Stephen J. Cannell on Mike Post's theme song for The Rockford Files
Stephen J. Cannell on the theme song and catch phrases of Baretta
Stephen J. Cannell on Mike Post's theme song to The Greatest American Hero
Stephen Cannell on the theme song of The Greatest American Hero becoming a hit
Bill Conti on writing the theme/main title to an Esther and Richard Shapiro script called Oil, later known as Dynasty
Bill Conti on the main title theme for Dynasty
Bill Conti on composing the theme for Earl Hamner, Jr.'s Falcon Crest
Bill Conti on composing the main title theme to Cagney & Lacey
Bill Conti on composing for the James Bond film "For Your Eyes Only" and creating the title song
Composer Charles Fox plays piano medley of some of his compositions (Love American Style, Happy Days, Laverne & Shirley, Angie, Hogan Family, Wonder Woman, The Love Boat); Killing Me Softly with His Song
Charles Fox on composing the theme to ABC's Wide World of Sports
Charles Fox on composing the theme to Laverne & Shirley
Composer Charles Fox on composing the theme for Angie
Composer Charles Fox on composing the theme for Wonder Woman
Composer Charles Fox what a composer does in terms of creating the style of a show; on composing the theme for The Love Boat
Gerald Fried on his first job in television, for M Squad and being put on staff at the studio with John Williams to then work on Shotgun Slade
Gerald Fried on "Spock's theme" for Star Trek
Gerald Fried on composing music for the characters of Roots
Gerald Fried on composing the main theme for Roots
Earle Hagen on writing the theme for I Spy
Earle Hagen on using "Danny Boy," or "Londonderry Air" as the theme song to The Danny Thomas Show
Earle Hagen on writing the theme to The Andy Griffith Show
Earle Hagen on the lyrics to The Andy Griffith Show theme song
Glen A. Larson on the theme songs to BJ and the Bear and Battlestar Galactica
Glen A. Larson on the theme song for Battlestar Galactica
Glen A. Larson on composing the theme to Knight Rider
Glen A. Larson on composing the theme song to The Fall Guy
Ray Evans and Jay Livingston on writing the theme to Bonanza
Ray Evans and Jay Livingston on their hit song "Que Sera, Sera"
Ray Evans and Jay Livingston on writing the theme song for Mister Ed
Ray Evans and Jay Livingston on "Que Sera, Sera" becoming the theme to The Doris Day Show
Ray Evans and Jay Livingston on the importance of a theme song to a show
Ray Evans and Jay Livingston on writing the theme to Bonanza
Ray Evans and Jay Livingston on their hit song "Que Sera, Sera"
Ray Evans and Jay Livingston on writing the theme song for Mister Ed
Ray Evans and Jay Livingston on "Que Sera, Sera" becoming the theme to The Doris Day Show
Ray Evans and Jay Livingston on the importance of a theme song to a show
Vic Mizzy on writing the theme song for The Addams Family and directing the main title
Vic Mizzy on the legacy of The Addams Family theme song
Vic Mizzy on scoring and writing the theme song to Green Acres
Vic Mizzy on composing the theme for Kentucky Jones
Vic Mizzy on composing the theme for Pruitts of Southampton
Vic Mizzy on the role of music in a TV show
Vic Mizzy plays the theme to The Addams Family
Vic Mizzy plays the theme to Green Acres
Mike Post on the theme to Lassie
Mike Post on writing the theme music for The Rockford Files
Mike Post on writing the theme song for Richie Brockelman, Private Eye
Mike Post on writing the theme song for Baa-Baa Black Sheep
Mike Post on writing the theme song for Toma
Mike Post on writing the theme song to The White Shadow
Mike Post on writing the theme song to Magnum, P.I.
Mike Post on working on Hill Street Blues with writer/producer Steven Bochco
Mike Post on writing the theme song to The Greatest American Hero
Mike Post on writing the theme song to The A-Team
Mike Post on writing the theme song to L.A. Law
Mike Post on writing the theme music for L.A. Law
Mike Post on writing the theme song to Quantum Leap
Mike Post on writing the theme song to Doogie Howser, M.D.
Mike Post on composing for Cop Rock
Mike Post on writing the theme for and scoring Law & Order
Mike Post on writing the theme for and scoring NYPD Blue
W.G. Snuffy Walden on composing the theme for The West Wing
W.G. Snuffy Walden on composing the theme for thirtysomething
W.G. Snuffy Walden on the theme of thirtysomehting as its own character
W.G. Snuffy Walden on composing the theme for thirtysomething
W.G. Snuffy Walden on the influence of the theme for thirtysomething
W.G. Snuffy Walden on composing and using voices for the theme for I'll Fly Away
W.G. Snuffy Walden on the theme to My So-Called Life
W.G. Snuffy Walden on composing the prologue theme for The West Wing
W.G. Snuffy Walden on composing the theme for The West Wing
W.G. Snuffy Walden on a demonstration of The West Win g theme