On his childhood and early influences; on studying Broadcasting and Radio and Television in college; on his introduction to TV technology while in the Army
On working for a sports broadcasting station in Detroit; on his introduction to editing at a CBS broadcasting station in Los Angeles
On what attracted him to editing; on challenges of editing; on a mentor he learned from in the early days of his editing career; on working on The Glen Campbell Goodtime Hour
On advances in editing technology developed during his time at CBS - SMPTE time code, and electronic editing
On the Spectra editing system; on when the transition from 2" to 1" tape occurred; on when he first started using computers in editing
On the technical revolution of computer-driven non-linear editing and the use of the AVID editing system; on how the technology of editing has affected storytelling in television; on what the role of an editor is
On differences for an editor working on a television show versus a feature film; on how editing can be used to affect the pace and rhythm of storytelling; on the editing process for a weekly show
On editing the pilot for Good Times and working on other Norman Lear shows; on creative freedom as an editor on Murphy Brown; on the key to comic timing from an editor's standpoint; on challenges of editing with a laugh track
On editing comedy shows with dramatic story lines; on what he learned working at CBS; on working on The Carol Burnett Show and winning an Emmy for editing the show
On editing the memorable Carol Burnett Show episode "Went With the Wind;" on challenges, bloopers, and winning an Emmy Award for the final episode of The Carol Burnett Show; on the staying power of the show over the years
On working with Diane English on My Sister Sam and Murphy Brown; on the differences between editing film and video tape; on winning an Emmy for Murphy Brown; on the key elements for editing an ensemble show like Murphy Brown
On editing techniques for aiding the pacing of Murphy Brown; on the impact and influence of the show within society; on favorite episodes and cutting the last episode of Murphy Brown; on the legacy of the show
On winning an Emmy for the mini-series The Scarlett Letter; on working on Diane English's last TV series Living in Captivity; on dealing with network interference and censorship; on advice he would give to aspiring editors; on how he would like to be remembered