Barbra Streisand

Ray Aghayan on working with Barbra Streisand

Ted Bergmann on not being able to book Barbra Streisand for The Best on Record (the precursor to The Grammys)

Frank Biondo on being a Chapman camera operator on Barbra Streisand's TV special A Happening in Central Park

Kevin Carlisle on Barbra Streisand

Tony Charmoli on memories of Barbra Streisand's appearance on The Dinah Shore Show

Henry Colman on working as a Paramount production executive on He & She

Ann B. Davis on watching Barbra Streisand perform in 1963 on The Keefe Brasselle Show, when Davis was a regular on the program, and the immediate understanding of Streisand's talent

George Spiro Dibie on the importance of smelling good in front of cast and crew; on his admiration of Barbra Streisand

Mike Doulgas on a young Barbra Streisand performing and co-hosting on The Mike Douglas Show

Dwight Hemion on directing Barbra Streisand's first special, My Name is Barbra

Dwight Hemion on directing Barbra Streisand's Color Me Barbra special

Gary Smith and Dwight Hemion on how performers like Frank Sinatra and Barbra Streisand regarded the medium of television

William Klages on working on Barbra Streisand's TV specials

William Klages on working with Barbra Streisand

Buz Kohan on working with Barbra Streisand

Louise Lasser on getting her first agent, and on replacing Barbra Streisand in "I Can Get it For Your Wholesale" on Broadway

Charles Lisanby on designing sets for Barbra Streisand 

Bob Mackie on Barbra Streisand appearing on The Judy Garland Show

Bob Mackie on costume design for Funny Lady

Nolan Miller on designing a gown for Barbra Streisand for the Academy Awards

Walter C. Miller on leaving NBC to direct the Barbra Streisand special The Belle of 14th Street

Don Mischer on working with Barbra Streisand on her Timeless concert at the MGM Grand

John Moffitt on Barbra Streisand's early appearance on The Ed Sullivan Show

Gail Parent on writing the feature film "The Main Event"

Marty Pasetta on nearly "discovering" Barbra Streisand

Marty Pasetta on directing the 30th Anniversary of the State of Israel special

Carroll Pratt on recording Automated Dialogue Replacement (ADR) at which Barbra Streisand is an expert, on what a re-recordist does, and on doing Foley

Hector Ramirez on being a camera operator for Barbra Streisand's Barbra: The Concert

George Shapiro on first seeing Barbra Streisand perform in East Side clubs

Gary Smith on working with Barbra Streisand on her various specials

Ben Wolf on shooting My Name is Barbra