Soap was conceived by Susan Harris as a satire on the daytime soap operas. The show combined the serialized narrative of that genre with aspects of another U.S. television staple, the situation comedy, and was programmed in weekly, half-hour episodes. Harris, Paul Witt and Tony Thomas had formed the Witt/Thomas/Harris company in 1976 and Soap was their first successful pitch to a network. They received a good response from Marcy Carsey and Tom Werner at ABC and Fred Silverman placed an order for the series. Casting began in November 1976 at which point director Jay Sandrich became involved. The producers and director created an ensemble of actors, several of whom had had considerable success on Broadway. They produced a one-hour pilot by combining two half hour scripts and developed a "bible" for the show that outlined the continuing comical saga of two families, the Tates and the Campbells, through several potential years of their stories.

    In the Spring of 1977 Newsweek reviewed the new TV season and characterized Soap as a sex farce that would include, among other things, the seduction of a Catholic priest in a confessional. The writer of the piece had never seen the pilot and his story was completely in error. However, that did not deter a massive protest by Roman Catholic and Southern Baptist representatives condemning the show. Later the National Council of Churches entered the lists against Soap. Refusing to listen to reason, the religious lobby sought to generate a boycott of companies that sponsored Soap. In the summer, when the producers quite properly denied requests by church groups to have the pilot sent to them for viewing, the religious groups insisted they were denied opportunity to see an episode. That was simply not true. Soap was in production in late July in Hollywood and each week any person walking through the lobby of the Sheraton-Universal Hotel could have secured tickets for the taping. The tapings were always open to the public and any priest or preacher could have easily gone to the studio stage for that purpose.

    This combination of irresponsible journalism and misguided moral outrage by men of the cloth resulted in a dearth of sponsors. The campaign, led by ecclesiastical executives, sought to define and enforce a national morality by the use of prior censorship. It almost worked. Costs for advertising spots in the time slot for Soap were heavily discounted in order to achieve full sponsorship for the premiere on 13 September 1977. Only the commitment to the series by Fred Silverman prevented its demise. Some ABC affiliates were picketed and a few decided not to air it. Other stations moved it from 9:30 P.M. to a late night time slot. A United Press International story for 14 September reported a survey of persons who had watched the first episode of Soap carried out by University of Richmond (Virginia, U.S.) professors and their students. They discovered that 74% of viewers found Soap inoffensive, 26% were offended, and half of those offended said they were planning to watch it the next week. The day after the premiere Jay Sandrich, who had directed most of the Mary Tyler Moore Show episodes stated, "If people will stay with us, they will find the show will grow." Still, producer Paul Witt believes the show never fully recovered from the witch-hunting mentality that claimed banner headlines across the country.

    In spite of these difficulties, all three of the producers recall the "joy of doing it." It was their first hit, and arguably one of the most creative efforts by network television before or after. The scripts and acting were calculated to make audiences laugh--not snicker--at themselves. Indeed, in its own peculiar way it addressed family values. In one of the more dramatic moments in the series, for example, Jessica Tate, with her entire family surrounding her, confronted the threat of evil, personified by an unseen demon, and commanded the menacing presence to be gone. She invoked the family as a solid unit of love and informed the demon, "You have come to the wrong house!"

    Perhaps Soap was not quite the pace setting show one might have hoped for since nothing quite like it has been seen since. In content it had some characteristics of another pioneer effort, Norman Lear's Mary Hartman, Mary Hartman. But the differences between the two were greater than the similarities and each set a tone for what might be done with television, given freedom, imagination and talent. Soap was a ratings success on ABC and a hit in England and Japan. In spite of the concerted attacks it was the 13th most popular network program for 1977-78. Eight is Enough was rated 12th. Soap ended, however, under suspicion that resistance from ad agencies may have caused ABC to cancel at that point. The series may still be seen in syndication in various communities and for several years has been available on home video.

    -Robert S. Alley

    CAST

    Chester Tate ..........................................Robert Mandan

    Jessica Tate ....................................Katherine Helmond

    Corrine Tate (1977-1980) ...........................Diana Canova

    Eunice Tate ...............................................Jennifer Salt

    Billy Tate.................................................... Jimmy Baio

    Benson (1977-1979) ............................Robert Guillaume

    The Major .............................................Arthur Peterson

    Mary Dallas Campbell ............................Cathryn Damon

    Burt Campbell .....................................Richard Mulligan

    Jodie Dallas ...............................................Billy Crystal

    Danny Dallas .................................................Ted Wass

    The Godfather (1977-1978) ....................Richard Libertini

    Claire (1977-1978) ..............................Kathryn Reynolds

    Peter Campbell (1977)................................ Robert Urich

    Chuck/Bob Campbell................................. Jay Johnson

    Dennis Phillips (1978) ................................Bob Seagren

    Father Timothy Flotsky (1978-1979)............. Sal Viscuso

    Carol David (1978-1981) .......................Rebecca Balding

    Elaine Lefkowitz (1978-1979)...................... Dinah Manoff

    Dutch (1978-1981)................................Donnelly Rhodes

    Sally (1978-1979) ...........................Caroline McWilliams

    Detective Donahue (1978-1980)..................... John Byner

    Alice (1979)..............................................Randee Heller

    Mrs. David (1979-1981)............................... Peggy Hope

    Millie (1979) .........................................Candace Azzara

    Leslie Walker (1979-1981) ...................Marla Pennington

    Polly Dawson (1979-1981) ..........................Lynne Moody

    Saunders (1980-1981)....................... Roscoe Lee Brown

    Dr. Alan Posner (1980-1981)......................... Allan Miller

    Attorney E. Ronald Mallu (1978-1981) .......Eugene Roche

    Carlos "El Puerco" Valdez (1980-1981)..... Gregory Sierra

    Maggie Chandler (1980-1981)............... Barbara Rhoades

    Gwen (1980-1981).................................... Jesse Welles

    PRODUCERS

    Paul Junger Witt, Tony Thomas, Susan Harris, J.D. Lobue, Dick Clair, Jenna McMahon

    PROGRAMMING HISTORY

    83 30-Minute Episodes

    10 60-Minute Episodes

    ABC

    September 1977-March 1978   Tuesday 9:30-10:00

    September 1978-March 1979   Thursday 9:30-10:00

    September 1979-March 1980   Thursday 9:30-10:00

    October 1980-January 1981   Wednesday 9:30-10:00

    March 1981-April 1981   Monday 10:00-11:00

    Thumbnail of Katherine Helmond

    Katherine Helmond on the fate of "Jessica Tate"; her character on Soap at the series' end

    00:48
    Thumbnail of Fred Silverman

    Fred Silverman on how Soap caused as much controversy at ABC as All in the Family had caused at CBS

    01:00
    Thumbnail of Robert Guillaume

    Robert Guillaume on his pursuit to be funny without being a buffoon or playing a part with "dignity" on Soap

    03:16
    Thumbnail of Tony Thomas

    Tony Thomas on his day-to-day production duties on Soap

    02:43
    Thumbnail of Jay Sandrich

    Jay Sandrich on the joys of directing Soap, for all of its controversies and challenges

    02:18
    Thumbnail of Doris Roberts

    Doris Roberts on playing "Flo Flotsky" on Soap

    01:23

    Marcy Carsey

    Marcy Carsey on fighting for Soap to air

    00:42

    Billy Crystal

    Billy Crystal on being cast as "Jodie Dallas" on Soap, television's first regular, gay character

    07:11

    Billy Crystal on the reception of his Soap character, "Jodie Dallas," who was gay

    01:50

    Billy Crystal on working with Robert Guillaume as "Benson" on Soap, and on learning from the cast of the show

    02:46

    Billy Crystal on his character, "Jodie Dallas," attempting suicide on Soap, and on working with Harold Gould on the show

    03:18

    Billy Crystal on professional concerns he had about playing a gay character on Soap, and on his first HBO stand-up comedy special

    05:11

    Billy Crystal on approaching Soap producer Paul Junger Witt about the lack of storylines and screen time for his character, "Jodie Dallas," and on writing

    02:32

    Billy Crystal on working with writer Stu Silver on stories for his Soap character, "Jodie Dallas"

    04:08

    Billy Crystal on the cancellation of Soap being partially due to its controversial subject matter, and on the legacy of the show

    03:59

    Garvin Eddy

    Garvin Eddy on going to work in production design for Witt-Thomas-Harris productions with the series Soap

    10:08

    Eddie Foy III

    Eddie Foy III on casting Soap

    03:01

    Leonard H. Goldenson

    Leonard H. Goldenson on approving ABC's Soap

    00:17

    Robert Guillaume

    Robert Guillaume on being cast on Soap  and the controversy surrounding the show

    04:05

    Robert Guillaume on his pursuit to be funny without being a buffoon or playing a part with "dignity" on Soap

    03:16

    Robert Guillaume on not emphasizing racial issues directly with his character "Benson" on Soap; but finding ways to make a statement

    03:52

    Robert Guillaume on fellow cast members on Soap; on the controversy the series caused; on working with creator Susan Harris

    10:26

    Robert Guillaume on his favorite storyline on Soap

    01:44

    Katherine Helmond

    Kathering Helmond on being cast on Soap; her first comedic role

    29:42

    Katherine Helmond on Soap and its cast and characters

    57:18

    Katherine Helmond on Billy Crystal's role on Soap; he was only known for standup comedy before that role, in which he played a homosexual

    02:13

    Katherine Helmond on the fate of "Jessica Tate"; her character on Soap at the series' end

    00:48

    Katherine Helmond on what Soap did for her career as an actor

    40:28

    Herb Jellinek

    Herb Jellinek on Soap

    03:08

    Carroll Pratt

    Carroll Pratt on providing a laugh track for Soap, which proved a challenge as the show was a soap opera parody, and on providing laugh tracks for Kate & Allie, and Family Ties

    02:06

    Doris Roberts

    Doris Roberts on playing "Flo Flotsky" on Soap

    01:23

    Jay Sandrich

    Jay Sandrich on getting the pilot script for Soap and having to make a tough choice about taking it versus working with Betty White again

    44:35

    Jay Sandrich on first thinking Soap might end his career, and on the writing talents of Susan Harris, as well as casting Billy Crystal, Robert Guillaume, the rest of the cast

    06:59

    Jay Sandrich on casting Robert Guillaume as "Benson" on Soap

    01:53

    Jay Sandrich on the joys of directing Soap, for all of its controversies and challenges

    02:18

    Jay Sandrich on "Jodie Dallas," the character who was gay, on Soap, and the controversies that and other storylines provoked

    04:08

    Jay Sandrich on the ventriloquist Jay Johnson and his "figure," Bob, on Soap

    02:35

    Jay Sandrich on how lucky they were to get great guest-actors on Soap

    00:16

    Jay Sandrich on having fun directing within time constraints, and finding ways to depict sex in a subtle way on Soap

    01:45

    Alfred Schneider

    Alfred Schneider on why ABC was able to take a risk on Soap and how the network dealt with the show's depiction of controversial topics

    03:03

    Fred Silverman

    Fred Silverman on how Soap caused as much controversy at ABC as All in the Family had caused at CBS

    01:00

    Fred Silverman on Soap, which pushed the boundaries "in its way" as All in the Family had done at CBS

    01:41

    Tony Thomas

    Tony Thomas on the genesis of Soap

    03:25

    Tony Thomas on why Soap was considered groundbreaking

    02:30

    Tony Thomas on dealing with Standards and Practices regarding Soap

    00:49

    Tony Thomas on Cathryn Damon as "Mary Campbell" on Soap

    01:01

    Tony Thomas on Katherine Helmond as "Jessica Tate" on Soap (Thomas accidentally refers to Helmond as Cathryn Damon)

    00:51

    Tony Thomas on Richard Mulligan as "Burt Campbell" on Soap

    00:34

    Tony Thomas on Robert Mandan as "Chester Tate" on Soap

    00:15

    Tony Thomas on the casting of Soap

    02:34

    Tony Thomas on Billy Crystal as "Jodie Dallas" on Soap

    01:51

    Tony Thomas on Robert Guillaume as "Benson DuBois" on Soap

    02:09

    Tony Thomas on critical and audience reaction to Soap

    02:32

    Tony Thomas on his day-to-day production duties on Soap

    02:43

    Tony Thomas on Soap's cancellation in 1981

    01:26

    Tony Thomas on spinning Benson off from Soap

    02:04

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