Matthew Weiner on his parents' influence on his show Mad Men; "there's a lot of Betty Draper" in his mother, who pursued a law school degree later in life; on his parents' take on the show
Matthew Weiner on how many details on Mad Men are derived from memories of his childhood
Matthew Weiner on his first film script "Horseshoe" that was the genesis of Mad Men; on how he got the film finished on a very limited budget
Matthew Weiner on the genesis of Mad Men - which he started scripting while a writer at Becker
Matthew Weiner on his process for writing the pilot of Mad Men
Matthew Weiner on the title of his show Mad Men
Matthew Weiner on pitching Mad Men to AMC; on the character "Don Draper"
Matthew Weiner on the inner workings of "Don Draper's" character on Mad Men; on when the wife of the man he's impersonating dies
Matthew Weiner on how all the characters on Mad Men are self-portrayals
Matthew Weiner on identifying with the characters "Peggy Olson" and "Pete Campbell" on Mad Men
Matthew Weiner on the character "Betty Draper" on Mad Men
Matthew Weiner on the character "Sally Draper" on Mad Men
Matthew Weiner on molding the character "Don Draper" alongside the actor Jon Hamm; on who he wanted "Don" to be
Matthew Weiner on shooting the second script (after the pilot) of Mad Men and the controversy over editing that episode
Matthew Weiner on the popularity of Mad Men and its audience
Matthew Weiner on the style and realism of Mad Men, including the costuming
Matthew Weiner on the Mad Men episode, "Guy Walks into an Advertising Agency," which includes the infamous lawnmower scene
Matthew Weiner on the Mad Men episode, "Guy Walks into an Advertising Agency"; on the cardinal sin of television (married woman having an affair); on the ending of season four
Matthew Weiner on how much of Mad Men has been pre-conceived
Matthew Weiner on how JFK's assassination played into Mad Men's plotlines
Matthew Weiner on literary influences on Mad Men, including John Cheever
Matthew Weiner on the reason Mad Men's "Don Draper" could not remain a bachelor
Matthew Weiner on the "business model" for Mad Men; on differences with the network over sponsors
Matthew Weiner on how Hilton was integrated into Mad Men although they were never a formal sponsor
Matthew Weiner on the then-future of Mad Men
Matthew Weiner on the then-future of Mad Men and how he wants it to end; on not being done with the show yet
Matthew Weiner on the gap between seasons four and five of Mad Men and his contract negotiations with AMC
Matthew Weiner on Mad Men's season five premiere episode, "A Little Kiss," and the story arcs of that season
Matthew Weiner on using The Beatles' song "Tomorrow Never Knows" on the Mad Men episode "Lady Lazarus"
Matthew Weiner on "Betty Draper's" (January Jones) cancer scare on season five of Mad Men
Matthew Weiner on plotting out stories and themes for Mad Men, the suicide of "Lane Pryce" (Jared Harris), and other elements of season five
Matthew Weiner on the Mad Men episode, "The Other Woman," in which "Joan Holloway" (Christina Hendricks) prostitutes herself to get an account for the firm
Matthew Weiner on "Megan Draper's" (Jessica Pare) career story arc in season five of Mad Men
Matthew Weiner on "Peggy Olson's" (Elisabeth Moss) story arc in season five of Mad Men
Matthew Weiner on season six of Mad Men and using the news events of 1968 as a backdrop
Matthew Weiner on "Don Draper's" (Jon Hamm) affair in season six of Mad Men
Matthew Weiner on the final scene of season six of Mad Men, the cinematic nature of the show, and "Don's" (Jon Hamm) downward spiral in seasons six and seven
Matthew Weiner on switching from film to video starting with the fifth season of Mad Men
Matthew Weiner on running Mad Men storylines by Jon Hamm at the start of each season and collaborating with the staff writers
Matthew Weiner on the death of "Bert Cooper" (Robert Morse) at the end of season 7a of Mad Men and planning out season seven
Matthew Weiner on making viewers cry at Mad Men and confounding viewers' expectations
Matthew Weiner on collaborating with his writing staff on the end of Mad Men and the "firing" of "Don Draper" from Sterling Cooper
Matthew Weiner on the various cultural and historical references and influences for season seven of Mad Men including the moon landing
Matthew Weiner on the gender equality themes of Mad Men season 7a
Matthew Weiner on "Don" and "Megan's" relationship and "Don" and "Peggy's" relationship in season 7b of Mad Men
Matthew Weiner on the time lapse between seasons 7a and 7b on Mad Men and updating the styles and fashions
Matthew Weiner on "Don's" situation at the start of Mad Men season 7b, "Don's" relationship with "Diana" the waitress, and fan reaction to that relationship
Matthew Weiner on wrapping up each character in the final episodes of Mad Men
Matthew Weiner on relating season six of Mad Men to "A Tale of Two Cities"
Matthew Weiner on dealing with writing and directing the final scenes of Mad Men
Matthew Weiner on directing Kiernan Shipka as "Sally Draper" in her final Mad Men scenes
Matthew Weiner on "Don's" relationship with "Stephanie Horton" in the final episodes of Mad Men and the running list of story ideas for the show
Matthew Weiner on Mark Moses as "Herman 'Duck' Phillips" on Mad Men and stories they never got around to doing
Matthew Weiner on getting "Stan" and "Peggy" together at the end of Mad Men
Matthew Weiner on wrapping up various stories on Mad Men
Matthew Weiner on using real life products and companies on Mad Men leading up to the Coca-Cola commercial finale
Matthew Weiner on how he believes Mad Men will be viewed in the future
Matthew Weiner on getting Mad Men memorabilia into museums
Matthew Weiner on what he misses about Mad Men and what the end was like for him
Matthew Weiner on the impact The Sopranos had on him and his writing for Mad Men
Matthew Weiner on writing for The Sopranos, and the hope it gave him for good television
Matthew Weiner on the time he took writing for The Sopranos and David Chase
Matthew Weiner on The Sopranos episode, "Sentimental Education," where "Carmela" has an affair
Matthew Weiner on the writers' room on The Sopranos; on David Chase's involvement
Matthew Weiner on The Sopranos episode "Luxury Lounge"
Matthew Weiner on the "Kennedy and Heidi" episode of The Sopranos, co-written with David Chase, and how the episode was about guilt
Matthew Weiner on The Sopranos episode "Mayhem" which he was very proud to have written
Matthew Weiner on "The Blue Comet" - the second-to-last episode of The Sopranos
Matthew Weiner on the finale of The Sopranos; on the secrecy surrounding the series
Matthew Weiner on The Sopranos' legacy