On longevity in comedy; on how they met and married; on how they got started writing comedy

On the phenomenon of Jewish writers; on writing for Dean Martin and Jerry Lewis on Colgate Comedy Hour and Meet Corliss Archer; on Rocky's early writing partners and on writing for radio shows

On going to writer for My Three Sons and Family Affair; on Selma Diamond, and on Irma's involvement with the Writers Guild; on writing a movie directed by Shelley Berman

On writing for F Troop and on the large number of scripts shows used to be; on producing the show Good Heavens with Carl Reiner and Too Close for Comfort; on producing and writing Carter Country

On writing for Good Times and All in the Family; on writing for The Brian Keith Show and on dealing with ageism; on writing for The Facts of Life starring Cloris Leachman

On writing the pilot for Gilligan's Island; on writing for The Flying Nun and various other pilots; on dealing with ageism in the industry

On writing the book "As Dead as it Gets" and on the "streetwalker story"; on partaking in various Writers Guild strikes; on working with Jim J. Bullock on Too Close for Comfort

On hiring Janet Jackson to play "Penny" on Good Times; on bringing basketball to China; on their interest in boxing and on their billing

On writing for Family Affair and on dealing with taxes; on their reasons for going into comedy; on the business part of show business

On the importance of keeping writing; on writing jokes that stand the test of time; on then-current shows like The Sarah Silverman Program, South Park, and Family Guy

On freelance writing, and on writing jokes for specific situations; on writing for non-comedy shows like Gunsmoke, and on writing shows for the Writers Guild; on their writing process

On working for Norman Lear as a writer; on writing comedy for different kinds of venues; on teaching writing, and what young writers should know when they start

On the longevity of certain comedians and writers; on Milton Berle; on going fishing and flying airplanes

On if you can teach someone to be funny; on their children, and on putting together a stand-up act or eulogy; on their proudest accomplishments, and on finding a good agent

On producing Too Close for Comfort, and on the notion of writing in the future; on meeting with Freddie Prinze, and on writers supporting each other; on the importance of writers playing their dues

On the popularity of westerns in the late 1950s and early 1960s, on being prolific writers, and the kind of people who write comedy; on advice on crafting a script; on the value of comedy and on working with Madeline Kahn on Oh Madeline

On visiting a concentration camp; on answering the question "was it worth it?"