Joseph Sargent

On his early life and influences; on his early acting training

On his early experience on Broadway; on his interest in photography and becoming a director; on acting in live television in the '50s

On the kinds of roles he played on television in the '50s; on becoming a television director; on his connection to Stanley Kubrick and working with Marlon Brando

On directing Lassie; on acting in and later directing Gunsmoke

On directing James Arness on Gunsmoke; on the editing of Gunsmoke and staging actors; on Lassie and other early shows being his training ground for directing

On directing The Man From U.N.C.L.E; on directing Bonanza; on directing The Fugitive

On acting on The Twilight Zone; on the Hollywood Blacklist; on directing Star Trek

On directing long-form television; on shooting on location

On shooting Hustling in Los Angeles; on shooting The Marcus Nelson Murders; on winning an Emmy for The Marcus Nelson Murders

On directing the feature "The Taking of Pelham 123"

On working with East Coast crews; on directing the feature films "MacArthur" and "Golden Girl"; on almost directing "Coal Miner's Daughter"

On directing Manions of America; on directing James Cagney in Terrible Joe Moran

On working with Elizabeth Taylor on There Must Be a Pony; on directing the miniseries Space; on directing made-for-television movies for Hallmark Hall of Fame

On directing the made-for-television movies Love is Never Silent and Miss Rose White; on directing the feature film "Jaws: The Revenge"

On directing Angela Lansbury in The Love She Sought; on directing A braham for TNT; on directing Miss Evers' Boys

On directing the feature film "A Lesson Before Dying"; on directing Warm Springs; on his proudest professional achievements

On technical innovation during his directing career; on ageism in the industry and then-current projects; on advice to aspiring directors and how he'd like to be remembered 

On B-roll of pictures from Joseph Sargent's career: Joseph Sargent at the New School for social research in 1949; in a workshop at the New School in 1949; doing musical stock in 1949; with Joan Banks in Some Small Nobility in 1950; with Robert Vaughn on the set of The Man From U.N.C.L.E.; with David McCallum on the set of The Man From U.N.C.L.E.; on the set of The Man From U.N.C.L.E.; with Robert Vaughn on the set of The Man From U.N.C.L.E.; on location for The Taking of Pelham 123; on location for The Taking of Pelham 123 with Walter Matthau; with Richard Zanuck on the set of MacArthur; with Beau Bridges on the set of Space; on the set of Jaws: The Revenge; with Kyra Sedgwick on the set of Miss Rose White; with Amanda Plummer and Kyra Sedgwick on the set of Miss Rose White; cake for Joseph Sargent on his return from the Emmy Awards; with Glenn Close on the set of Skylark; Glenn Close and Christopher Walken on the set of Skylark; on the set of When Lions Roared with Bob Hoskins; with Sidney Poitier on the set of Mandela and de Klerk