Nanette Fabray

On her early life and influences; on when she first started performing; on her difficulty with her hearing, and on her participation in issues involving the deaf

On the first time she saw television, and on being NBC's "color girl"; on moving to New York, and on her training as an actress; on her early work in motion pictures

On appearing on The Ed Sullivan Show, Texaco Star Theater with Milton Berle, and The Arthur Murray Party; on appearing on Omnibus; on appearing on Playhouse 90, directed by John Frankenheimer

On appearing on Kaiser Aluminum Hour for "A Man's Game"; on the Hollywood Blacklist; on being compared to Imogene Coca on Caesar's Hour, and on working with Sid Caesar

On the format of Caesar's Hour and on the music of the show; on working with the writers of Caesar's Hour, and on an on-air mishap where she was injured

On various sketches she performed in with Sid Caesar on Caesar's Hour, including doing pantomime with Caesar; on the kind of fan mail she got while on Caesar's Hour, and on the end of the show; on the legacy of Sid Caesar's Your Show of Shows and Caesar's Hour

On starring on The Nanette Fabray Show; on working with Wendell Corey on The Nanette Fabray Show

On appearing on several variety shows including The Dinah Shore Show, The Danny Kaye Show, The Andy Williams Show, and The Smothers Brothers Comedy Hour; on appearing on The Carol Burnett Show and doing sign language for the first time on television, and promoting sign language on television; on working with Carol Burnett and Tim Conway on The Carol Burnett Show

On appearing on Ford Startime, The Bell Telephone Hour, Bob Hope Presents Chrysler Theatre, and Alice Through the Looking Glass; on appearing on Password; on appearing on The Hollywood Squares

On appearing in the special George M! with Joel Grey; on appearing on Love, American Style; on appearing in Happy Anniversary & Goodbye with Lucille Ball

On appearing as "Mary Richards'" mother on two episodes of The Mary Tyler Moore Show; on her guest appearance as stroke survivor on Maude in the episode "Maude's Reunion"; on appearing in the feature film "Harper Valley P.T.A." with Barbara Eden

On appearing with Fred Astaire in The Man in the Santa Claus Suit; on her role as "Ann Romano's" mother on One Day at a Time; on her guest appearances on Coach

On her guest appearance on Murder, She Wrote; on her acting style; on good advice she's gotten regarding her acting in her career

On working with a difficult director; on advice to aspiring actors

On her favorite medium to act in being live television; on career highlights, and on keeping on working; on how she'd like to be remembered

On b-roll pictures from her career - with Sid Caesar; doing a sketch with Sid Caesar on Caesar's Hour; doing a song and dance with Sid Caesar on Caesar's Hour; with Sid Caesar on the set of Caesar's Hour; with Carl Reiner, Howard Morris, and Sid Caesar; with Tony Randall on the set of Ford Startime; with Jerry Lewis; with Mary Tyler Moore on the set of The Mary Tyler Moore Show; on the set of Alice Through the Looking Glass; on the set of What's it All About, World?; with Bonnie Franklin on the set of One Day at a Time; with Bonnie Franklin and Pat Harrington on the set of One Day at a Time; with Phil Silvers; with Mary Tyler Moore on the set of The Mary Tyler Moore Show; on the set of The Bell Telephone Hour; with Andy Williams on the set of The Andy Williams Show; on the set of The Carol Burnett Show with Art Carney; as "The White Queen" in Alice Through the Looking Glass; on the set of George M!; on the set of Caesar's Hour; on the set of The Nanette Fabray Show; with Dean Martin on The Dean Martin Show; in her dressing room