Handmaid's Tale, The

Ane Crabtree on choosing the teal and red colors for the costumes for the Commanders' Wives and the Handmaids, respectively, on The Handmaid's Tale

Ane Crabtree on her inspiration for the costumes on The Handmaid's Tale

Ane Crabtree on first meeting Elisabeth Moss for costume fittings for The Handmaid's Tale, on the music she played during the fitting, and her approach to costumes for the show

Ane Crabtree on how she first got involved with The Handmaid's Tale

Ane Crabtree on her research for the costumes of The Handmaid's Tale, how she was impacted by the subject matter of the show, and design ideas for the Handmaids, Econopeople, Guardians, Aunts, and Commanders

Ane Crabtree on some of the inspirations for the Aunts' costumes on The Handmaid's Tale

Ane Crabtree on additional secrets that she built into the costumes on The Handmaid's Tale -- wanting to give the Commanders' wives something special

Ane Crabtree on hiding actress Yvonne Strahovski's real-life pregnancy on The Handmaid's Tale

Ane Crabtree on the obi in the Handmaids' costumes for The Handmaid's Tale

Ane Crabtree on additional elements of Handmaids' costumes for The Handmaid's Tale -- wings, cape, boots, and winter and summer versions of the costumes

Ane Crabtree on costume designs for season two of The Handmaid's Tale -- her inspiration for the Unwomen

Ane Crabtree on costume designs for the Econopeople in season two of The Handmaid's Tale

Ane Crabtree on how Gilead in The Handmaid's Tale is similar to present day, and how costumes similar to those she designed began to be worn at political protests

Ane Crabtree on Elisabeth Moss' costume from The Handmaid's Tale now being part of the permanent collection of the Smithsonian