bye Bye Birdie"; on appearing as a dancer in "The T.A.M.I. Show"; on working with Toni Basil, James Brown, and The Rolling Stones on "The T.A.M.I. Show"

On dancing on Shindig!, and on working with Teri Garr on the show; on the dances on Shindig!, and on the artists who appeared on the show; on appearing on The Adventures of Ozzie and Harriet, and on her acting career

On working with Elvis Presley; on becoming assistant to choreographer Jack Baker

On doing choreography for television, and on working for Lucille Ball; on appearing on Elvis: The '68 Comeback Special

On appearing on The Monkees, and on dancing with Davy Jones; on working as assistant choreographer on The Lucy Show and Here's Lucy with Lucille Ball; on her duties as an assistant choreographer

On what she learned from Lucille Ball on The Lucy Show and Here's Lucy; on various numbers she worked on on Here's Lucy; on dancing on and choreographing the Academy Awards

On choreographing The Legend of Valentino; on choreographing Cher, and on working with Cher and Bob Mackie; on choreographing The Jacksons and on working with the Jackson family, including Michael Jackson

On working with Jim Henson on "Sesame Street LIVE!"; on the challenges of working with Jim Henson's Muppets

On working with Jim Henson, and on his death; on choreographing The Fantastic Miss Piggy Show, which co-starred Andy Kaufman as "Tony Clifton"

On becoming involved with Solid Gold; on working with Sold Gold producers Bob Banner and Brad Lachman; on a typical work week choreographing Solid Gold, and on working with the hosts

On what she looked for when she hired dancers on Solid Gold; on the process of working with the Solid Gold Dancers; on keeping the "Solid Gold countdown" fresh, and on the challenge of the range of music

On dealing with censorship on Solid Gold, and on witnessing bigotry towards African-American dancers; on being nominated for two Emmys for Solid Gold; on the legacy of Solid Gold, and comparing it to other music shows like American Bandstand and Shindig

On her process of choreographing a dance number for television, and on choreographing the Miss America Pageant for which she won an Emmy award; on directing various projects, including Jane Fonda's Lower Body Solution, and on choreography being her first love; on how choreography on television has changed since she started

On how choreography on television has changed since she first started; on facing discrimination in the industry as a woman; on her proudest career achievement and biggest career regrets

On advice to an aspiring choreographer; on how she would like to be remembered and B-roll pictures including the Solid Gold Dancers and "The Great Muppet Caper" poster