David Gerber

On his early life and influences; on his interest in radio and the movies as a child; on his experience in World War II; on studying journalism and drama in college

On going to work in television advertising as the television supervisor; on early television he watched and thinking he had a future in the television business; on working at Famous Artists Agency

On what a television packager does and shows he packaged at Famous Artists Agency; on becoming Vice President of Television at General Artists Corporation; on the first shows he produced 

On facilitating Lucille Ball's return to television and representing Desilu Studios; on doing television deals at 21 and The Polo Lounge; on making money from television packaging deals; on packaging the series Felony Squad  

On going to work for 20th Century Fox Television; on approving Batman as head of 20th Century Fox Television; on selling Irwin Allen's Voyage to the Bottom of the Sea; on selling Lost in Space and working with Irwin Allen

On getting into producing; on producing the ABC After School Special  "Follow the North Star" and getting involved in the editing process; on going to work for Columbia Pictures Television and producing Police Story

On producing Police Story; on the look and production of Police Story

On producing Police Woman; on producing Joe Forrester; on producing David Cassidy: Man Undercover  and Medical Story

On producing Medical Story;  on being President of Columbia Pictures Television; on his management style; on changing the name of Screen Gems to Columbia Pictures Television; on shepherding productions for Columbia Pictures Television 

On shepherding That's My Mama  for Columbia Pictures Television; on producing Gibbsville  and Beulah Land;  on producing The Lindbergh Kidnapping Case

On producing Quark; on going to work for MGM and shepherding George Washington

On shepherding thirtysomething for MGM 

On shepherding In the Heat of the Night starring Carroll O'Connor

On shepherding In the Heat of the Night; on his legacy at MGM and producing Seven Brides for Seven Brothers; on going to work for All American Television

On producing various made-for-television movies in his later career; on producing Flight 93 

On then-current projects; on his proudest career achivements

On advice to an aspiring producer; on his sales ability; on his wife, Lorraine; on how he'd like to be remembered 

On b-roll pictures from his career- on the set of Born Free; the cast of Police Story; on the set of Nanny and the Professor; filming the pilot for Police Story; at the Emmy Awards, having won for Police Story; on the set of Sinbad; on location for Born Free; on the set of The Lost Battalion