Interviewees discuss the criticism of TV.
About
"There have been some series that I've spoken up for that have gotten rescued." - Howard Rosenberg, Television Critic
Highlights

Howard Rosenberg on reviewing television series and changing his mind about shows

Yeardley Smith on the criticism of The Simpsons when it debuted

Steve Allen on critical response to The Steve Allen Show

Susan Whiting on criticism of Nielsen ratings

Darren Star on the censorship issues that arose on Melrose Place, particularly involving the character "Matt Fielding," who was gay

Dawn Wells on her reaction to critics of Gilligan's Island and on the cancellation of the show
Who Talked about This Topic
Steve Allen
Steve Allen on critical response to The Steve Allen Show
Charlie Andrews
Charlie Andrews on the decline in the quality of television from the 1950s to the 1960s
Alan A. Armer
Alan A. Armer on the violence on The Untouchables and on the ratings of the show
Steven Bochco
Steven Bochco on the difficulties of creating organic storytelling on television
Glen Charles
Glen and Les Charles on Cheers' initial low ratings, good critical response, and then-House speaker Tip O'Neil's cameo
Les Charles
Glen and Les Charles on Cheers' initial low ratings, good critical response, and then-House speaker Tip O'Neil's cameo
Margaret Cho
Margaret Cho on the groundbreaking and controversial aspects of All-American Girl -- the first representation of a Korean American family on U.S. primetime television
Margaret Cho on playing a North Korean general on the 72nd Golden Globe Awards, hosted by Amy Poehler and Tina Fey, and on criticism of the character
Dick Clark
Dick Clark on producing the TV Movie, "The Woman Who Willed a Miracle"
Joan Ganz Cooney
Joan Ganz Cooney on the use of Muppets on Sesame Street and initial reaction to the show
Joan Ganz Cooney on the criticism of the health series for adults, Feeling Good
Katie Couric
Katie Couric on being criticized for her role as anchor of CBS Evening News
Phil Donahue
Phil Donahue on the deterioration of daytime television
Jeff Fager
Jeff Fager on being executive producer of CBS Evening News with Dan Rather at a time when news was becoming more sensational
Jeff Fager on the public's perception of the news media
Edie Falco
Edie Falco on violence on The Sopranos
Tom Freston
Tom Freston on criticism that MTV had no black artist in the early days
Larry Gelbart
Larry Gelbart on what to him represented the best of television -- those moments when it brought the country together as a family, as in the Kennedy funeral, or the Challenger launch, and how we're in danger of losing that ability in favor of 'the bottom line'
Robert Halmi, Sr.
Robert Halmi, Sr. on his commitment to family entertainment
Stanley Hubbard
Stanley Hubbard on the government's role in broadcasting and dealing with FCC regulations
Felicity Huffman
Felicity Huffman and William H. Macy on how parenthood has affected their opinion of television and the messages it sends to women, in particular
Russell Johnson
Russell Johnson on the critics' reactions to Gilligan's Island
Bob Keeshan
Bob Keeshan on what represents the best in television
Steve Kroft
Steve Kroft on interviewing Clarence Thomas for 60 Minutes and dealing with criticism of his interviews
Jack LaLanne
Jack LaLanne on television critics' and viewer responses to The Jack LaLanne Show
Angela Lansbury
Angela Lansbury on being asked to curtail violence on TV
Louise Lasser
Louise Lasser on the second season of Mary Hartman, Mary Hartman, and on the show's critique of television
Norman Lear
Norman Lear on the culture of profit-making in television to the detriment of the medium, and his dislike of ratings
Richard Lewis
Richard Lewis on testifying to Congress about violence in television Westerns
Robert MacNeil
Robert MacNeil on critical reaction to The MacNeil Lehrer NewsHour and various stories they covered
William H. Macy
William H. Macy on being proud of the way Shameless deals with sex and his personal objections to the unrealistic way violence is depicted on television
Loring Mandel
Loring Mandel on his criticism of television, and on being president of the Writers Guild
Jim McKay
Jim McKay on the challenge for TV to fill thousands of hours with quality programming
Nolan Miller
Nolan Miller on working on negative critical reaction to Charlie's Angels and on it being dubbed "jiggle TV"
Newton N. Minow
Former FCC Chairman Newton Minow on what he was trying to convey in his 1961 "Vast Wasteland" speech
Former FCC Chairman Newton Minow on Joseph Kennedy and Edward R. Murrow's reaction to his 1961 "Vast Wasteland" speech
Newton Minow on whether he still sees television as 1961's "vast wasteland" in 1999
Thomas W. Moore
Thomas W. Moore on Newton N. Minow's "vast wasteland" speech, critical of television
Thomas W. Moore on television living up to its potential
Michael Moye
Michael Moye on critics' reactions to Married...With Children
Jonathan Murray
Jonathan Murray on critics of reality television
Horace Newcomb
Horace Newcomb on writing about television for the "Baltimore Sun," and on the coming of age of television in the 1970s with shows like All in the Family and The Mary Tyler Moore Show
Horace Newcomb on An American Family, and on the serialization of television which led to shows like Roots and Dallas
Horace Newcomb on how Hill Street Blues changed the television industry
Horace Newcomb on The Sopranos being a game changer
Horace Newcomb on Magnum, P.I.'s cumulative narrative
Horace Newcomb on the historic and then-current lack of diversity in television
Maury Povich
Maury Povich on criticisms of his talk show Maury
Sterling Quinlan
Sterling "Red" Quinlan on Newton N. Minow's comment, "television is a vast wasteland"
Del Reisman
Del Reisman on Newton N. Minow's "vast wasteland" speech
Del Reisman on Robert Stack as "Elliott Ness" on The Untouchables, and on the violence of the show
Lee Rich
Lee Rich on criticism about Dallas
Howard Rosenberg
Howard Rosenberg on being the first television critic for The Louisville Times
Howard Rosenberg on television critics who influenced him and his preparation to go into the field
Howard Rosenberg on his autonomy as a television critic
Howard Rosenberg on television in the '70s
Howard Rosenberg on the timetable of receiving shows and reviewing them
Howard Rosenberg on how television changed and evolved during the '70s and his thoughts on the Golden Age of Television
Howard Rosenberg on his influence as a critic in Louisville
Howard Rosenberg on his schedule at the LA Times
Howard Rosenberg on how the process of reviewing shows changed over the years
Howard Rosenberg on reviewing television series and changing his mind about shows
Howard Rosenberg on reader response to his column on 9/11
Howard Rosenberg on sometimes not getting tapes of shows he wanted to review
Howard Rosenberg on winning the Pulitzer Prize in 1985
Howard Rosenberg on the function of critical writing
Howard Rosenberg on his dealings with people in the television industry
Howard Rosenberg on his editors
Howard Rosenberg on television comedy
Howard Rosenberg on dramatic series
Howard Rosenberg on late night television
Howard Rosenberg on daytime talk shows
Howard Rosenberg on made-for-television movies, miniseries and specials
Howard Rosenberg on government involvement in television
Howard Rosenberg on his favorite television shows
Howard Rosenberg on television at its worst
Haim Saban
Haim Saban on initial pushback from affiliates due to the violence on Mighty Morphin Power Rangers, which went all the way up to Rupert Murdoch, and on the series ultimately going on the air with great success
Jay Sandrich
Jay Sandrich on having fun finding ways to depict sex in a subtle way on Soap
Thomas W. Sarnoff
Thomas W. Sarnoff on his response to criticism of violence on TV while an NBC executive
Alfred Schneider
Alfred Schneider on regulating portrayals of violence in Roots versus S.W.A.T. and The Six Million Dollar Man
Alfred Schneider on how and why portrayals of sexuality and other controversial topics have become more acceptable over time on television
Alfred Schneider on Chair of the Federal Communications Commission, Newton N. Minow's "Vast Wasteland" speech
Alfred Schneider on a controversial episode of Bus Stop ("A Lion Walks Among Us") and how it led to further inquiries into the effects of violence on television
Robert Schuller
Robert Schuller on how television has changed society
Cybill Shepherd
Cybill Shepherd on how she deals with reviews and criticism
David Shore
David Shore on initial critical reaction and viewer reaction to House and early notes from FOX
Fred Silverman
Fred Silverman on the reaction of television critics to ABC programs The Love Boat and Fantasy Island
John Singleton
John Singleton on representations of violence in his work
Yeardley Smith
Yeardley Smith on the criticism of The Simpsons when it debuted
Darren Star
Darren Star on controversial storylines on Beverly Hills, 90210, including "Brenda Walsh" sleeping with "Dylan McKay" in the first season's "Spring Dance" episode
Darren Star on the censorship issues that arose on Melrose Place, particularly involving the character "Matt Fielding," who was gay
Darren Star on a Sex and the City gag that HBO objected to
Brandon Stoddard
Brandon Stoddard on television living up to its potential and how the industry has changed
William Tankersley
William Tankersley on CBS' expected limitations of violence on television
Tracey Ullman
Tracey Ullman on whether she worried about offending people through her portrayals of characters of different races and ethnicities
Dawn Wells
Dawn Wells on her reaction to critics of Gilligan's Island and on the cancellation of the show
Susan Whiting
Susan Whiting on criticism of Nielsen ratings
Fred Willard
Fred Willard on Fernwood 2-Night "going too far"
Larry Wilmore
Larry Wilmore on criticism of The PJs for portraying racial stereotypes
Bud Yorkin
Bud Yorkin on initial critical and public reaction to All in the Family
Lauren Zalaznick
Lauren Zalaznick on television and society, and how television tends to reflect the national psyche (the topic of her 2011 TED Talk)
Jeff Zucker
Jeff Zucker on the impact on the network of putting reality programming on NBC