Stanford Tischler on getting hired on M*A*S*H and his experience editing the pilot
Stanford Tischler on assembling the opening titles shots for M*A*S*H
Stanford Tischler on the challenges of editing M*A*S*H
Stanford Tischler on Larry Gelbart's penchant for "fixes" on M*A*S*H
Stanford Tischler on working with executive producer Gene Reynolds on M*A*S*H
Stanford Tischler on Larry Gelbart's talents on M*A*S*H
Stanford Tischler on the tone of M*A*S*H and its message
Stanford Tischler on the laugh track on M*A*S*H
Stanford Tischler on working with executive producer Burt Metcalfe on M*A*S*H
Stanford Tischler on a typical work week on M*A*S*H
Stanford Tischler on the overlapping of episodes in production on M*A*S*H
Stanford Tischler on becoming an associate producer on M*A*S*H
Stanford Tischler on working with M*A*S*H star Alda Alda
Stanford Tischler on working with M*A*S*H star McLean Stevenson
Stanford Tischler on the classic M*A*S*H episode "Abyssinia, Henry" and when he was informed about the show's ending
Stanford Tischler on being on the set of M*A*S*H
Stanford Tischler on not laughing while screening dailies with cast and crew because he was concentrating on his work on M*A*S*H
Stanford Tischler on the classic M*A*S*H episode "The Interview"
Stanford Tischler on winning an Emmy for editing M*A*S*H
Stanford Tischler on being proud of his work editing M*A*S*H
Stanford Tischler on editing the blooper reels for M*A*S*H
Stanford Tischler on the M*A*S*H episode "Point of View"
Stanford Tischler on the M*A*S*H episode "Old Soldiers" with a moving speech by Harry Morgan
Stanford Tischler on the classic M*A*S*H episode "Life Time," shown in real time, and how it compared to the 1949 feature film The Set-Up that he worked on, which was also presented in real time
Stanford Tischler on the M*A*S*H episode "Dreams" and censorship issues on the show
Stanford Tischler on the high standard for quality on M*A*S*H
Stanford Tischler the M*A*S*H series finale, and how he noticed that the streets were empty while it aired
Stanford Tischler on the legacy of M*A*S*H
Stanford Tischler on how actor Harry Morgan disliked performing the racist moment required of his character in his guest appearance on M*A*S*H in "The General Flipped at Dawn" (which preceded his regular role)
Stanford Tischler on M*A*S*H as his proudest career achievement
Stanford Tischler on photos from his time editing M*A*S*H
Stanford Tischler on being hired on Peyton Place after turning to real estate when he was out of work
Stanford Tischler on the use of long takes on Peyton Place
Stanford Tischler on editing Peyton Place and working with writer/producer Paul Monash
Stanford Tischler on how the racy reputation of Peyton Place lost his daughter one of her friends
Stanford Tischler on the failure of the TV movie Peyton Place: The Next Generation
