Meta Rosenberg

On her early life and influences; on her very first job in the story department of Fox; on her duties in the story department at Fox

On becoming the assistant to Irene Lee in the story department at Warner Bros. and the lack of discrimination she felt as a woman; on her duties as assistant to Irene Lee; on working in New York in the '30s

On going to work for Paramount during the golden age of Hollywood

On working with Billy Wilder; on working with Charles Bracket; on her favorite aspects of working as a story editor for the movies and how she was treated

On trying to become a producer at Paramount and becoming an agent; on her duties as an agent and her experiences; on representing Dalton Trumbo and various other writers; on her marriage and being a mother

On the agent/studio/client relationship in the 1940s; on her early experience with television; on returning to the business in 1959 and forming Bing Crosby Productions

On packaging Ben Casey for Bing Crosby Productions; on the process of an agent pitching a show to a network; on dealing with Standards and Practices on Ben Casey

On working in television as opposed to working in film; on selling the series Breaking Point and becoming Robert Redford's agent; on selling the series Slattery's People; on selling the Hogan's Heroes pilot to CBS

On casting Hogan's Heroes with Ethel Winant; on the writing of Hogan's Heroes and her on-going involvement with the series; on developing the series Daniel Boone and working with star Fess Parker and the feature "The Americanization of Emily" for James Garner

On representing James Garner in the '60s; on developing the series Ironside and Julia

On going to work as an agent for International Famous Artists and developing the feature "The Skin Game" for James Garner; on developing the series Nichols for James Garner

On executive producing Nichols for James Garner and working with writer Frank Pierson and Juanita Bartlett; on developing and executive producing The Rockford Files and her relationship with James Garner; on casting The Rockford Files

On what The Rockford Files was about; on public and critical reaction to The Rockford Files and hiring David Chase; on hiring Stephen J. Cannell and Roy Huggins for The Rockford Files

On her duties as executive producer on The Rockford Files and the production process; on season 2 of The Rockford Files going up against Hawaii Five-O

On hiring directors for the The Rockford Files; on the supporting cast of The Rockford Files; on the producers of The Rockford Files

On the guest stars of The Rockford Files; on winning an Emmy for The Rockford Files; on the success and end of The Rockford Files

On producing Off the Minnesota Strip co-written with David Chase; on producing Bret Maverick

On being an executive consultant at Universal Television and how things in the industry had changed by 1980; on what she enjoyed most about working in television and her career highlights; on television she enjoyed in the then-present

On advice to an aspiring television producer and succeeding in the industry as a woman; on knowing Liam O'Flaherty; on marrying Irving Reis

On various people with whom she worked in her career; on her husband George Rosenberg

On her marriage to George Rosenberg

On b-roll picture from her career- with James Garner on the set of The Rockford Files