Animator


The Academy of Television Arts & Sciences Foundation Presents

02:26

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Highlights
Bill Melendez on advice to an aspiring animator
Art Clokey on his advice to young animation producers
Phil Roman on the animation style at Walt Disney Studios
Chuck Jones on wanting to be an artist
Alex Anderson on the animation process of Crusader Rabbit
Arthur Rankin, Jr. on the process of animagic on Rudolph the Red-Nosed Reindeer, and how the models were crafted
Who talked about this profession

Alex Anderson

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Alex Anderson on the animation process of Crusader Rabbit
Alex Anderson on the process of writing for Crusader Rabbit
Alex Anderson on advice to aspiring animators 

Rick Baker

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Rick Baker on his first job, working at Clokey Studios; on stop-motion animation; on working on Davey and Goliath

Art Clokey

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Art Clokey on his advice to young animation producers

Chuck Jones

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Chuck Jones on wanting to be an artist

Bill Melendez

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Bill Melendez on the challenges of animating Peanuts for Charles M. Schulz
Bill Melendez on the early in-house animation process at Disney, and on what he learned there
Bill Melendez on the style of animation employed when he was at Disney, and the rules for specific characters
Bill Melendez on the difference in style between Disney and Warner Bros. animation
Bill Melendez on what he learned from working at Warner Bros. animation
Bill Melendez on the stages of producing the Charlie Brown Specials, and on collaborating with Charles M. Schulz
Bill Melendez on advice to an aspiring animator

Arthur Rankin, Jr.

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Arthur Rankin, Jr. on the process of animagic on Rudolph the Red-Nosed Reindeer, and how the models were crafted

Phil Roman

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Phil Roman on the animation style at Walt Disney Studios

Thomas Schlamme

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Thomas Schlamme on animating television commercials
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