Reuben Cannon on the importance of chemistry in casting
Reuben Cannon on what makes a good casting director and the craft of casting
Reuben Cannon on the process of casting
Reuben Cannon on a typical casting session
Reuben Cannon advice to aspiring casting directors
Mike Fenton on the craft and technique of casting for television and on the Hollywood Blacklist
Mike Fenton on the responsibilities of a casting director
Mike Fenton on the qualities of a good casting director
Mike Fenton on the importance of casting in television and movies, and on the casting director working with the producer
Mike Fenton on an independent casting director obtaining clients and finding actors
Mike Fenton on the difference between an independent casting director and one that works in-house for a show
Mike Fenton on finding actors for projects, and facing pressure to cast certain people
Mike Fenton on the qualities he looks for in an actor
Mike Fenton on casting Dinotopia and other mini-series or made-for-television movies
Mike Fenton on casting pilots
Mike Fenton on conducting his casting sessions
Mike Fenton on researching actors before casting them
Mike Fenton on casting for live television, filmed television, and feature films
Mike Fenton on using headshots for casting
Mike Fenton on stunt casting
Mike Fenton on dealing with producers and networks in casting, and on discovering talent
Mike Fenton on advice to aspiring casting directors
Danette Herman on working with managers, publicists and agents as an executive in charge of talent
Danette Herman on her approach to working with talent
Danette Herman on dealing with talent for awards shows and how the process has changed
Danette Herman on how communication has changed throughout the years in her job as talent coordinator
Danette Herman on advice to aspiring talent executives
Lori Openden on how she learned to become critical of performances from her early experiences of casting Barney Miller, and on how she would find talent
Lori Openden on what she likes about casting
Lori Openden on changes in the casting industry over the years from the time she worked on Hill Street Blues to current day
Lori Openden on the audition process and when the network typically weighs in
Lori Openden on what she looked at when hiring casting executives and her team at NBC
Lori Openden on differences between being a casting director and a network casting executive
Lori Openden on chemistry and lack of chemistry between actors and how it can help or hurt a show
Lori Openden on the process of auditioning kids
Lori Openden on the hardest type of role to cast - leading men
Lori Openden on the differences between a character actor versus leading man
Pam Polifroni on her casting process and on the importance of casting
Pam Polifroni on her casting process and on diversity in casting
Pam Polifroni on working with agents and managers as a casting director
Pam Polifroni on working with budgets as a casting director
Pam Polifroni on the qualities a casting director needs
Pam Polifroni on how casting has changed since she started
Pam Polifroni on her advice to an aspiring casting director, and on how she would like to be remembered
Pam Polifroni on casting Santa Barbara, and on the process of casting a daytime drama
Ethel Winant on the craft of casting for television
Ethel Winant on learning how to cast for television and on dealing with directors and producers when casting
Ethel Winant on the differences between a casting director and a talent scout
Ethel Winant on advice to aspiring casting directors
