About
"The Farnsworth [electronic television] system was you might say a real time system, while the system that we were using involves storage. The energy was stored from frame to frame so that it could operate with less light."
In his 75-minute interview, Les Flory (1907-2002) describes his time as a television engineer in the RCA laboratories in Camden and Princeton, NJ. Flory talks of joining the RCA team straight out of college, and discusses his work on early television pickup tubes. He recalls working for RCA pioneers Vladimir Zworykin and David Sarnoff, talks of RCA's competitors, including Philo T. Farnsworth and John Logie Baird, and outlines the major differences between the mechanical and electrical television systems. Flory recounts technological advancements made during World War II, discusses the differences between the RCA and CBS color television systems, and shares how applications designed for television broadcasting have been used in other fields (medicine, space exploration, etc.). B-roll consists of photos from the RCA laboratories and demonstrations of iconoscopes that Flory helped develop. Fred Olesi conducted the interview on April 18, 1997 in Princeton, NJ.
Highlights
Les Flory on meeting and working with Vladimir Zworykin at RCA
Les Flory on the development of the television pick up tube in the 1930s
Les Flory on the differences between the early mechanical and electronic television systems
Les Flory on his involvement with the development of color television and the controversy over the CBS and RCA systems
Les Flory on the student engineering course at RCA and his placement in the television research lab
Full Interview
Chapter 1
On his childhood and early influences; on his early interest in radio and getting a job at RCA after college
On his early days at RCA and the difficulty of creating a camera tube; on meeting and working with Vladimir Zworykin; on the goals of the lab
On RCA competitors - Farnsworth, Baird, and DuMont; on the relationship between Vladimir Zworykin and David Sarnoff at RCA
On preparing for broadcast television and the 1939 World's Fair
Chapter 2
On the differences between the early mechanical and electronic television systems; on early transmissions from RCA
On patent disputes between RCA and Philo T. Farnsworth; on commercial television coming to a halt when World War II started; on technological advances made during the war
On his work after the war and his involvement with the development of color television; on the controversy over the CBS and RCA color systems
On his post-World War II projects at RCA; on what he's proudest of in his career
On his thoughts on some of the people with whom he's worked
Chapter 3
B-roll photos from his career: at the RCA labs in Camden and Princeton, New Jersey; of iconoscopes he helped create
Topics
1939-40 World's Fair
Les Flory on preparing for broadcast television and the 1939 World's Fair
Historic Events and Social Change
Les Flory on preparing for broadcast television and the 1939 World's Fair
Les Flory on commercial television coming to a halt when World War II started and the development of new technologies during the war years
Technological Innovation
Les Flory on the development of the television pick up tube in the 1930s
Les Flory on how much he was aware of the work of Philo T. Farnsworth, and differences between Farnsworth's system and RCA's
Les Flory on the differences between the early mechanical and electronic television systems
Les Flory on his involvement with the development of color television and the controversy over the CBS and RCA systems
Les Flory on a 1956 photo of a backpack television transmitter (made for the 1956 political conventions)
Les Flory on a photo of image orthicon tubes
War
Les Flory on commercial television coming to a halt when World War II started and the development of new technologies during the war years
World War II
Les Flory on commercial television coming to a halt when World War II started and the development of new technologies during the war years
Professions
Engineer
Les Flory on the development of the television pick up tube in the 1930s
Les Flory on how much he was aware of the work of Philo T. Farnsworth, and differences between Farnsworth's system and RCA's
Les Flory on the differences between the early mechanical and electronic television systems
Les Flory on his involvement with the development of color television and the controversy over the CBS and RCA systems
Technology Innovators
Les Flory on the development of the television pick up tube in the 1930s
Les Flory on how much he was aware of the work of Philo T. Farnsworth, and differences between Farnsworth's system and RCA's
Les Flory on the differences between the early mechanical and electronic television systems
Les Flory on his involvement with the development of color television and the controversy over the CBS and RCA systems
People
Allen B. DuMont
Les Flory on his thoughts on some of the people with whom he's worked - Allen B. DuMont
Philo T. Farnsworth
Les Flory on RCA's competition in television development - Philo T. Farnsworth
Les Flory on how much he was aware of the work of Philo T. Farnsworth, and differences between Farnsworth's system and RCA's
Les Flory on patent disputes between RCA and Philo T. Farnsworth
David Sarnoff
Les Flory on the relationship between Vladimir Zworykin and David Sarnoff at RCA
Les Flory on David Sarnoff's involvement with the RCA lab after World War II
Vladimir Zworykin
Les Flory on meeting and working with Vladimir Zworykin at RCA
Les Flory on working with Vladimir Zworykin and colleagues at RCA
Les Flory on the relationship between Vladimir Zworykin and David Sarnoff at RCA
Les Flory on his thoughts on some of the people with whom he's worked - Vladimir Zworykin
Les Flory on a 1932 photo of him with Vladimir Zworykin and an experimental iconoscope
Les Flory on a 1933 photo of Vladimir Zworykin taken off a television receiver