Eugene Lee on how he got hired at Saturday Night Live
13:00
Eugene Lee on his first thoughts on the Saturday Night Live studio, Studio 8H
00:56
Eugene Lee on the original office spaces for Saturday Night Live
01:43
Eugene Lee on needing another designer to work with him on Saturday Night Live and hiring Leo Yoshimura
03:01
Eugene Lee on Dick Ebersol wanting him to hire Norman Davis instead of Leo Yoshimura on Saturday Night Live
02:37
Eugene Lee on the original Saturday Night Live design department on the seventh floor of 30 Rock
02:34
Eugene Lee on his original budget restrictions on Saturday Night Live and interviewing directors
02:46
Eugene Lee on his original design for Saturday Night Live in Studio 8H and why he wanted a balcony
03:05
Eugene Lee on Lorne Michaels needing to get the original model for Studio 8H for Saturday Night Live approved and money not being an issue after it was approved
02:10
Eugene Lee on the timeline for designing the original studio for Saturday Night Live and wanting to use real brick for the original Home Base set for Saturday Night Live
02:45
Eugene Lee on the original scenery on Saturday Night Live
02:26
Eugene Lee on the research for sets and background on Saturday Night Live and certain sets that are kept
02:43
Eugene Lee on staffing the production design department at Saturday Night Live during the show's early years
02:24
Eugene Lee on a typical week on Saturday Night Live during the early days of the show
01:48
Eugene Lee on preparing for the very first Saturday Night Live show with host George Carlin, and lessons learned from that experience
01:48
Eugene Lee on how much interaction he had with the cast and crew on the early days of Saturday Night Live; on difficulties with lighting the show and having very few original crew members still around
04:24
Eugene Lee on the five years Lorne Michaels (and he) were not at Saturday Night Live and working on The New Show with him
02:45
Eugene Lee on why the live aspect is so important on Saturday Night Live
00:45
Eugene Lee on Lorne Michaels (and he) returning to Saturday Night Live in 1985, redesigning Home Base, and the regular characters that always appear in hallway shots on the show
01:44
Eugene Lee on hiring more people for his department on Saturday Night Live
05:53
Eugene Lee on bringing Keith Raywood and Joe DeTullio onto his production design team at Saturday Night Live
04:18
Eugene Lee on the then-current Saturday Night Live design shop at Stiegelbauer Associates and previous design shops for the show
03:06
Eugene Lee on how the four production designers on Saturday Night Live divide up their work and what a typical week on the show is like
03:15
Eugene Lee on working with the musical guests on Saturday Night Live and Lorne Michaels' involvement with musical guests
02:34
Eugene Lee on what a typical week on Saturday Night Live is like, contd.
03:41
Eugene Lee on not saving most of the sets made for Saturday Night Live, but keeping the Oval Office set and a few game show sets
02:33
Eugene Lee on how sets fit into the studio for Saturday Night Live and on working with the video unit; on how many people are involved with making the show
02:35
Eugene Lee on feeling sad after a show and how working on Saturday Night Live has changed over the years
01:13
Eugene Lee on the production design budget on Saturday Night Live
01:50
Eugene Lee on using cars on Saturday Night Live and the process for moving large sets into Studio 8H
02:26
Eugene Lee on close calls with sets on Saturday Night Live
03:02
Eugene Lee on why his temperament is well-suited for being a production designer on Saturday Night Live and on working with Lorne Michaels
02:57
Eugene Lee on working with Francis Ford Coppola on Saturday Night Live and on working with Lorne Michaels
02:09
Eugene Lee on what has kept him on Saturday Night Live for so long and on his other projects
01:14
Eugene Lee on sketches he appeared in on Saturday Night Live
00:58
Eugene Lee on production design for the "Les Miserables" Saturday Night Live sketch with lobsters in a tank and on working up until the last second
06:03
Eugene Lee on some of the most challenging sets he's been asked to build for Saturday Night Live
02:15
Eugene Lee on not getting attached to sets for Saturday Night Live, on doing a lot of interviews over the years, and on writing a book
03:28
Eugene Lee on the importance of his job on Saturday Night Live
07:36
Eugene Lee on the story behind the Studio 8H balcony seats and seats for talk show sketches on Saturday Night Live
03:06
Eugene Lee on how sets being done last-minute contributes to the live theater aspect of Saturday Night Live
02:45
Eugene Lee on no longer staying to see the live show on Saturday Night Live
00:55
Eugene Lee on musical guests, hosts, and writers that he's enjoyed working with on Saturday Night Live
02:54
Eugene Lee on working with the three other Saturday Night Live production designers on non-SNL projects and how the four of them work together
01:06
Eugene Lee on the fun part about working on Saturday Night Live and on not caring about celebrities
01:19
Eugene Lee on what he would have said to his sons if they had wanted to be production designers and on Saturday Night Live having several generations of families working there
02:29
Eugene Lee on his proudest career achievement - the balcony in Studio 8H for Saturday Night Live
01:49
Eugene Lee on for how much longer he'll be working at Saturday Night Live
01:05
Eugene Lee on the Grand Central Home Base set on Saturday Night Live
00:31
Eugene Lee on the importance of makeup and hair on Saturday Night Live
01:48
Eugene Lee on the "Church Lady" set on Saturday Night Live
00:48
Eugene Lee on the "Wayne's World" set on Saturday Night Live
00:43
Eugene Lee on whether the Home Base set will change again on Saturday Night Live
00:08