Fred Rogers

On his early years; on the Mister Rogers' Neighborhood character "Lady Elaine" (with puppet)

On his interest in photography when he was growing up; on radio and movies he watched when he was growing up; on deciding what he wanted to do when he grew up

On his college education; on the value of television as a teaching tool for children; on working at NBC in the early '50s

On working as floor manager at NBC on NBC Opera Theatre; on his duties as a floor manager at NBC

On Kate Smith as a performer on Kate Smith Hour; on stage managing The Gabby Hayes Show; on David Sarnoff and Sylverster L. "Pat" Weaver

On his early impressions of television; on having Michael Keaton as a floor manager on Mister Rogers' Neighborhood; on how he now views his years at NBC as a page

On being hired at WQED to work in educational television; on the creation of "Daniel Tiger"

On his WQED show The Children's Corner starring Josie Carey and featuring the puppet "King Friday XIII"; on his duties as a programmer at WQED while he was also working on The Children's Corner; on the challenges of live television; on Josie Carey, the host of The Children's Corner

On composing songs with Josie Carey, host of The Children's Corner; on the format of The Children's Corner; on the puppets of The Children's Corner, including "Daniel Tiger," "King Friday XIII," and "Lady Elaine Fairchild"

On the set of The Children's Corner and on Ernie Coombs; on his CBC series Misterogers, a precursor to Mister Rogers' Neighborhood; on the educational aspects of The Children's Corner and on specific segments of the show

On The Children's Corner moving over to NBC; on the end of The Children's Corner and on parting ways with Josie Carey; on his favorite memories of The Children's Corner

On becoming an ordained a minister of the United Presbyterian Church through the Pittsburgh Theological Seminary; on starting Misterogers on the CBC in Canada, a forerunner to Mister Rogers' Neighborhood

On dealing with copyrights and on owning the characters and material he created; on creating Misterogers, the Canadian forerunner to Mister Rogers' Neighborhood; on casting Mister Rogers' Neighborhood

On creating the puppets eventually used for Mister Rogers' Neighborhood and on their puppeteers; on the process of putting together an episode of Mister Rogers' Neighborhood

On the format of Mister Rogers' Neighborhood; on his outside of the studio segments on Mister Rogers' Neighborhood; on the trolley on Mister Rogers' Neighborhood

On the trolley and Neighborhood of Make Believe on Mister Rogers' Neighborhood; on addressing the assassinations of President Kennedy, Robert F. Kennedy, and Martin Luther King, Jr. on Mister Rogers' Neighborhood; on doing episodes of Mister Rogers' Neighborhood that dealt with serious topics like death and divorce

On doing Mister Rogers' Neighborhood episodes about television; on the music of Mister Rogers' Neighborhood

On starting to do subjects across several episodes of Mister Rogers' Neighborhood; on taping the Neighborhood of Make Believe segments on Mister Rogers' Neighborhood; on the behind-the-scenes crew of Mister Rogers' Neighborhood

On Mister Rogers' Neighborhood executive producer Peter Taft; on the then-current production schedule for Mister Rogers' Neighborhood; on taking Mister Rogers' Neighborhood to the Soviet Union in 1987

On his non-profit corporation Family Communications; on appearing on Dr. Quinn, Medicine Woman; on his "gift of silence," where he encourages people to think about those who helped them become who they are

On his greatest challenge; on "Captain Kangaroo," Bob Keeshan; on television's responsibility to children

On imitations of him on The Tonight Show Starring Johnny Carson and by Eddie Murphy on Saturday Night Live; on his family and on his children watching him on television; on what he envisions is the then-future of Mister Rogers' Neighborhood

On how he'd like to be remembered; on various people he worked with in his career