Fireside Theatre was the first successful filmed series on American network television. In an era when live television dominated network schedules, the series demonstrated that filmed programming could be successful and from the fall of 1949 to the spring of 1955, it was one of the ten most watched programs in the United States. Following The Milton Berle Show on Tuesday nights on NBC, Fireside was an anthology drama that presented a different half-hour story each week. In 1955, the series was changed to Jane Wyman Presents the Fireside Theatre, and though it soon became a distinctly different series under the title, Jane Wyman Theater (1955-58), the title usually refers to the entire run of the series.

    For the first two years of network series television (1947-49), all television shows were broadcast live from New York and many were anthology dramas, presenting weekly hour-long plays. Kraft Television Theatre, Studio One, and Philco Television Playhouse are outstanding examples of the form that dominated network schedules through the early 1950s. Videotape would not be available until 1956, and film was initially thought to be too expensive for weekly television production. For television critics working during the early years of the medium, the hour-long anthology dramas, with their adaptations of literary classics, serious dramas, and social relevance, represented the best of television. The worst was cheap, half-hour, Hollywood telefilms that did not, in their view, aspire to so-called serious drama or social relevance. Fireside Theatre fit this latter category.

    The television series most often cited as the innovator in filmed programming is I Love Lucy (which was produced in Hollywood). However, when I Love Lucy premiered on CBS in 1951, Fireside Theatre had already been on the air for two years. To the show's sponsor and owner, Procter & Gamble, film offered several distinct advantages over live production. It made possible the creation of error-proof commercials. It allowed for closer control of content and costs. It created opportunities for added profits from syndication when programs were sold for repeated airing. And it enabled cost-effective distribution to the West Coast, not yet hooked into the coaxial cable network that linked East Coast and Midwest stations.

    Producer/director/writer/host Frank Wisbar is often considered the reason for Fireside Theatre's success. Frank Wisbar Productions was the sole production company from 1951-55 and for the show's first several seasons, Wisbar produced and directed most episodes, and even served as host in the 1952-53 season. To control costs, he wrote many episodes himself and used public domain and free-lance stories. Writers such as Rod Serling and Budd Schulberg saw their stories produced and then little-known and second-string movie actors such as Hugh O'Brian, Rita Moreno, and Jane Wyatt appeared on the series.

    When Fireside Theatre premiered in April 1949, it began a three-month experimental period. Some of the 15-minute episodes were live and some were filmed. Genres were mixed, and included comedies, musicals, mysteries, and dramas. A half-hour format that presented two 15-minute filmed stories per episode was chosen for the 1949-50 season. These early episodes were often mysteries, reflecting Wisbar's background in horror and mystery movie making. (When these episodes were first shown in syndication they were called Strange Adventure.) Later seasons presented half-hour dramas and while the stories continued to vary in genre (Westerns, comedies, melodramas, mysteries), family remained the central theme.

    From 1953-55 film actor Gene Raymond served as host and by the end of the 1954-55 season, as ratings declined, Fireside Theatre was completely overhauled--it became a different series. The title and theme music changed. But most significantly, film star Jane Wyman became host and producer. Wyman chose the scripts and acted in many of the episodes and her company, Lewman Productions, produced the series. It was now Wyman's show which would remain on NBC until 1958.

    Fireside Theatre established its place in the history of television by being the first successful filmed network series in the era of live broadcasting. It was also the first successful filmed anthology series in an era of prestigious live anthology dramas. Scorned by critics, it was, for most of its seven seasons, a top-ten show on American television.

    -Madelyn Ritrosky-Winslow

    HOST

    Frank Wisbar (1952-1953)

    Gene Raymond (1953-1955)

    Jane Wyman (1955-1958)

    PRODUCER

    Frank Wisbar

    PROGRAMMING HISTORY

    268 Episodes

    NBC

    April 1949-June 1957   Tuesday 9:00-9:30

    September 1957-May 1958   Thursday 10:30-11:00 

    FURTHER READING

    Lafferty, William. "'No Attempt at Artiness, Profundity, or Significance': Fireside Theatre and the Rise of Filmed Television Programming." Cinema Journal (Urbana, Illinois), 1987.

    Thumbnail of William Froug

    William Froug on writing a script for Bill Asher at Fireside Theatre

    02:04
    Thumbnail of William Asher

    William Asher on directing Fireside Theater, with Jane Wyman; on working with writer Rod Serling

    38:51
    Thumbnail of James Hong

    James Hong on his experience on the Fireside Theatre episode "Bamboo Cross," directed by John Ford

    03:18
    Thumbnail of Aaron Spelling

    Aaron Spelling on writing for "Jane Wyman Presents" on Fireside Theatre

    00:57
    Thumbnail of William Froug

    William Froug on not getting paid initially for his script for Fireside Theatre

    01:48

    William Asher

    William Asher on directing Fireside Theater, with Jane Wyman; on working with writer Rod Serling

    38:51

    Dann Cahn

    Dann Cahn on filmed versus live television

    01:49

    David Dortort

    David Dortort on writing for Fireside Theatre and learning to write for the audience

    07:22

    William Froug

    William Froug on writing a script for Bill Asher at Fireside Theatre

    02:04

    William Froug on not getting paid initially for his script for Fireside Theatre

    01:48

    James Hong

    James Hong on his experience on the Fireside Theatre episode "Bamboo Cross," directed by John Ford

    03:18

    Rita Moreno

    Rita Moreno on appearing on Fireside Theatre and Schlitz Playhouse of Stars and on her early ethnic roles

    08:17

    Hugh O'Brian

    Hugh O'Brian on appearing on several Fireside Theatres

    00:27

    Aaron Spelling

    Aaron Spelling on writing for "Jane Wyman Presents" on Fireside Theatre

    00:57

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