Lighting Designer


The Academy of Television Arts & Sciences Foundation Presents

02:26

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Highlights
Imero Fiorentino on the role of a lighting director and lighting designer
William Klages on advice for aspiring lighting directors
Robert Dickinson on the role of a lighting designer
Imero Fiorentino on how lighting can create a mood
William Klages on the profession of Lighting Directors and the interaction with the Director
Robert Dickinson on the next big thing in lighting and how television lighting has changed
Who talked about this profession

Robert Dickinson

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Robert Dickinson on the role of a lighting designer
Robert Dickinson on lighting design for Don Kirshner's Rock Concert
Robert Dickinson on drawing blueprints for lighting design
Robert Dickinson on lighting design for Solid Gold

Imero Fiorentino

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Imero Fiorentino on wanting to be a lighting designer from the time he was a little boy
Imero Fiorentino on how losing an eye changed him and affected his chosen profession
Imero Fiorentino on lighting experimental television at ABC
Imero Fiorentino on the equipment with which he worked in the early days
Imero Fiorentino on the role of a lighting director and lighting designer
Imero Fiorentino on how lighting can create a mood

William Klages

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William Klages on the question of safety on a stage as a Lighting Director
About

"The responsibility is not just the lighting, or getting a pretty picture. You have to understand the script, the writer."- Imero Fiorentino, Lighting Designer

Designs a lighting plot that creates the overall look of a show, while working closely with other creative departments of a production. Supervises the lighting team to control programming, focusing of instruments, and writing cues.

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