Margaret Loesch

On her childhood and early education, and on children's shows she watched while growing up; on seeing the coronation of Queen Elizabeth on television [Ed. note: Ms. Loesch would like to clarify that "he" refers to her father, Fred Loesch, and to correct "Andover, England" to "Burtonwood, England"]; on getting her start in television

On becoming a production clerk, and on learning various aspects of the industry; on working in promos for children's shows at ABC; on going to work for NBC in 1975, and on working for Friz Freleng

On the dearth of female executives in television when she first started in the business; on going to work for William Hanna and Joseph Barbera; on developing and selling The Smurfs

On working on Scooby-Doo, Where Are You! and developing other shows at Hanna-Barbera; on developing The Gary Coleman Show; on working with Mel Blanc, and on casting voice-over actors

On adding "Scrappy Doo" to Scooby Doo; on projects she wishes would have worked out and didn't during her time at Hanna-Barbera

On leaving Hanna-Barbera for Marvel, and on creating the Emmy Award winning-Muppet Babies for Jim Henson; on having an ability to understand children and know what shows they would watch; on developing the animated version of Fraggle Rock with Jim Henson

On going to head up Marvel's television animation, working with Stan Lee, and the birth of Power Rangers; on getting Fox to air Power Rangers, along with Haim Saban

On working with Stan Lee at Marvel, and on developing X-Men with him; on the importance of having strong female characters on X-Men to appeal to young girls; on the responsibility she felt to provide quality, non-violent programming for children

On the Children's Television Act of 1990; on developing G.I. Joe and The Transformers, and on the impact on children as toys turned into cartoons; on developing Jem and My Little Pony with girls in mind

On creating the Fox Kids network; on what she enjoys about being a television executive, and on her vision for Fox Kids; on her management style, and on being a female executive in the industry

On programming "family entertainment," and how what constitutes it has changed over time; on The Simpsons and Modern Family [Ed. note: Ms. Loesch would like to correct "working for Discovery and Henson" to "working for Discovery and Hasbro"]; on programming The Hub and The Hatchery; on her involvement with the Television Academy Foundation

On advice to aspiring television executives; on working with Haim Saban; on then-current projects and her greatest career achievements, and on shows she most identifies with

On the legacy of the X-Men series; on career regrets; on advice to aspiring television executives and producers

On how children's programming has changed since she started in the industry, and on the then-future of the industry; on how she would like to be remembered

On developing Mighty Morphin Power Rangers with Haim Saban, and on her relationship with Saban when she was at Fox Kids; on the business deal she made with Haim Saban over the Mighty Morphin Power Rangers; on working out the merchandising rights to Mighty Morphin Power Rangers with Haim Saban

On her Japanese production partner on Mighty Morphin Power Rangers; on what makes Haim Saban a great producer, and on how toys influenced story lines on Mighty Morphin Power Rangers; on the impact of the children's programming advisory board she created when she was at Fox Kids

On shows she developed with Saban Entertainment while she was at Fox Kids; on how media consolidation impacts children's programming

On how the way children consume media impacts programming; on her advice to female executives regarding the #metoo movement; on what she learned about children's programming in her career; on various people she has worked with in her career, including Paul Reubens and Rupert Murdoch