The 1972 NBC television program Sanford and Son chronicled the adventures of Fred G. Sanford, a cantankerous widower living with his grown son, Lamont, in the notorious Watts section of contemporary, Los Angeles, California. Independent producers, Norman Lear and Bud Yorkin licensed the format of a British program, Steptoe & Son, which featured the exploits of a cockney junk dealer, and created Sanford and Son as an American version. Sanford and Son, The Jeffersons and Good Times, all produced by Lear and Yorkin, featured mostly black casts--the first such programming to appear since the Amos 'n' Andy show was canceled in a hailstorm debate in 1953.

    The starring role of Sanford and Son was portrayed by actor-comedian Redd Foxx. Foxx (born John Elroy Sanford) was no newcomer to the entertainment industry. His racy nightclub routines had influenced generations of black comics since the 1950s. Born in St. Louis, Missouri, Foxx began a career in the late 1930s performing street acts. During the 1950s he achieved a measure of success as a nightclub performer and recorder of bawdy joke albums. By the 1960s he was headlining in Las Vegas. In 1969, he earned a role as an aging junk dealer in the motion picture Cotton Comes to Harlem, a portrayal that brought him to the attention of Lear and Yorkin.

    It was Foxx's enormously funny portrayal of sixty-five year old Fred G. Sanford that quickly earned Sanford and Son a place among the top-ten watched television programs to air on NBC television. He was supported by Lamont, his thirtyish son, and a multi-racial cast of regular and occasional characters who served as the butt of Sanford's often bigoted jokes and insults. Fred's nemesis, the "evil and ugly" Aunt Esther (portrayed by veteran actor, LaWanda Page), often provided the funniest moments of the episode, as she Fred traded jibes and insults. The trademark routine of the series occurred when Fred feigned a heart attack by clasping his chest in mock pain. Staggering drunkenly he would threaten to join his deceased wife Elizabeth, calling out "I'm coming to join you, Elizabeth!"

    Though enormously successful, Foxx became dissatisfied with the show, its direction, and his treatment as star of the program. In a Los Angeles Times article, he stated, "Certain things should be yours to have when you work your way to the top." At one point he walked off the show complaining that the white producers and writers had little regard or appreciation of African-American life and culture. In newspaper interviews he lambasted the total lack of black writers or directors. Moreover, Foxx believed that his efforts were not appreciated, and in 1977 he left NBC for his own variety show on ABC. The program barely lasted one season.

    Sanford and Son survived some five years on prime-time television. It earned its place in television history as the first successful, mostly black cast television sitcom to appear on American network, primetime television in twenty years since the cancellation of Amos 'n' Andy. It was an enormously funny program, sans obvious ethnic stereotyping. "I'm convinced that Sanford and Son shows middle class America a lot of what they need to know..." Foxx said in a 1973 interview. "The show ...doesn't drive home a lesson, but it can open up people's minds enough for them to see how stupid every kind of prejudice can be." After Foxx left the show permanently, a pseudo-spin-off, called Sanford Arms proved unsuccessful and lasted only one season.

    -Pamala Deane

    CAST

    Fred Sanford................................................ Redd Foxx

    Lamont Sanford ....................................Demond Wilson

    Grady Wilson (1973-1977) .......................Whitman Mayo

    Aunt Esther (1973-1977) .........................LaWanda Page

    Woody Anderson (1976-1977).................. Raymond Allen

    Bubba Hoover............................................. Don Bexley

    Janet Lawson (1976-1977) .........................Marlene Clark

    Roger Lawson (1976-1977).................... Edward Crawford

    Donna Harris ...........................................Lynn Hamilton

    Officer Swanhauser (1972) ...........................Noam Pitlik

    Officer Hopkins ("Happy") (1972-1976) .........Howard Platt

    Aunt Ethel (1972) ....................................Beah Richards

    Julio Fuentes (1972-1975)........................ Gregory Sierra

    Rollo Larson......................................... Nathaniel Taylor

    Melvin (1972)............................................ Slappy White

    Officer Smith ("Smitty") (1972-1976) ............Hal Williams

    Ah Chew (1974-1975) .....................................Pat Morita

    PRODUCER

    Norman Lear

    PROGRAMMING HISTORY

    136 Episodes

    NBC

    January 1972-September 1977   Friday 8:00-8:30

    April 1976-August 1976   Wednesday 9:00-9:30

    FURTHER READING

    Bogel, Donald. Blacks, Coons, Mulattos, Mammies and Bucks: An Interpretive History of Blacks in American Film. New York: Garland, 1973.

    _______________. Blacks in American Television and Film. New York: Garland, 1988.

    Friedman, Lester D. Unspeakable Images: Ethnicity and the American Cinema. Urbana: University of Illinois Press, 1991.

    Gray, Herman. Watching Race: Television and the Struggle for "Blackness." Minneapolis: University of Minnesota Press, 1995.

    MacDonald, J. Fred. Blacks and White TV: Afro-Americans in Television Since 1948. Chicago: Nelson-Hall, 1993.

    Marc, David, and Robert J. Thompson. Prime Time, Prime Movers: From I Love Lucy to L.A. Law, America's Greatest TV Shows and People Who Created Them. Boston: Little, Brown, 1992.

    Taylor, Ella. Prime Time Families: Television Culture in Postwar America. Berkeley: University of California Press, 1990.

    Thumbnail of Norman Lear

    Norman Lear on how he got NBC to buy Sanford and Son with Redd Foxx, and on casting Demond Wilson

    06:22
    Thumbnail of Quincy Jones

    Quincy Jones on composing the theme for Sanford & Son

    04:05
    Thumbnail of Bud Yorkin

    Bud Yorkin on working with Redd Foxx on Sanford and Son

    04:14
    Thumbnail of Rita Riggs

    Rita Riggs on designing costumes for Sanford & Son, and on the challenges of designing for Redd Foxx as "Fred Sanford"

    09:27
    Thumbnail of Jack Shea

    Jack Shea on the cast of and production on Sanford and Son

    07:31
    Thumbnail of Garry Shandling

    Garry Shandling on writing a spec, and eventually three episodes of Sanford and Son

    02:48

    Bruce Bilson

    Bruce Bilson on single camera verses multi-camera and being fired from Sanford and Son

    05:01

    Reuben Cannon

    Reuben Cannon on casting for Ironside, Emergency!, The Rockford Files, Baretta, and Sanford and Son

    08:44

    Hal Cooper

    Hal Cooper on directing Sanford and Son

    01:50

    Charles S. Dubin

    Charles S. Dubin on directing The New People, Room 222, Of Men and Women, Sanford and Son, and The 10th Level

    03:25

    Garvin Eddy

    Garvin Eddy on working in the art department as an assistant to Edward Stephenson for shows including Maude and Sanford & Son

    04:19

    Garvin Eddy on designing the junkyard on Sanford and Son, and on the junk or things around the set defining the characters

    05:06

    Garvin Eddy on working with Redd Foxx on Sanford and Son

    01:11

    Lewis Gomavitz

    Lewis Gomavitz on becoming a prop master for Sanford and Son

    05:01

    Lewis Gomavitz on his duties as prop master on Sanford and Son

    01:38

    Lewis Gomavitz on the cast of Sanford and Son including Redd Foxx

    01:28

    Lewis Gomavitz on directing episodes of Sanford and Son

    02:22

    Jonathan Harris

    Jonathan Harris on guest-starring on Sanford and Son, and on his friendship with Redd Foxx

    03:29

    Quincy Jones

    Quincy Jones on composing the theme for Sanford & Son

    04:05

    Norman Lear

    Norman Lear on how he got NBC to buy Sanford and Son with Redd Foxx, and on casting Demond Wilson

    06:22

    Pat Morita

    Pat Morita on appearing as "Ah Chew" on Sanford and Son and on his friendship with Redd Foxx

    05:47

    Pat Morita on the name of his Sanford and Son character "Ah Chew"

    03:34

    Pat Morita on what he learned from his friend Redd Foxx during his time on Sanford and Son

    05:43

    Michael Moye

    Michael Moye on writing an episode of Sanford and Son

    04:59

    Bernie Orenstein

    Bernie Orenstein on producing Sanford and Son with Saul Turteltaub and working with Redd Foxx

    03:51

    Bernie Orenstein on hiring writers on Sanford and Son and working with the cast

    01:50

    Bernie Orenstein on the dynamic between Redd Foxx and Demond Wilson as "Fred Sanford" and "Lamont Sanford" on Sanford and Son

    03:05

    Bernie Orenstein on issues with Standards and Practices on Sanford and Son

    00:43

    Bernie Orenstein on the Sanford and Son episodes, "Steinberg and Son" and "Fred Meets Redd" and working with Redd Foxx

    04:15

    Bernie Orenstein on why he thinks Sanford and Son was so successful (his answer: Redd Foxx) and Foxx's input on the show's scripts

    00:58

    Bernie Orenstein on why Sanford and Son ended

    00:47

    Bernie Orenstein on the legacy of Sanford and Son

    01:02

    Roscoe Orman

    Roscoe Orman on his role on Sanford and Son

    00:43

    Marian Rees

    Marian Rees on working on Sanford and Son

    03:57

    Marian Rees on the casting of Sanford and Son

    02:07

    Marian Rees on selling Sanford and Son to the networks

    03:51

    Della Reese

    Della Reese on appearing as herself on Sanford and Son with Redd Foxx

    02:13

    Hank Rieger

    Hank Rieger on publicity for Sanford and Son and working with Redd Foxx

    01:52

    Rita Riggs

    Rita Riggs on designing costumes for Sanford & Son, and on the challenges of designing for Redd Foxx as "Fred Sanford"

    09:27

    Aaron Ruben

    Aaron Ruben on how he came to work on Sanford & Son with Norman Lear; how he suggested the main characters be Black but the network wanted an Italian

    03:58

    Aaron Ruben on the difficulty of finding actors for Sanford & Son ; how Redd Foxx came to be cast

    05:49

    Aaron Ruben on producing Sanford & Son and working with the cast and crew

    09:46

    Herbert S. Schlosser

    Herbert S. Schlosser on programming Sanford and Son, a big hit for NBC

    05:20

    Garry Shandling

    Garry Shandling on writing a spec, and eventually three episodes of Sanford and Son

    02:48

    Garry Shandling on the scripts he wrote for Sanford and Son

    03:27

    Nina Shaw

    Nina Shaw on Norman Lear and Bud Yorkin pioneering the idea of taking existing formats in other countries, recreating them for American audiences, and navigating the corresponding new legal territory

    02:07

    Jack Shea

    Jack Shea on the audience reaction to Redd Foxx (and some of his off-screen antics) on Sanford and Son

    01:16

    Jack Shea on directing Sanford and Son; on the show's producers, premise and working with Redd Foxx

    06:17

    Jack Shea on diversity on television and taboo topics during the era of Sanford and Son

    01:53

    Jack Shea on the cast of and production on Sanford and Son

    07:31

    Nick Stewart

    Nick Stewart on Sanford and Son

    02:45

    Saul Turteltaub

    Saul Turteltaub on Norman Lear asking him and his partner Bernie Orenstein to produce Sanford and Son and Redd Foxx almost not coming back to the show for its third season

    04:10

    Saul Turteltaub on working with Redd Foxx on Sanford and Son

    01:38

    Saul Turteltaub on the end of Sanford and Son, which was the result of ABC poaching Redd Foxx

    00:43

    Saul Turteltaub on the Sanford and Son writers room

    03:38

    Saul Turteltaub on the popularity of Sanford and Son, which he attributes to Redd Foxx

    01:11

    Saul Turteltaub on the Sanford and Son episode, "Steinberg and Son"

    00:55

    Saul Turteltaub on the ensemble cast of Sanford and Son

    02:43

    Saul Turteltaub on Redd Foxx's input (or lack thereof) on Sanford and Son scripts

    00:41

    Saul Turteltaub on the legacy of Sanford and Son

    00:59

    Saul Turteltaub on producers Norman Lear and Bud Yorkin being hands-off on the production of Sanford and Son

    01:32

    Saul Turteltaub on the Sanford and Son spin-offs, The Sanford Arms and Grady

    02:11

    Bud Yorkin

    Bud Yorkin on developing and casting Sanford and Son

    04:51

    Bud Yorkin on working with Redd Foxx on Sanford and Son

    04:14

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