Haskell Boggs

On his early life and influences; on his early interest in photography; on moving to Los Angeles in 1934 and going to work for Paramount

On working on the feature "True Confession," starring Carole Lombard and on various other features; on his earliest dealings with television; on becoming a camera operator in 1942 and his activities during World War II

On acting as camera operator for Bob Hope on the feature "Sorrowful Jones," and on various other features; on becoming a director of photography in 1955 and on being director of photography on various feature films; on acting as director of photography for Bonanza

On how the major studios felt about television at its inception; on acting as director of photography on Bonanza; on acting as director of photography on 3-D feature films in the 1950s

On his work week on Bonanza and working with Dan Blocker who played "Hoss Cartwright" on the show; on new filming techniques that came about during the run of Bonanza and filming the episode "The Artist"; on location shooting on the show

On working with an "alternate cinematographer" on Bonanza, and on the episode "Bushwhacked"; on dealing with the weather and daylight when working on location on Bonanza; on how cinematography techniques changed during his time on Bonanza and moving to the Warner Bros. set; on the death of Dan Blocker and departure of Pernell Roberts from the show

On working with the cast of Bonanza; on the technical aspects of shooting Bonanza; on the directors of Bonanza, and on what makes a good television director

On acting as director or photography on The High Chaparral; on working with Michael Landon as a director on Bonanza; on acting as director of photography for Little House on the Prairie, Father Murphy, and Highway to Heaven

On acting as director of photography for Highway to Heaven; on acting as director of photography on Where Pigeons Go to Die; on working with Michael Landon on a pilot while Landon was sick

On acting as director of photography for Bonanza: The Return; on the number of hours of television he's worked on in his career; on the American Society of Cinematographers

On winning various awards including the Emmy Award and highlights of his career; on his legacy in television; on his daughter

On various people he's worked with in his career

On his wife, Evelyn; on his cars

On b-roll pictures from Haskell Boggs' career- with a camera in 1931; on a movie set in 1936; with Bob Hope; with Bing Crosby; on the set of Teacher's Pet with Clark Gable; with Jerry Lewis; on the set in 1955; Michael Landon with his daughter Debbie; with his wife Evelyn

On his nickname, "Buzzy"; on his early interest in photography and cameras; on working for Ramsey Productions

On his early duties at Paramount; on camera equipment in the 1940s; on seeing an early television test by Klaus Landsberg and shooting a feature film in 3-D

On his impressions of early television and the advent of color television, pioneered by David Sarnoff, and Thomas W. Sarnoff's work on Bonanza

On working on a color VistaVision feature; on Bonanza being in color to sell color television sets for RCA and on moving into television; on Thomas W. Sarnoff and his involvement in Bonanza, and on Bonanza creator David Dortort

On the difference between acting as director of photography for features and acting as director of photography for Bonanza; on creating his own lighting techniques for Bonanza, and on working with Michael Landon on Highway to Heaven; on his camera operators and crew he worked with in his career

On shooting on videotape as opposed to film; on mishaps and close calls during his time as a director of photography; on the differences between shooting for television and shooting features, and on working with Bing Crosby and Bob Hope

On advice to aspiring directors of photography and on his friendship with Clark Gable; on various people he worked with in his career