Stewart MacGregory

On his early life and influences; on radio shows he listened to; on attending Emerson College

On seeing television at the 1939 World's Fair; on New York City in the early '40s; on getting into radio in New York and the onset of World War II

On his time doing sound effects for NBC radio; on radio shows he worked at on NBC; on the process of creating sound effects for radio shows

On his experiences in World War II; on returning to NBC radio after World War II; on going to work for NBC television 

On being stage coordinator for NBC Television starting in 1948; on the early attitude toward people working in the television industry; on the duties of a stage coordinator 

On acting as stage coordinator for Chevrolet on Broadway; on Chevrolet on Broadway  being a live presentation 

On the atmosphere and logistics of a live television broadcast; on the cameras and other equipment used in the Golden Age of Television; on being stage coordinator for Americana and Barney Blake, Police Reporter

On being stage coordinator for Kraft Television Theatre produced by David Susskind; on being stage coordinator for Philco-Goodyear Television Playhouse; on being stage coordinator for Armstrong Circle Theatre

On acting as stage coordinator for Armstrong Circle Theatre and Martin Kane, Private Eye; on live commercials for Kraft Television Theatre

On how the advent of color affected his job as stage coordinator; on acting as unit manager of Wide Wide World

On Dave Garroway, host of Wide Wide World; on the technical aspects of being a unit manager on Wide Wide World; on the cancellation of Wide Wide World

On being unit manager on the  Bell Telephone Hour; on the types of acts that appeared on the Bell Telephone Hour

On acting as unit manager for NBC's coverage of the 1960 Presidential Elections; on being unit manager on The Tonight Show with Jack Paar

On Ray Bolger on The Bell Telephone Hour; on the infamous "water closet incident" from The Tonight Show with Jack Paar; on going to work for The Kraft Music Hall with Perry Como and traveling to Dallas to film the day after John F. Kennedy was shot 

On working with Perry Como on The Kraft Music Hall; on working with Jack Paar on The Jack Paar Program; on becoming a unit manager for NBC Sports in 1964

On being unit manager for the 1966 World Series; on being unit manager for Today; on being unit manager for The Doctors

On being unit manager for NBC: The First Fifty Years; on being unit manager for Saturday Night Live

On joining NBC's Business Affairs department in 1978; on what represents the best of television; on the then-current state of NBC; on the Hollywood Blacklist

On the difference between a unit manager and a production manager; on his mentors; on various people with whom he worked in his career and his wife, Betty

On b-roll pictures from his career- on the set of Armstrong Circle Theater; the set of the Armstrong Circle Theater;  on location for Wide Wide World