Tom Bosley

On his early life and influences; on radio shows he listened to growing up; on movies he enjoyed growing up

On his love of sports, and on deciding to become an actor; on appearing in plays early on; on appearing in summer stock, and on his stage fright

On his earliest experiences with television, including an early production of "Macbeth" from Chicago; on moving to New York in 1950 to pursue his acting career

On working in New York City in the 1950s; on appearing in the Hallmark Hall of Fame production of "Born Yesterday" starring Mary Martin and of "Alice in Wonderland" directed by George Schaefer; on making his Broadway debut in the hit musical "Fiorello!" as "Fiorello LaGuardia"

On appearing in The Right Man starring Art Carney, and on meeting John F. Kennedy; on appearing in the Hallmark Hall of Fame production of "Arsenic & Old Lace" with Boris Karloff and Tony Randall

On guest-starring on Car 54, Where Are You? and Route 66 and on the pilot Marty; on guest-starring on Profiles in Courage

On appearing in the pilot of Marcus Welby, M.D; on his acting process, and how he approaches a role; on his role in the pilot of Night Gallery, directed by Steven Spielberg, and co-starring Joan Crawford

On appearing in various feature films

On co-starring on The Debbie Reynolds Show; on guest-starring on The Virginian and Bonanza

On technological innovation in his early television years; on appearing in A Step Out of Line with Peter Falk; on appearing in Vanished and Congratulations It's a Boy

On appearing as a regular on the The Dean Martin Show produced by Greg Garrison; on appearing in the remake of Miracle on 34th Street; on shooting the pilot for Happy Days, and on shooting the first few episodes

On the decision to make Happy Days a three-camera show, and focus on the "Fonzie" character; on the popularity of Happy Days; on his character "Howard Cunningham," and on dropped older son "Chuck," played by Gavan O'Herlihy, on Happy Days

On the rising popularity of Happy Days; on working with Happy Days creator Garry Marshall; on the challenges of trying not to be typecast as "Howard Cunningham" from Happy Days

On finding the character of "Howard Cunningham" on Happy Days; on Marion Ross as "Marion Cunningham" on Happy Days

On working with Ron Howard as "Richard Cunningham" on Happy Days; on working with Erin Moran as Joanie Cunningham on Happy Days; on Henry Winkler as "Fonzie" on the show

On Anson Williams as "Potsie Webber" and Donny Most as "Ralph Malph" on Happy Days; on "Scott Baio" as "Chachi Arcola" on Happy Days; on Pat Morita as "Arnold" on Happy Days

On the logistics of shooting Happy Days, and on shooting in front of a studio audience; on specific episodes of Happy Days; on watching his performances as "Howard Cunningham" on Happy Days

On shooting the final episodes of Happy Days; on Ron Howard leaving Happy Days; on the continued popularity of Happy Days in syndication and on cable

On appearing on the pilot for Love Boat; on appearing in Murder, She Wrote

On his Murder, She Wrote character "Sheriff Amos Tupper", and on various episodes; on how the Father Dowling Mysteries came about; on his character "Father Dowling" on Father Dowling Mysteries, and on Mary Wicks on the show

On the writers of Father Dowling Mysteries, and on the popularity of the show; on the end of Father Dowling Mysteries

On returning to the Broadway stage; on continuing to work, and on then-current projects; on working with director George Abbott

On working with stage director George Abbott; on advice to aspiring actors; on what he's likely to be remembered for and on his greatest achievement

On b-roll- pictures from his career- with Marion Ross; with Marion Ross on the softball field; with the cast of Happy Days; with Angela Lansbury on the set of Murder, She Wrote; with Tracey Nelson as "Father Dowling"