Roy Christopher on the addition of "production designer" as a title in television and what the profession entails
02:28
Roy Christopher on the limitations of color shades when he started in the 1960s and 1970s
02:15
Roy Christopher on dealing with changing fashions and styles over the years in production design
01:50
Roy Christopher on styles in the then-present (2006)
01:15
Roy Christopher on his style
01:57
Roy Christopher on advice to aspiring production designers
02:04
Joe DeTullio on the great pressures and challenges of the Saturday Night Live art department, and on trying to accommodate all needs and requests from the creative team
04:07
Joe DeTullio on what he enjoys about production designing for Saturday Night Live
02:52
Joe DeTullio on the basic tools and material he uses in the craft of production design
03:00
Joe DeTullio on not using technology when designing, and drafting by hand
01:46
Joe DeTullio on how he has evolved as a designer since he started
01:26
Joe DeTullio on his design style
00:59
Joe DeTullio on his favorite design period
02:22
Joe DeTullio on the importance of teamwork in production design
01:17
Joe DeTullio on advice to aspiring television production designers
02:39
Joe DeTullio on forming his design aesthetic
01:25
Joe DeTullio on learning to do production design within a certain budget
01:06
Joe DeTullio on overseeing the construction of the sets for Saturday Night Live
05:11
Joe DeTullio on the challenge of making the art design as true to the original thing it's based on as possible with time restraints on Saturday Night Live
04:45
Joe DeTullio on making sure the sets he designs are safe
01:24
Joe DeTullio on monitoring costs of materials and labor in production design for Saturday Night Live
02:01
Joe DeTullio on production design being both an art form and a technical craft
03:37
Joe DeTullio on building models of the sets he wants to create
02:04
Garvin Eddy on the role and responsibilities of a production designer or art director
02:43
Garvin Eddy on the importance of doing research as a production designer
04:07
Garvin Eddy on making sets look unique and non-generic
05:31
Garvin Eddy on the significance of the production designer in television
03:18
Garvin Eddy on the logistics and budgets on production designing for sitcoms in the 1970s
02:46
Garvin Eddy on collaborating with the creative team on his production design of a show, using The Cosby Show as an example
07:50
Garvin Eddy on the evolution of the title from art director to production designer
00:54
Garvin Eddy on dealing with product placement as a production designer
07:50
Garvin Eddy on what a producer needs to know about a given production designer, and on their collaboration
04:10
Garvin Eddy on the most important developments in the technology or technique of production design
03:31
Garvin Eddy on the essential elements that make a production design work
03:09
Garvin Eddy on the importance of a production designer understanding what the camera sees, and on the challenge HDTV presented
02:34
Garvin Eddy on advice to aspiring production designers
00:56
Suzuki Ingerslev on her path from physics major at Berkeley, to architect, to production designer
03:51
Suzuki Ingerslev on how she preps for a job interview and for a script, as a production designer
02:09
Suzuki Ingerslev on hidden touches on sets -- Love & Death and True Blood
01:11
Suzuki Ingerslev on what makes a good relationship between a production designer and a director
00:58
Suzuki Ingerslev on her involvement in choosing between shooting on location for shows versus building sets, as a production designer
02:28
Suzuki Ingerslev on how actors' physical appearances impact her work as a production designer, particularly with the actors and spaces on True Blood
00:50
Suzuki Ingerslev on what she enjoys most about production design
01:03
Suzuki Ingerslev on her signature style and how her architecture background impacts her work
00:58
Suzuki Ingerslev on what she does when she's blocked on a design and on the basic tools of a production designer
02:39
Suzuki Ingerslev on how special effects have impacted production design
00:58
Suzuki Ingerslev on how artificial intelligence may impact production design
00:52
Suzuki Ingerslev on working within a budget
01:48
Suzuki Ingerslev on how the television industry has changed since she first started in the business
01:10
Suzuki Ingerslev on how opportunities have changed since she first started in the business
00:53
Suzuki Ingerslev on being a woman in production design
01:26
Suzuki Ingerslev on her proudest career achievement and career regrets
01:07
Suzuki Ingerslev on advice to an aspiring production designer
00:52
Eugene Lee on why his temperament is well-suited for being a production designer on Saturday Night Live
00:50
Eugene Lee on the role of a television production designer
05:25
Eugene Lee on his comfort zone for designing
00:31
Eugene Lee on whether he prefers designing for one medium over another
00:17
Eugene Lee on whether or not his process changes when he designs for different mediums
02:08
Eugene Lee on whether or not he has a signature style; on his aesthetic and his love of architectural models; on the book he's written about his work
04:56
Eugene Lee on his drawings
01:24
Eugene Lee on his mentors and mentoring others
00:50
Eugene Lee on advice to aspiring production designers
03:53
Eugene Lee on what he would have said to his sons if they had wanted to be production designers and on Saturday Night Live having several generations of families working there
02:29
Keith Raywood on ways in which he presents music on television, including the Eagles Hell Freezes Over special on MTV
07:16
Keith Raywood on how the production design department works with other departments
03:36
Keith Raywood on the tools he uses in his work as a production designer
03:09
Keith Raywood on working within a budget
02:50
Keith Raywood on considering different shooting formats when planning a production design
02:24
Keith Raywood on what has changed about being a production designer since he started, and on the advancing technology
03:18
Keith Raywood on what he enjoys about production design
01:59
Keith Raywood on his signature style
02:56
Keith Raywood on advice to aspiring production designers
00:49
Glenda Rovello on working with Bruce Ryan and on the role of a production designer for variety shows
03:25
Glenda Rovello on the design process of working on talk shows versus variety shows
01:04
Glenda Rovello on her responsibilities as production designer of Will & Grace, and on how she assembles her team
07:14
Glenda Rovello on the craft of production design and what she enjoys about her work
00:53
Glenda Rovello on how production design helps an audience understand a character better
00:59
Glenda Rovello on how the tools of production design have changed over the years
01:21
Glenda Rovello on her design style
00:43
Glenda Rovello on how she deals with creative block
01:14
Glenda Rovello on working within a budget
02:37
Glenda Rovello on how evolving camera technology impacts her work
01:17
Glenda Rovello on how production design has changed since she first started
01:40
Glenda Rovello on how opportunities have changed since she first started in the industry
00:41
Glenda Rovello on her biggest mentors throughout her career
02:30
Glenda Rovello on advice to an aspiring production designer
01:20
Jan Scott on being involved with location scouting
02:37
Jan Scott on working with cinematographers
03:54
Jan Scott on how she selects projects to work on
02:24
Jan Scott on how digital technology impacted her work as a production designer
02:01
Jan Scott on her involvement with the production designer's union, and with the Television Academy
04:06
Jan Scott on the biggest changes in production design that happened during her career, and technological advancements in the field
03:19
Jan Scott on her style as a production designer
01:27
Jan Scott on the the then-future of production design
03:05
Jan Scott on advice to aspiring production designers
01:09
Leo Yoshimura on making the transition from doing production design for theater to doing production design for television, and on finding work early in his career
03:53
Leo Yoshimura on his own and Eugene Lee's points of view and style of production design, and on his relationship with Lee
03:51
Leo Yoshimura on advice to aspiring production designers
02:42
SNL Production Design Team on how the team functions together, and on a typical work week for the team
08:53
SNL Production Design Team on their process of collaborating with each other on Saturday Night Live
01:48
SNL Production Design Team on their interaction with various other departments on Saturday Night Live
03:06
SNL Production Design Team on dealing with last minute issues on Saturday Night Live, and on mishaps live on air
04:50
SNL Production Design Team on how the team functions together, and on a typical work week for the team
08:53
SNL Production Design Team on their process of collaborating with each other on Saturday Night Live
01:48
SNL Production Design Team on their interaction with various other departments on Saturday Night Live
03:06
SNL Production Design Team on dealing with last minute issues on Saturday Night Live, and on mishaps live on air
04:50
SNL Production Design Team on how the team functions together, and on a typical work week for the team
08:53
SNL Production Design Team on their process of collaborating with each other on Saturday Night Live
01:48
SNL Production Design Team on their interaction with various other departments on Saturday Night Live
03:06
SNL Production Design Team on dealing with last minute issues on Saturday Night Live, and on mishaps live on air
04:50
SNL Production Design Team on how the team functions together, and on a typical work week for the team
08:53
SNL Production Design Team on their process of collaborating with each other on Saturday Night Live
01:48
SNL Production Design Team on their interaction with various other departments on Saturday Night Live
03:06
SNL Production Design Team on dealing with last minute issues on Saturday Night Live, and on mishaps live on air
04:50
