Glenda Rovello

Production Designer

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The Academy of Television Arts & Sciences Foundation Presents

02:26

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About

About this interview

In her three-hour-interview, Glenda Rovello discusses her early interest in design, getting her architecture degree at UT Austin, and how she got her start in production design -- working with Bruce Ryan on several television specials, including The Annual Young Comedians specials and the 1990 MTV Video Music Awards (where Madonna performed "Vogue"). She talks about her work on the John Denver special, Montana Christmas Skies, as well as her design work for The Whoopi Goldberg Show. She then details her work on the full run of Will & Grace -- outlining the design of "Will's" apartment, "Grace's" office, "Karen's" mansion, and what changes were made to sets when the show returned to NBC in 2017 after its initial run. Rovello describes designs for specific episodes of the show and shares her thoughts on the legacy of Will & Grace. She talks about the craft of production design and how the tools of her trade have changed over the years, and recalls her experiences designing for the Disney Channel series Wizards of Waverly Place and Good Luck Charlie. She recounts her work as production designer on 2 Broke Girls, describing the designs for the diner, apartment, cupcake shops, The Dessert Bar, "Oleg's" apartment, and other swing sets on the show. She talks about her design work for Man With a Plan, Disjointed, Abby's, the pilot and first season of Lopez vs Lopez, and shares her experience of production during the COVID-19 pandemic. Rovello speaks of designing for How I Met Your Father and the 2023 reboot of Frasier, describes what pilot season is like for her, and talks about production design for the pilots of The New Adventures of Old Christine, Marlon, and the 2023 reboot of Night Court. She concludes with remarks on how the industry has changed since she first started, and offers advice to aspiring production designers. A short B-roll segment highlights a gift that her crew gave her that memorialized all of the shows that she's worked on, to date. Amy Harrington conducted the interview on September 27, 2023 in Pacific Palisades, CA.

All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.

"I think that we’re chameleons. We change with the script. But I hope that what doesn’t change is the detail. I hope that with whichever show -- Man With a Plan, Will & Grace, Frasier, 2 Broke Girls -- there's so much detail that it helps describe an environment and a person."

People Talking About ...

Highlights

Glenda Rovello on the design of "Will's" apartment during the initial run of Will & Grace and the important elements and decorative pieces of the set

06:36

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Glenda Rovello on her work as set decorator on the 1990 MTV Video Music Awards (where Madonna performed "Vogue")

03:01

Glenda Rovello on the diner set on 2 Broke Girls

01:58

Glenda Rovello on the design of the Pemberton's bar set on How I Met Your Father

01:27

Glenda Rovello on advice to an aspiring production designer

01:20

Full Interview

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Chapter 1

On her childhood and early interests; on majoring in sociology at UCLA; on getting her architecture degree at UT Austin and doing an internship with Robert Venturi; on how she got her start in production design; on working with Bruce Ryan on The Annual Young Comedians specials; on her work as set decorator on the 1990 MTV Video Music Awards (where Madonna performed "Vogue")

On her work on Montana Christmas Skies; on her work on the talk show The Whoopi Goldberg Show; on working on a talk show versus a variety show or sitcom

On being an assistant art director on the first season of Will & Grace and becoming production designer for season two and beyond; on designing the initial sets for Will & Grace; on her work process on season one of Will & Grace; on working with Max Mutchnick, David Kohan, and James Burrows on Will & Grace; on her design schedule and designing "Will's" apartment on Will & Grace

On the backdrops used on Will & Grace and how backings have evolved; on the design of "Grace's" office during the initial run of Will & Grace; on her responsibilities as production designer of Will & Grace and on how she assembles her team; on the timing of having sets completed for Will & Grace, and on making any last-minute changes; on where she sourced set pieces and props from for Will & Grace; on how closely she worked with other departments on Will & Grace and on other shows; on how actors' physicality impacted her work on 2 Broke Girls; on swing sets on Will & Grace

Chapter 2

On her approach to designing the sets for the 2017 reboot of Will & Grace, and on changes made to the original sets; on production design for the Will & Grace episodes "Lows in the Mid-Eighties," Parts I and II, "Bed, Bath and Beyond," "A Gay Olde Christmas," "Jack's Big Gay Wedding," and "We Love Lucy"; on her three Emmy wins for her work on Will & Grace and the legacy of the show; on her working relationship with Max Mutchnick and David Kohan

On the craft of production design and what she enjoys about her work; on how production design helps an audience understand a character better; on how the tools of production design have changed over the years; on her design style; on how she deals with creative block; on working within a budget; on how evolving camera technology impacts her work

On her production design work on a few episodes of Wizards of Waverly Place; on her design work on the Disney Channel series Good Luck Charlie -- interior and exterior sets

On the aesthetic on 2 Broke Girls, and working with Michael Patrick King and the show's directors; on thinking of sets like Swiss cheese, and how that applied to sets on 2 Broke Girls; on the design for the diner, apartment, cupcake shops, The Dessert Bar, "Oleg's" apartment, and other swing sets on 2 Broke Girls; on winning an Emmy for her work on 2 Broke Girls

Chapter 3

On production design for Man With a Plan, Disjointed, and Abby's, a show which shot only outside, not on stages; on production design for the pilot and the first season of Lopez vs Lopez; on her experience of production during the COVID-19 pandemic

On working with Pam Fryman on How I Met Your Father and on the designs for Pemberton's bar, "Val" and "Sophie's" apartment, and "Jessie" and "Sid's" apartment; on production design for the 2023 reboot of Frasier; on what pilot season is like for her; on production design for the pilots of The New Adventures of Old Christine, Marlon, and the 2023 reboot of Night Court

On how production design has changed since she first started; on how opportunities have changed since she first started in the industry; on her biggest mentors throughout her career; on the value of oral history interviews; on advice to an aspiring production designer; on her proudest career achievement and career regrets; on a dream project she'd love to do some day; on how she'd like to be remembered

B-roll of a gift that her crew gave her that memorialized all of the shows that she's worked on, to date

Shows

2 Broke Girls

Glenda Rovello on how actors' physicality impacted her work on 2 Broke Girls

00:35

Glenda Rovello on the aesthetic on 2 Broke Girls and working with Michael Patrick King and the writers

02:31

Glenda Rovello on working with directors on 2 Broke Girls

01:01

Glenda Rovello on thinking of sets like Swiss cheese, and how that applied to sets on 2 Broke Girls

00:59

Glenda Rovello on the diner set on 2 Broke Girls

01:58

Glenda Rovello on the apartment set on 2 Broke Girls

01:37

Glenda Rovello on the multiple cupcake shop sets on 2 Broke Girls and the set for The Dessert Bar

08:26

Glenda Rovello on designing the set for "Oleg's" apartment on 2 Broke Girls, and on designing additional swing sets

01:52

Glenda Rovello on winning an Emmy for her work on 2 Broke Girls

00:38

Abby's

Glenda Rovello on production design for the series Abby's, a show which shot only outside, not on stages

03:26

Annual Young Comedians Show, The

Glenda Rovello on the first project she worked on with production designer Bruce Ryan -- one of The Annual Young Comedians specials, and on the role of a production designer on a variety special

04:29

Disjointed

Glenda Rovello on working with creators David Javerbaum and Chuck Lorre on the Netflix series Disjointed

01:51

Glenda Rovello on designing the dispensary set for the Netflix series Disjointed

03:15

Glenda Rovello on Disjointed's twenty-episode pickup and how that impacted her design work

00:37

Frasier

Glenda Rovello on production design for the 2023 reboot of Frasier, and on admiring the designs of the original Frasier sets

05:19

Good Luck Charlie

Glenda Rovello on her production design work on the Disney Channel series Good Luck Charlie -- designing interior and exterior sets

07:40

How I Met Your Father

Glenda Rovello on working with Pam Fryman on How I Met Your Father, and on how involved the executive producers from How I Met Your Mother were with the show

02:52

Glenda Rovello on the design of the Pemberton's bar set on How I Met Your Father

01:27

Glenda Rovello on the design of "Val" and "Sophie's" apartment on How I Met Your Father

00:33

Glenda Rovello on the design of "Jessie" and "Sid's" apartment on How I Met Your Father -- an original set from How I Met Your Mother

01:42

How I Met Your Mother

Glenda Rovello on working with Pam Fryman on How I Met Your Father, and on how involved the executive producers from How I Met Your Mother were with the show

02:52

Glenda Rovello on the design of "Jessie" and "Sid's" apartment on How I Met Your Father -- an original set from How I Met Your Mother

01:42

I Love Lucy

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

I Love Lucy: "Job Switching"

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

I Love Lucy: "Lucy Does a TV Commercial"

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

I Love Lucy: "Lucy's Italian Movie"

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Lopez vs Lopez

Glenda Rovello on production design for the pilot and the first season of Lopez vs Lopez

00:47

Glenda Rovello on the kitchen set and how it changed on Lopez vs Lopez

01:25

MTV Video Music Awards

Glenda Rovello on her work as set decorator on the 1990 MTV Video Music Awards (where Madonna performed "Vogue")

03:32

Man With a Plan

Glenda Rovello on her approach to production design for Man With a Plan and how the Pittsburgh setting influenced her designs

03:14

Marlon

Glenda Rovello on production design for the pilot of Marlon

00:54

Montana Christmas Skies

Glenda Rovello on her work as an art director on the John Denver special Montana Christmas Skies

03:23

New Adventures of Old Christine, The

Glenda Rovello on production design for the pilot of The New Adventures of Old Christine

00:30

Night Court

Glenda Rovello on production design for the pilot of the 2023 reboot of Night Court

03:03

Whoopi Goldberg Show, The

Glenda Rovello on her work on the talk show The Whoopi Goldberg Show

02:51

Will & Grace

Glenda Rovello on being an assistant art director on the first season of Will & Grace and becoming production designer for season two and beyond

02:04

Glenda Rovello on designing the initial sets for Will & Grace

02:33

Glenda Rovello on her work process on season one of Will & Grace, and on James Burrows' idea to raise the kitchen in "Will's" apartment

01:07

Glenda Rovello on Will & Grace creators Max Mutchnick and David Kohan's views on production design

01:06

Glenda Rovello on working with James Burrows on Will & Grace and his input on the production design

02:27

Glenda Rovello on how much time she had to design and oversee the creation of sets on Will & Grace

01:39

Glenda Rovello on the design of "Will's" apartment during the initial run of Will & Grace and the important elements and decorative pieces of the set

06:36

Glenda Rovello on the backdrops used on Will & Grace and how backings have evolved

03:05

Glenda Rovello on the design of "Grace's" office during the initial run of Will & Grace

01:11

Glenda Rovello on her responsibilities as production designer of Will & Grace, and on how she assembles her team

07:14

Glenda Rovello on the timing of having sets completed for Will & Grace, and on making any last-minute changes

01:29

Glenda Rovello on where she sources set pieces and props from for Will & Grace

01:16

Glenda Rovello on how closely she worked with other departments on Will & Grace and on other shows

04:12

Glenda Rovello on how sets changed during the original run of Will & Grace

03:33

Glenda Rovello on swing sets on Will & Grace

06:33

Glenda Rovello on swing sets for "Karen's" mansion on Will & Grace

01:51

Glenda Rovello on her approach to designing the sets for the 2017 reboot of Will & Grace and on changes made to the original sets

05:27

Glenda Rovello on production design for the Will & Grace episodes "Lows in the Mid-Eighties," Parts I and II (set in the 1980s)

01:18

Glenda Rovello on her memories of the first Will & Grace episode back after 9/11 ("Bed, Bath and Beyond")

01:19

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Glenda Rovello on her three Emmy wins for her work on Will & Grace

00:44

Glenda Rovello on the legacy of Will & Grace

00:47

Will & Grace: "A Gay Olde Christmas"

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Will & Grace: "Jack's Big Gay Wedding"

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Will & Grace: "We Love Lucy"

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Wizards of Waverly Place

Glenda Rovello on her production design work on a few episodes of Wizards of Waverly Place

01:30

Topics

9/11

Glenda Rovello on her memories of the first Will & Grace episode back after 9/11 ("Bed, Bath and Beyond")

01:19

Advice

Glenda Rovello on advice to an aspiring production designer

01:20

COVID-19 Pandemic

Glenda Rovello on her experience of production during the COVID-19 pandemic

02:06

Classic TV series episodes

Glenda Rovello on production design for the Will & Grace episodes "Lows in the Mid-Eighties," Parts I and II (set in the 1980s)

00:48

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Comedy

Glenda Rovello on production design for the Will & Grace episodes "Lows in the Mid-Eighties," Parts I and II (set in the 1980s)

00:48

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Emmy Awards

Glenda Rovello on her three Emmy wins for her work on Will & Grace

00:44

Glenda Rovello on winning an Emmy for her work on 2 Broke Girls

00:38

First Big Break

Glenda Rovello on how she got her start in production design

02:40

Health and Medicine

Glenda Rovello on her experience of production during the COVID-19 pandemic

02:06

Historic Events and Social Change

Glenda Rovello on her memories of the first Will & Grace episode back after 9/11 ("Bed, Bath and Beyond")

01:19

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on the legacy of Will & Grace

00:47

Glenda Rovello on her experience of production during the COVID-19 pandemic

02:06

LGBTQIA+

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on the legacy of Will & Grace

00:47

Memorable Moments on Television

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Pivotal Career Moments

Glenda Rovello on how she got her start in production design

02:40

Pop Culture

Glenda Rovello on production design for the Will & Grace episodes "Lows in the Mid-Eighties," Parts I and II (set in the 1980s)

00:48

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on production design for the Will & Grace episode "We Love Lucy" which recreated sets from the I Love Lucy episodes "Job Switching," "Lucy Does a TV Commercial," and "Lucy's Italian Movie"

03:16

Representation on Television

Glenda Rovello on production design for the Will & Grace episode "A Gay Olde Christmas"

02:56

Glenda Rovello on production design for the Will & Grace episode "Jack's Big Gay Wedding"

03:20

Glenda Rovello on the legacy of Will & Grace

00:47

Technological Innovation

Glenda Rovello on how the tools of production design have changed over the years

01:21

Glenda Rovello on how evolving camera technology impacts her work

01:17

Television Industry

Glenda Rovello on advice to an aspiring production designer

01:20

Glenda Rovello on how opportunities have changed since she first started in the industry

00:41

Professions

Designers

View Profession

Glenda Rovello on working with Bruce Ryan and on the role of a production designer for variety shows

03:25

Glenda Rovello on the design process of working on talk shows versus variety shows

01:04

Glenda Rovello on her responsibilities as production designer of Will & Grace, and on how she assembles her team

07:14

Glenda Rovello on the craft of production design and what she enjoys about her work

00:53

Glenda Rovello on how production design helps an audience understand a character better

00:59

Glenda Rovello on how the tools of production design have changed over the years

01:21

Glenda Rovello on her design style

00:43

Glenda Rovello on how she deals with creative block

01:14

Glenda Rovello on working within a budget

02:37

Glenda Rovello on how evolving camera technology impacts her work

01:17

Glenda Rovello on how production design has changed since she first started

01:40

Glenda Rovello on how opportunities have changed since she first started in the industry

00:41

Glenda Rovello on her biggest mentors throughout her career

02:30

Glenda Rovello on advice to an aspiring production designer

01:20

Production Designer

View Profession

Glenda Rovello on working with Bruce Ryan and on the role of a production designer for variety shows

03:25

Glenda Rovello on the design process of working on talk shows versus variety shows

01:04

Glenda Rovello on her responsibilities as production designer of Will & Grace, and on how she assembles her team

07:14

Glenda Rovello on the craft of production design and what she enjoys about her work

00:53

Glenda Rovello on how production design helps an audience understand a character better

00:59

Glenda Rovello on how the tools of production design have changed over the years

01:21

Glenda Rovello on her design style

00:43

Glenda Rovello on how she deals with creative block

01:14

Glenda Rovello on working within a budget

02:37

Glenda Rovello on how evolving camera technology impacts her work

01:17

Glenda Rovello on how production design has changed since she first started

01:40

Glenda Rovello on how opportunities have changed since she first started in the industry

00:41

Glenda Rovello on her biggest mentors throughout her career

02:30

Glenda Rovello on advice to an aspiring production designer

01:20

Genres

Children's Programming

Glenda Rovello on her production design work on the Disney Channel series Wizards of Waverly Place and Good Luck Charlie

09:11

Comedy Series

Glenda Rovello on her early design work on Will & Grace

46:32

Glenda Rovello on her approach to designing the sets for the 2017 reboot of Will & Grace, production design for specific episodes; her three Emmy wins for her work on Will & Grace and the legacy of the show

19:25

Glenda Rovello on the aesthetic on 2 Broke Girls and working with Michael Patrick King and the show's directors; on thinking of sets like Swiss cheese, and how that applied to sets on 2 Broke Girls; on the design for the diner, apartment, cupcake shops, The Dessert Bar, "Oleg's" apartment, and other swing sets on 2 Broke Girls; on winning an Emmy for her work on 2 Broke Girls

19:17

Glenda Rovello on production design for Man With a Plan, Disjointed, and Abby's, a show which shot only outside, not on stages; on production design for the pilot and the first season of Lopez vs Lopez

13:18

Glenda Rovello on production design for How I Met Your Father, the 2023 reboot of Frasier; and on pilot season -- specifically on production design for the pilots of The New Adventures of Old Christine, Marlon, and the 2023 reboot of Night Court

18:54

Music Shows & Variety Shows/Specials

Glenda Rovello on the first project she worked on with production designer Bruce Ryan -- one of The Annual Young Comedians specials, and on the role of a production designer on a variety special

04:29

Glenda Rovello on her work as set decorator on the 1990 MTV Video Music Awards (where Madonna performed "Vogue")

03:31

Glenda Rovello on her work as an art director on the John Denver special Montana Christmas Skies

03:23

Service Shows

Glenda Rovello on her work as an art director on the Abs of Steel and Buns of Steel workout videos

01:33

Talk Shows

Glenda Rovello on her work on the talk show The Whoopi Goldberg Show

02:51

People

Amy Feldman

View Person Page

Glenda Rovello on her team on Will & Grace

04:07

Andy Ackerman

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Glenda Rovello on working with director Andy Ackerman

00:18

Bruce Ryan

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Glenda Rovello on the first project she worked on with production designer Bruce Ryan -- one of The Annual Young Comedians specials, and on the role of a production designer on a variety special

04:29

Glenda Rovello on her work process on season one of Will & Grace and on James Burrows' idea to raise the kitchen in "Will's" apartment

01:07

Glenda Rovello on her biggest mentors throughout her career -- Bruce Ryan

00:17

Chuck Lorre

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Glenda Rovello on working with creators David Javerbaum and Chuck Lorre on the Netflix series Disjointed

01:51

Conny Boettger-Marinos

View Person Page

Glenda Rovello on her team on Will & Grace

00:28

David Javerbaum

View Person Page

Glenda Rovello on working with creators David Javerbaum and Chuck Lorre on the Netflix series Disjointed

01:51

David Kohan

View Person Page

Glenda Rovello on being an assistant art director on the first season of Will & Grace and becoming production designer for season two and beyond

02:04

Glenda Rovello on Will & Grace creators Max Mutchnick and David Kohan's views on production design

01:05

Glenda Rovello on her working relationship with Max Mutchnick and David Kohan

01:30

Dennis Miller

View Person Page

Glenda Rovello on the first project she worked on with production designer Bruce Ryan -- one of The Annual Young Comedians specials hosted by Dennis Miller

02:01

Drew Vaupen

View Person Page

Glenda Rovello on her production design work on the Disney Channel series Good Luck Charlie

01:59

James Burrows

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Glenda Rovello on being an assistant art director on the first season of Will & Grace and becoming production designer for season two and beyond

02:04

Glenda Rovello on her work process on season one of Will & Grace and on James Burrows' idea to raise the kitchen in "Will's" apartment

01:07

Glenda Rovello on working with James Burrows on Will & Grace and his input on the production design

02:27

Glenda Rovello on production design for the 2023 reboot of Frasier

00:29

John Denver

View Person Page

Glenda Rovello on her work as an art director on the John Denver special Montana Christmas Skies

03:23

Madonna

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Glenda Rovello on her work as set decorator on the 1990 MTV Video Music Awards (where Madonna performed "Vogue")

03:01

Marlon Wayans

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Glenda Rovello on production design for the pilot of Marlon

00:36

Max Mutchnick

View Person Page

Glenda Rovello on being an assistant art director on the first season of Will & Grace and becoming production designer for season two and beyond

02:04

Glenda Rovello on Will & Grace creators Max Mutchnick and David Kohan's views on production design

01:05

Glenda Rovello on how she got specific set items for Will & Grace

01:24

Glenda Rovello on her working relationship with Max Mutchnick and David Kohan

01:30

Michael Patrick King

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Glenda Rovello on working with Michael Patrick King on 2 Broke Girls and his design aesthetic

01:48

Glenda Rovello on the diner set on 2 Broke Girls

01:58

Mike Smith

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Glenda Rovello on her biggest mentors throughout her career -- Mike Smith

01:16

Pamela Fryman

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Glenda Rovello on working with Pam Fryman on How I Met Your Father

01:30

Peter Gurski

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Glenda Rovello on her team on Will & Grace

04:07

Phil Baker

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Glenda Rovello on her production design work on the Disney Channel series Good Luck Charlie

01:59

Steve Binder

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Glenda Rovello on working with Steve Binder on the John Denver special Montana Christmas Skies

00:43

Thomas Azzari

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Glenda Rovello on production design for the pilot of the 2023 reboot of Night Court

03:03