Hair Stylist

Judy Crown on why she became a hair stylist

Judy Crown on the hair styling tools she typically keeps in her trailer on a shoot

Judy Crown on occasionally dealing with facial hair as a hair stylist

Judy Crown on being on-set to touch up people's hair and ensure continuity

Judy Crown on styling wet hair

Judy Crown on making actors feel comfortable with her, and on coordinating with the makeup and wardrobe departments

Judy Crown on her typical set location when she does hair, and on coloring hair

Judy Crown on dealing with wigs and hair extensions on shows like Seinfeld

Judy Crown on dealing with actors who are unhappy with their hair

Judy Crown on the duties of the hair department head

Judy Crown on teaching hair styling

Judy Crown on what you can learn about a character from their hairstyle, and on her favorite types of hair styles and biggest challenges

Judy Crown on what she liked about styling hair

Kim Kimble on the experience of working on her first film, B.A.P.S., and on how she learned to be a professional hair stylist on a movie set, which was different from her previous work in a salon and at hair shows

Kim Kimble on being the key hair stylist on The Parent 'Hood, and on the difference between working in film and television

Kim Kimble on a typical workweek as a hair stylist on a sitcom, and on how that differs from work on a drama or a new pilot (especially in streaming)

Kim Kimble on the role of the department head as a hair stylist on a television show

Kim Kimble on the collaborative process of creating hair styles for talent when working on a television show

Kim Kimble on the importance of hair in the development of character in film and television, and on how she approaches her work with clients on non-film and television performances in a similar manner to her work on film and TV

Kim Kimble on being a hair stylist who works with clients who work in many different genres, including television, live performance, and film, and on adjusting the hair styles she creates based on what's appropriate for the project

Kim Kimble on her creative process when approaching a new project as a hair stylist, and on using visual references from magazines and Pinterest to collaborate with clients

Kim Kimble on the importance of putting together a team with various expertise in hair styling and cutting in order to do the best work and make actors the most comfortable

Kim Kimble on changes to the rules for getting into the Make-Up Artists & Hair Stylists Guild over the course of her career

Kim Kimble on advice for a hair stylist who hopes to get into the entertainment industry

Irma Kusely on the process of dressing a wig

Irma Kusely on doing research for hairstyling jobs

Irma Kusely on the most important things about hairstyling 

Jodi Mancuso on a typical workweek for her as hairstylist on Saturday Night Live

Jodi Mancuso on collaborating with other departments on Saturday Night Live, and on doing hair for pre-taped segments

Jodi Mancuso on crafting wigs based on real people for Saturday Night Live

Jodi Mancuso on being called on by actors to design wigs for them on various projects

Jodi Mancuso on what a viewer can learn about a character from the way they are styled

Jodi Mancuso on enjoying helping to create a new character

Jodi Mancuso on basing wigs for fictional characters on real people's hair

Jodi Mancuso on advice to an aspiring television hair stylist

Jodi Mancuso puts the interviewer in a Donald Trump wig

Howard Smit on dealing with fake beards and mustaches as a makeup artist

Howard Smit on dealing with makeup and the hot lights of the studio