Dixon Dern on the key to drafting a legal agreement; learning labor law at UPA
03:39
Dixon Dern on the scope of his duties as legal counsel for CBS
05:26
Dixon Dern on an incident that occured on the set of See It Now ; when someone stole $75,000 worth of equipment and his own life was threatened
06:47
Dixon Dern on packaging game shows
Dixon Dern on intellectual property rights involving characters such as the Hardy Boys; the difficulty in determining rights ownership between authors and studios
04:49
Dixon Dern on the creation of the Creative Artists Agency (CAA), which was born out of the departure of Michael Ovitz, Ron Meyers, Mike Rosenfeld, Rollin Perkins, and Bill Haber from the William Morris Agency
Nina Shaw on important factors for her to secure for a client, and what she was able to negotiate in her American Playhouse deal
01:54
Nina Shaw on important factors for her to secure for a client, and what she was able to negotiate in her American Playhouse deal
01:54
Nina Shaw on Norman Lear and Bud Yorkin creating the idea of spin-off shows and navigating the corresponding new legal territory
02:07
Nina Shaw on her interest in entertainment law and why she chose to work at O'Melveny & Myers in Los Angeles; on there being few African-American lawyers at O'Melveny & Myers when she joined; on working in the entertainment department of O'Melveny & Myers with another African-American lawyer and getting used to there not being many African-American lawyers at that time
05:48
Nina Shaw on negotiating talent deals in the 1970s and '80s and how race and gender affected salaries; on negotiating deals for minors
01:26
Nina Shaw on starting a firm with Ernie Del and Mike Rubel and on others who wanted to work at the firm; on the firm being a diverse group
02:06
Nina Shaw on selecting clientele to represent
02:07
Nina Shaw on representing minors
01:03
NIna Shaw on how talent agents, managers, and lawyers work together
01:53
NIna Shaw on differences between negotiating talent deals for film v. television
02:33
NIna Shaw on her negotiating style
01:35
NIna Shaw on responding to changes in the industry - media consolidation, etc.
01:23
NIna Shaw on negotiating endorsement deals for clients -- as in for Misty Copeland -- and on how the digital world has given people access to talent
01:22
NIna Shaw on dealing with infringement of clients' names and likenesses and the impact of right of publicity
01:52
NIna Shaw on how the legislation that forbids employers from asking about pay history has impacted the industry
06:54
Nina Shaw on her primary responsibility to her clients
01:11
Nina Shaw on the formality of attorney/client professional relationships
00:37
Nina Shaw on wanting people to see the law as virtuous
01:05
Nina Shaw on inclusion riders
02:24
Nina Shaw on the diversity at her then-current law firm
02:43
Nina Shaw on what makes a good entertainment lawyer
00:34
Nina Shaw on what she enjoys about coming to work each day
00:36
Nina Shaw on career regrets
Nina Shaw on her proudest career achievements
00:47
