Sound Editor


The Academy of Television Arts & Sciences Foundation Presents

02:26

Tabs

Highlights
Dann Cahn on sound editing
06:32
Leo Chaloukian on advancements in electronic editing; on his dislike of digital editing
07:02
Stanford Tishchler on not enjoying cutting sound
01:33
Dann Cahn on moviolas
00:53
Who talked about this profession

Dann Cahn

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Dann Cahn on sound man Jack Foley and early sound for film - the creation of the Foley stage
02:00
Dann Cahn on sound editing
06:32
Dann Cahn on moviolas
00:53

Leo Chaloukian

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Leo Chaloukian on advancements in electronic editing; on his dislike of digital editing
07:02

Robert Mott

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Robert Mott on recording his own sound effects for shows like Days of Our Lives and various other shows
06:17

Stanford Tischler

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Stanford Tishchler on not enjoying cutting sound
01:33
About

"Early on, the sound and picture were run through a numbering machine, which stamped every foot a matching number so that the editor could match up the sound and the picture, which were separate, to make his cuts and stay in what they called sync." - Dann Cahn, Editor

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