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Interview

Jerry Lewis

In his nearly two-and-a-half-hour interview, Jerry Lewis (1926-2017) describes his rise to stardom as a performer in the famed Borscht Belt and expresses how his father profoundly shaped his own...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Bob Finkel

In his four-hour interview, Bob Finkel (1918-2012) talks about the countless musical variety and awards shows he directed and produced. He describes directing the first televised telethon, hosted by Jack...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

JP Miller

In his over four-hour interview, JP Miller (1919-2001) talks extensively about writing teleplays for live television dramas and his relationships with Fred Coe, Tad Mosel, Horton Foote, Delbert Mann, John...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Hugh Downs

In his three-and-a-half-hour interview, Hugh Downs (1921-2020) discusses his 50-plus years in television. He talks of his career in radio and transitioning to television in the Chicago market. He recalls...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Elma Farnsworth

In her seven-hour interview, Elma Farnsworth (1908-2006) discusses her husband Philo T. Farnsworth's first television invention - the image dissector tube - and the excitement of seeing its first moving...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Rod Erickson

In his five-hour interview, Rod Erickson (1916-2006) talks about his early years and his early interest in theater. He chronicles his time in radio, first at WMAL in Washington D.C...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Haskell Boggs

In his three-and-a-half-hour interview, Haskell "Buzz" Boggs (1908-2003) talks about his early years and his early interest in photography. He describes moving to Los Angeles and working for Paramount Pictures...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Art Linkletter

In his three-hour interview, Art Linkletter (1912-2010) discusses his early years in radio and his business partnership with John Guedel, which resulted in many popular programs including Groucho Marx's You...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Earle Hagen

In his five-hour interview, Earle Hagen (1919-2008) describes the pleasure of working with producers Sheldon Leonard and Danny Thomas. He discusses creating the themes, as well as writing the music...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Mel Tolkin

In his four-hour interview, Mel Tolkin (1913-2007) talks about his early years writing for Camp Tamiment, where he was discovered by producer Max Liebman, and his writing partnership with Lucille...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Sid Smith

In his four-hour interview, Sid Smith (1921-2014) talks of his years in advertising, where he began directing television commercials. He speaks of brother-in-law Eddie Condon and becoming an assistant director...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Barney McNulty

In his nearly three-hour interview, "Cue Card King" Barney McNulty (1923-2000) recounts his early years and his first big break -- working for The Ed Wynn Show. He recalls creating...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Delbert Mann

In his four-hour interview, Delbert Mann (1920-2007) talks about studying at the Yale School of Drama and his transition to television following his service in the Air Force during World...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Tad Mosel

In his six-hour interview, Tad Mosel (1922-2008) talks about his early years growing up in the Great Depression and his experience in World War II. He describes his education at...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Ray Forrest

In his three-hour interview, Ray Forrest (1916-1999) recalls how he became television's very first news anchor, announcer, personality, and political commentator in 1939. He discusses how he got his start...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Agnes Nixon

In her two-and-a-half-hour interview, Agnes Nixon (1927-2016) discusses her love of reading and writing. She recalls attending Northwestern University and changing her focus from acting to writing. She talks of...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Reuven Frank

In his nearly seven-hour interview, Reuven Frank (1920-2006) discusses the success of Camel News Caravan featuring John Cameron Swayze, as well as covering several sets of political conventions beginning in...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Thomas T. Goldsmith, Jr.

In his four-and-a-half-hour interview, Thomas T. Goldsmith, Jr. (1910-2009) talks about his early years and his earliest awareness of the impending invention of television. He describes meeting Allen B. DuMont...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Norman Felton

In his four-and-a-half-hour interview, Norman Felton (1913-2012) discusses his role in radio and in early television in Chicago, as part of the distinguished Chicago School of Television with Charlie Andrews...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.
Interview

Madelyn Pugh Davis

"Bob said, 'I don't want to get tied down, I'll give it a year.' We've been writing together, it'll be 50 years -- and he wasn't sure it would work...
All views expressed by interviewees are theirs alone and not necessarily those of the Television Academy.